"Off we go towards Clockwork Alchemy ... there we'll have tea with all of our fans." I'd say "sung to the theme of 'Wild Blue Yonder'" but I actually don't remember the words to that other than the first line - and it's relatively hard to parody something you don't know all that well.
Regardless, we'll have books, and panels, and the debut of Jeremiah Willstone and the Choir of Demons!
-the Centaur
Pictured: an accidentally blurred shot of my book stock, and a fortuitous super closeup of the books that I had taken pictures of at the Kickstarter.
Boosting the signal ... I'll be joining my friend David Colby's panel APPLIED PLOTONIUM at 10am on Sunday at 
In addition to David and me, we've also shanghaied, er, convinced two of our mutual friends to join in: writer and chemist 
Wow. I guess a lot of books are going to be waiting for me when I get home tonight ... either the shipment of 
Q: Yak? Giant Chicken? Trebuchet? What gives?
DW: It started with a dare in our email planning with the authors for Thirty Days Later. One author found a picture of a clockwork yak and threw down the gauntlet: “Bet you can’t fit a yak in.” Challenge accepted. Rumor has it that there are multiple yak sightings (bonus points if you can find them all). Since that was deemed “Way too easy,” the chieftess of shenanigans, Sparky McTrowell, raised the yak ante for Some Time Later with a trebuchet, and somehow a chicken was thrown in, possibly due to an excess of caffeine and chocolate. And Yes. I fit them all in.
BJS: Absolutely. As chief cat wrangler for all three of the Later anthologies, I had to coordinate deadlines and revisions for not just the fifteen or so authors, but also our publisher’s staff. Why do I do it? The power, obviously. But in all seriousness, it’s the satisfaction of being an integral part of a fantastic collection of stories.
Q: What was your favorite story to edit/write for the anthologies?
BJS: That’s a tough one. There are so many great stories and they vary so much in theme, style, and content. I had a great time writing my own stories, especially the first one in Some Time Later, “The Descent.” That one allowed me to get my mycological geek on. I’m partial to Lillian Csernica’s Japanese mythology-inspired stories because they are unique but still feel steampunk.
Q: What excited you about Twelve Hours Later and the other anthologies in which you’ve participated?
SEC: Short fiction is an art form in and of itself. Expressing a full story in a little bit of space, means distilling the true essence of your message in a way that someone can read on their lunch hour and still feel like they got a complete picture. Having the opportunity to challenge myself within the framework of the anthologies’ themes made me work hard to present fully developed characters and concepts within those constraints, and it was a lot of fun! That the anthologies benefited literacy programs was the icing on the cake.
