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Posts published in “Fiction”

Things I make up for a living.

Teaser for Steampunk Fairy Chick

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The UNCONVENTIONAL anthology is now available on Amazon, featuring my story "Steampunk Fairy Chick" starring Jeremiah Willstone, heroine of THE CLOCKWORK TIME MACHINE. The editors of the anthology, Kate Kaynak and Trisha Wooldridge, have made teasers of the first few pages of each story available, and you can read the start of "SFC" here. If you can't wait for that, you can see the first two paragraphs below: Please enjoy! -the Centaur

Viiiiictory for the Paper Tiger

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Once again I've completed National Novel Writing Month. This year, I finished 8 days early. Or, put another way, THIS is what happens if you turn off the Internet during Nano: I've had a number of interruptions in Nano in the past and this year was no exception. I know I can finish 38,000 words in 10 days and I was initially trying to push to finish at twice the rate, or perhaps finish two books. Well, that didn't happen because of the Galaxy Nexus launch and you can see that in my progress here: That chasm was the Galaxy Nexus launch (and a few other things tossed in there). But I made it through that, and ultimately succeeded today, sitting in a Starbucks at Santana Row here in San Jose (actually pictured is Michael's Gelato in Palo Alto because the pic from Santana Row hasn't uploaded). Normally I survive Nano by taking the whole of Thanksgiving week off for a nine day writing intensive. But this time, I've finished early. I still have more to write on HEX CODE, of course, but I now have the luxury of leaning back and thinking through a few twists to the plot, with 50,000 words under my belt making the story solid. So ... I can actually take this vacation ... as a vacation. So without further ado I present a snippet of the story that was written today ... raw Nano, unfiltered except for a little reformatting and removing some author's notes.
When I found out that Ben was human, or more accurately that elf meant human with special sauce, blabbermouth old me just had to go tell Mom. Then blabbermouth old me had to make up a story of how I found out, which involved a clever lie about school. Not so clever. That just called Mom’s attention to the fact that she now had two underage wards in need of schooling. Getting me into the Clairmont Academy was a pain in the ass, but now they all love us, so getting Ben in was as simple as selecting a school uniform. And boy, does he look hot in it. Hot hot hot. The points to his ears and the green in his skin and the red in the sweater, it’s like Christmas, and that poofy green helmet makes him look like a school uniform tree—when girls aren’t comin up to tousle it. They’re all lookin’ at him. I was sure he had a glamour, but now I’m thinkin it made him look scary. Now he just looks like a boy, a hot boy with funky green hair the girls can’t resist. A passing one does it again and darts off, and I feels for him! He winces, but he clearly likes it. “So, Cinnamon,” Surrey says, setting her tray down, “will you—oh, hello.” “Hello,” Ben says, and there would be a dotted line in the air between their elfin eyes. Surrey’s too frozen to sit down, so Ben stands up, takes her hand, and kisses it with a flourish. “Greetings from the halls of Appalachia, oh princess of Scandinavia.” “Oh, siddown,” I says, and Ben sits down with a plop. He glares at me, but I ignores him. “Ben, this is Surrey Eddington, one of my best friends. Surrey Eddington, this is Benjamin Damon.” My smile grows mean. “He’s my house elf.” “I swear, Cinnamon Frost,” Ben growls, “by the gleaming halls of elfland—” “By the power of Greyskull,” Megan says, sitting down next to the still-smitten Surrey. “Oh, hey, what are you?” she says, and Ben near jumps out of his seat—then plops back down again as Megan scratches her head and says, “Wait … I’m doing it again, aren’t I?”
Next up I plan on ... chilling out, having a nice dinner, and joining my writing group for the evening to review my outstanding projects. First up is probably finishing the edit of STRANDED for my beta readers ... and then finishing Dakota Frost 3, LIQUID FIRE. Or perhaps I'll just chill out and clean up my library for Thanksgiving, and thank God I have it. Good luck in Nano, all! -the Centaur

Nanowrimo 2011 Begins

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So it's another year, another National Novel Writing Month. This year, what was supposed to be my first YA (young adult) novel, HEX CODE. Actually, I've already started one called STRANDED, which makes me feel even better about tacking this new genre. A sneak preview of the first young adult novel featuring the mathemagical weretiger Cinnamon Frost, adopted daughter of the magical tattoo artist Dakota Frost:
It sucks trying to do your homework when you’ve turned into a tiger. It’s not that your body turns two sizes too big for your chair, that your balance goes so you can’t stand, or even that your claws are so sharp that you could punch straight through a keyboard. It’s the little things. Big cats are nearsighted, so you need big old dorky “tiger” glasses you can barely get on once your hands have gone to claws. And we’re predators, reflexes tied to movement, so I has to fight smashing the screen every time my mouse pointer moves. And turning into a tiger hurts like getting pummeled with a thousand bars of soap in socks, so the only thing I really want to do after the Change is gnaw on someone, regardless of whether I have three papers all due tomorrow morning.
The material above is actually from the 1500 words of "seed" material I started prior to National Novel Writing Month. I always start with a seed, be it 500 words or 10,000, but commit to fulfilling the Nano challenge by doing 50,000 additional words. This year my final target, counting the seed, is 51544 words. Time to climb that mountain! Already 1129 words into the challenge (not counting the seed). Go Team Centaur! -the Centaur

Rebel Magicians of the Urban Jungle

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I've a guest post up at Reader's Entertainment News blog: Rebel Magicians of the Urban Jungle.
When I wrote FROST MOON, I had fun exploring all the different kinds of tattoo magic … but already, I had started to wonder: what other kinds of magic live in this alternate Atlanta where werewolves run in the night and vampires rule like gangsters? In the sequel, BLOOD ROCK, I explored one new magical practice: magic graffiti. The basic premise of the Dakota Frost universe is that if magic is real, then magic is real ...
To read more, click through the link. Y'all come back alive, hear? -the Centaur Crossposted at the Dakota Frost blog.

A 24 Hour Comics Day Timeline

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24 Hour Comics Day can be quite the intimidating challenge, especially if you haven't done it before. Because Nathan Vargas and I had tried it before and failed, we started thinking hard about how to succeed - and I in particular started thinking about timing: how to break down your hours, how long you typically take breaks, and so on. To keep myself on track, I started writing down panel timings as I was working, an almost unconscious decision that soon turned into a policy. As a result, I produced a nearly complete timeline of events of a successful 24 Hour Comics Day. Everyone's method will be different, and this may not apply to you. But it shows at least ONE successful approach: preparing ahead, bringing good food, other refreshments and adequate supplies, getting planning done early, keeping each page tight, noticing that you're falling behind, finding faster ways to do things, taking breaks to stay energized - and never, never, never giving up.

BEFORE THE EVENT

T-Minus 1 year: Fail to finish 24HCD ... Again. Resolve to take more life drawing classes. As a result ... actually took more life drawing classes and practiced. T-Minus 4 months: Reminded by Nathan about 24HCD. Started to panic. Nathan mentioned he was thinking about how to succeed this time. I started thinking about that too. T-Minus 3 months: Drunk guy at a comics booth at the Sub Zero festival hears us talking about 24HCD. He suggests we should do a tutorial. We go to Slave Labor Graphics, find out they aren't set up to host a full 24 hour event. A tutorial or boot camp starts to sound like a better idea. T-Minus 2 months: We decide to do the boot camp. After a marathon brainstorming session where we came up with the name BLitz Comics, we start meeting every Wednesday, producing tutorial materials. T-Minus 1 week: We do a runthrough of the bootcamp. Around this time, we find out that 24HCD at the venue we've chosen is not October 1 but September 24 ... 1 day after our boot camp. Panic. T-Minus 18 hours: Last minute trips to University Art to buy notebooks, pens, pencils for the boot camp (which will also be used at 24HCD as well). T-Minus 15 hours: BLitz Comics hosts its first 24 Hour Comic Day "boot camp" at Kaleid Gallery. The camp includes a 45 minute tutorial (that ended up going on for an hour and a half) and included 2 1-hour drawing exercises. I learn precisely what I *can't* draw in just 1 hour. T-Minus 12 hours: Boot camp concludes. Hours of packing required. Get to bed at 3:30am, get up at 7. T-Minus 3 hours: Pick up Nathan. Trek to Mission Comics begins with a hearty breakfast at Stacks, a trip to Starbucks for coffee, and a trip to Safeway for bagels, cereal, tangerines and bananas. T-Minus 1 hour: Traffic jam. Panic should be in full swing now, but we just had coffee, a hearty breakfast, and have gone through boot camp. No worries. T-Minus 1 minute: Pull in front of Mission Comics; Nathan runs in with our art supplies and I leave to go find parking.

24 HOUR COMIC DAY BEGINS

11:00AM, September 24th: Driving around for parking. Find a great place. 11:15AM: Arrive at Mission Comics. Nathan has found primo spots halfway back the main table; we're sitting opposite each other but are in easy view of the window, door, bathroom and 10,000 comics. 11:21AM: PLANNING PHASE Start comic with a planning page. Consider two ideas; decide to go for broke and adapt my novella "Stranded" rather than wussing out with the stick-figure "Story of Blitz Comics" which I had already done a 1-pager on anyway. 11:30AM(ish): Skim novella I'm adapting, especially chapter headings. Decide on a rough breakdown; can probably draw half the novella. Pick a good stopping point. 11:38AM: Did the 24-page thumbnail sheet. Laugh at my foolish notion that I can draw half the novella. Some things that take a line in the novella need a full page; other things that take a full page don't even need to appear at all or need to be completely rewritten. Added talking animal to the plot as the only way to make the story work (it's OK, it's a robot). Break down the pages into approximately the first third. 12:13PM: Done planning. Total planning time: 52 minutes In my experience, it can take 2-4 hours to plan if you don't have a story in mind (the first two years I had vague stories in mind but no novella in hand to adapt). As it turns out, that extra 3 hours of planning would not have hurt me. 12:13PM: START PAGE ONE Did a space scene (not recommended from the boot camp!) as the first image. 12:30PM: Panel 1 Done. Blacks are surprisingly time consuming even with wide Sharpie. 12:45PM: Panel 2 Done. More blacks, more time; starting to get worried. 01:08PM: Panel 3 Done. Damn spacecraft again. Almost no blacks, but it took longer. 01:34PM: Panel 4 Done. Closeup of a character in a pose I'm bad at. Argh. Total page time: 1 hour, 15 minutes. Did some calculations; need to DOUBLE my page rate to succeed. 01:37PM: START PAGE TWO No black space vistas on this page at all. Maybe easier going? 01:43PM: Finished roughs for the page. 02:10PM: Panel 1 Done. Getting a grip on figures, sound effects, word balloons. 02:25PM: Panel 2 Done. Needed to know fuse ratings to fill in detail on the end of a fuse pulled by central character. Decided to use phone instead of computer to look it up - the answer was "in kA" and 207 is a good super-high number. This worked so well I resolved not to turn computer on until I was "way ahead". 02:39PM: Finished Panel 3. Liking this "draw people from the back half obscured" trick. Total page time: 1 hour, 2 min. Need to pick up pace by at least 20 minutes. 02:39PM: START PAGE THREE One huge panel, but 4 characters and some perspective. 02:48PM: ~10 minute break + boxing in outer panel border. 02:58PM: Central character outlined 03:02PM: Dialogue outlined, drawing characters around word bubbles. LOVE the technique! Had to spend more time looking up the appearance of a bird's eye for a drawing. In hindsight, I'm glad I did that rather than wing it, I had to draw that bird eye on a helm maybe a dozen times or more over the comic. 03:22PM: Page finished. Finally ahead (ish) but not really: hour 4.5 with only 3 pages Total page time: 43 minutes. Counting the 9 minute break. 03:22PM: START PAGE FOUR Back to a multi-panel page with black areas. 03:34PM: ~12 minute break. 03:39PM: Panels done. Realize my target time (45 minutes) is 4:07. Oh shit. 03:51PM: Roughs done for Panel 1, a closeup of a character's face. 03:58PM: Panel 1 done. Came out rather nice, perhaps the nicest face in the comic. 04:02PM: Panel 2 done. 04:11PM. Panel 3 blacks done. Great music from band "07" is playing over Mission Comic's sound system. 04:16PM: Page finished. Total page time: 54 minutes. Almost on schedule. 04:16PM: START PAGE FIVE More panels, 5 this time, but no black areas. 04:21PM: ~5 minute break. 04:24PM: Pencil panel borders done. 04:27PM: Ink panel borders done. 04:40PM: Panel 1 done. Realize my human profiles suck. So do my full figures. Ugh. 04:49PM: Panels 2-3 done. 04:55PM: Panels 4-5 done. Total page time: 39 minutes. Not sure how I pulled that off. 04:55PM: START PAGE SIX More space vistas! And crosshatching! 05:04PM: ~9 minute break. 05:05PM: Pencil borders done. 05:09PM: Ink panel borders done 05:11PM: Dialogue done - needed adaptation from novella. 05:16PM: Frame 1 roughs done 05:31PM: Frame 1 blacks done 05:38PM: Frame 2 done 05:45PM: Frame 3 done 05:53PM: Page finished. Total page time: 58 minutes. Black backgrounds will kill ya. 05:53PM: START PAGE SEVEN 05:55PM: ~2 minute break ... then pizza arrives! 06:38PM: ~43 minute dinner break. Yum! 06:39PM: Pencil border. 06:43PM: Ink panel borders. 06:48PM: Roughs. 07:10PM: Panel 1 "done". 07:19PM: Further polish (it's a large and important panel that introduces Serendipity, the protagonist). 07:29PM: Panel 2 done. 07:36PM: Panel 3 done. Total page time: 1 hour, 43 minutes. 07:36PM: START PAGE EIGHT 07:53PM: ~17 minute break (flagging a bit?) 07:54PM: Pencils. 08:00PM: Panels 08:08PM: Panel 1 rough / dialogue. Realize we're in hour 10 now. 08:24PM: Panel 2. 08:38PM: Page finished. Total page time: 1 hour, 2 minutes. 08:38PM: START PAGE NINE 08:54PM: ~16 minute break 09:06PM: ~12 minute break (someone came by to talk?) 09:08PM: Panels penciled. 09:13PM: Panels inked. 09:18PM: AAARGH! Blocked. PHUQ IT. 09:26PM: Panel 1. Some of the facial positions are hard. Screw it. 09:35PM: Panel 2. 09:44PM: Page finished. Total page time: 1 hour, 6 minutes. 09:44PM: START PAGE TEN 09:50PM: ~6 minute break 09:52PM: Penciled panels. 10:00PM: Inked panels. Realize it's hour 11 (actually 12, but never mind) and you should be working on page 12 or more. Cut it in half! 10:11PM: Panel 1 done. Damn black space around spaceships again. 10:28PM: Panel 2 outlines done. Was intimidated by this crowd scene, easier than I expected. 5 people and 4 ghostly background outlines - 9 people total! 10:34PM: Panel 2 done. 10:40PM: Page finished. Total page time: 56 minutes. 10:40PM: START PAGE ELEVEN 10:46PM: ~6 minute break 10:47PM: Pencil outlines. 10:49PM: Panels inked. 10:57PM: Dialogue for all panels inked. This really helped, but as I found out later, I was reading in columns but other people read left-to-right, so this was a flaw. Zoned out around here. 11:14PM: Panel 1 done. 11:28PM: Page finished. Total page time: 48 minutes. 11:28PM: START PAGE TWELVE - on a roll, no break. Thought it was hour 12, actually hour 13. 11:34PM: Panels and dialogue complete. Met Google guy, should contact later. Also found out about Mobcomics, a comic publishing platform. 11:38PM: Panel 1 done. 11:44PM: Panel 2 done. 11:51PM: Page done. Total page time: 23 minutes. That seems almost impossible! But it happened, in part because I was skipping pencils or just doing light pencils on certain characters. 11:52PM: START PAGE THIRTEEN 12:00AM: Break. Didn't even realize it was midnight and September 25 now. Did realize it was not hour 12 but hour 13 (not true, actually hour 14 had started). "On Schedule" ... NOT! :-) 12:07AM: Script complete. All those people who are complaining that by adapting a novella I'm "cheating because the script is worked out already" can go jump in a lake. It isn't that simple. That's why they call it ADAPTING, folks. 12:21AM: Page done. Total page time: 29 minutes. This page went fast because it was primarily diagrams and dialogue, no figures - this is the point where the crew of Independence realizes that they're screwed if they don't land. 12:22AM: START PAGE FOURTEEN 12:32AM: ~10 minute break. 12:45AM: Panel 2 done. 01:03AM: Page done. Total page time: 41 minutes. I don't know it yet, but I'm just about to get caught up with where I "should" be to finish on time. 01:03AM: START PAGE FIFTEEN 01:04AM: No significant break, really. 01:14AM: Panels done. 01:38AM: Page done. Total page time: 35 minutes. I don't know it yet, but I am now officially AHEAD. 01:38AM: START PAGE SIXTEEN 01:55AM: ~17 minute bathroom break 01:58AM: Panels done. I now realize my hour count was off and this is hour 15. 02:06AM: Panel 1 done. 02:15AM: Panel 2 done. I am digging that it's hour 16 and I'm progressing on page 16. 02:23AM: Page done. Total page time: 45 minutes. We may win this thing yet! 02:23AM: START PAGE SEVENTEEN 02:31AM: ~8 minute break 02:34AM: Panel borders 02:45AM: Panel 1 done ... digging that it's STILL hour 16 and I'm on page 17. 02:54AM: Panel 2 done. 02:58AM: Page done. Total page time: 35 minutes. I am now officially a page ahead. 02:58AM: START PAGES EIGHTEEN AND NINETEEN - DUAL PAGE SPREAD 02:59AM: On a roll, jazzed that I have finally gotten to a dual page spread, will LEAP ahead now. Sure, it's a gigantic outer space vista that requires some actual diagramming and thought, but its SO COOL that I'm going to go from just about ahead to way ahead in one swell foop! 03:07AM: Borders and sketch done. 03:16AM: Inks done. 03:39AM: Blacks done. 03:47AM: Page done. Total page time: 49 minutes. I am now TWO pages ahead. 03:47AM: START PAGE TWENTY 04:04AM: ~17 minute break. 04:21AM: Panel lines done. 04:28AM: Page done. First (and only time I had to use whiteout) because I was inking and not sketching. Total page time: 41 minutes. I am now THREE pages ahead. 04:28AM: START PAGE TWENTY-ONE 04:35AM: ~7 minute break 04:43AM: Script done. Repeat note to snarky guys who don't know what "adapting" means. 04:44AM: Boxes done. Wow, that was fast for that many panels. 04:51AM: Panel 1 done. 04:54AM: Panel 2 done. Largely skipping pencils now. 04:57AM: Inks on Panel 3 done. 05:04AM: Panel 3 blacks done. 05:09AM: Panel 4 inks done. 05:13AM: Panel 4 blacks done. 05:26AM: Panel 5 done. 05:31AM: Panel 6 done, page done AND IT'S STILL HOUR 18. Total page time: 1 hour, 3 minutes. 05:31AM: START PAGES TWENTY-TWO AND TWENTY-THREE 05:33AM: ~2 minute break. I am so glad I put in two dual page spreads. And this is my favorite page - a redo of the very first drawing I did of Serendipity two or three years ago, before I even knew her name: a young centauress with her barrel draped in tapestries, bouncing along a field of wheat towards a castle beneath a gas giant floating in the sky. Had to completely redo the drawing, but ultimately this was the point of the story. 05:38AM: Border done. 05:48AM: Sketch done. 06:06AM: Page done. Total page time: 35 minutes. Woo woo on dual page spreads! 06:06AM: START PAGE TWENTY-FOUR 06:13AM: ~7 minute break. The last page is a huge single panel "to be continued". Go for it! 06:41AM: DONE and DONE! Total page time: 35 minutes. DONE and DONE! Total comic time: 19:20 minutes!

AFTER THE EVENT

Not timing it. Chilling out. Futzed around for an hour or so, talked to people, texted my wife. Took a nap around 7:40 to 8ish, then read a comic I'd bought during one of my breaks. Chilled out a while, looked at other people's finished and unfinished comics, then when Nathan finished, bought one more book, thanked Leef of Mission Comics and went to get the car. We packed up, had a great breakfast at Mel's, and I dropped Nathan off at his apartment right at 11am - two 24 Hour Comic Day victors.
And that's it. I'm pleased to see that even with adapting the novella on my side, I still finished early enough to absorb the 3-4 hours I took getting the story straight on the previous two 24 Hour Comic Days, so I think the technique would work even if I didn't have a story to tell. Knowing how many stories I have buzzing around in my head, that's never likely to happen - but if you're a 24 Hour Comic purist, it's good to know that preparing ahead, carefully tracking your page timings and shooting for 45 minutes or less per page is a technique that can make you succeed. Best of luck on your own comics! -the Centaur (Anthony Francis) Crossposted at BLitz Comics.

Who Am I?

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me in front of the bell bridge books promotional material for BLOOD ROCK Who are you? Good question. I'm Anthony Francis, and I write stuff and make computers jump through hoops for a living. What have you done? I'm most notable for the EPIC award winning urban fantasy novel FROST MOON and its sequel, BLOOD ROCK, which are about magical tattoo artist Dakota Frost and are therefore hopefully both more interesting than my ~700 page PhD thesis on context-sensitive computer memory. Also on the computer side, I've done some exploration of robot emotions. What are you doing next? Forthcoming in the Dakota Frost series is the third book, LIQUID FIRE, and this November for National Novel Writing Month I plan to work on HEX CODE, the first in a spin-off series featuring Dakota's adopted daughter Cinnamon Frost. Are you working on anything other than Dakota Frost? I've also recently completed a rough draft of the first book in a new series, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE. A short story set in this universe, "Steampunk Fairy Chick", will be included in the forthcoming anthology UnCONventional. What are you working on currently? I'm also currently working on a fourth new series with the working title STRANDED, a young adult science fiction novel set a thousand years in the future, featuring a spoiled young centauress who must rescue a shipload of children who have crashlanded upon a world she wanted to claim as her own. This story's set in the "Library of Dresan" universe from which this blog takes its name and which was setting of my very first unpublished novel "homo centauris", which I am now happily milking for its 57 billion year backstory. Anything else? I have a flash fiction story called "The Secret of the T-Rex's Arms" to appear on the Smashed Cat Magazine. I've also published one short story, "Sibling Rivalry" in the Leading Edge Magazine. I have a webcomic, f@nu fiku, on hiatus. And I'm actively involved with helping people succeed at 24 Hour Comics through tutorials that I and my friend Nathan Vargas have put together at Blitz Comics. Is that enough questions for now? Yes, it is. Please enjoy. -the Centaur

Future Books

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piles of notes between caffeine fuel and computational engine An exchange from Facebook:
Anthony: Just finished a rough draft of JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE ... my fourth completed novel! Wallace: Anthony it is great that you have 4 what are they? We know Frost Moon, blood Rock, what was the 3rd? Barbara enjoyed putting them on audio. Anthony ‎#1 is one you haven't heard of ... HOMO CENTAURIS is my first completed novel written in the early 90's. The next two were FROST MOON and BLOOD ROCK ... the third one in that series, LIQUID FIRE, is about 75% done. THE CLOCKWORK TIME MACHINE is the first in a new series. P.S. The working titles of the next three Dakota Frosts (4,5,and 6) are SPECTRAL IRON, PHANTOM SILVER and SPIRITUAL GOLD. The working titles of the next next three (7,8, and 9) are something like SPIRAL NEEDLE, HELICAL LANCE, and CIRCULAR KNIFE. And the working titles of ... I'll stop there. I can keep going, but I won't ... don't want to spoil the surprise. I've already mentioned some of the later ones online. :-)
Assuming I get that far ... no, I'm planning to get that far, and farther, God willing. -the Centaur Pictured: piles of notes between caffeine fuel and my computational engine.

Rough Draft of The Clockwork Time Machine

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jeremiah willstone, complete I just completed a rough draft of my fourth novel! My first steampunk work, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, clocks in at 90,000 words of completed story! [caption id="attachment_1128" align="alignnone" width="580" caption="The Title Page and Draft History of THE CLOCKWORK TIME MACHINE"]done with the rough draft[/caption] Here's another excerpt for those who like a tease ...
With Patrick’s blunderblast slung over her shoulder, Jeremiah whizzed through the streets on her autocycle, discharging its cylinder flat out, its teakettle scream and clanking frame adding another layer of mist and noise to the steam and bustle of Boston. Her legs were tensed, her knees bent against the pedals, half to jump the cycle over curbs, and half to keep the juddering vibration from the cobblestones of Beacon Hill from rattling her tailbone clean off. She squealed to a stop before the Moffat’s, pulled the cylinder and tossed it to a street urchin. “Top me off?” she asked, hopping off onto the sidewalk with a whirl and pulling her bag out of its basket in one smooth motion. “Yes, ma’am,” the boy said, taking the cycle. His eyes lighted on her vest, her denims—and on the big brass buttons on her lapels, a steering wheel, sword and airsail overlaid with a stylized V. “Are you an Expeditionary?” Jeremiah smiled. “Yes,” she said, ruffing his cap so that tufts of blond hair showed. “Maybe one day you’ll become one too. Polish the brasslite a bit and there’s a second shilling in it for you. Quick now; I won’t be long.”
I've got some cleaning to do and a whole 'nother draft before the beta readers can see it, but still ... on to LIQUID FIRE! -the Centaur