What makes you hang on the edge of your seat? I call that a favorite, and I talk about some of my current faves over at the Speculative Chic blog!
Go check it out!
No progress on BOT NET for Nanowrimo yet today … yesterday I got my daily word count, but today I needed to core dump some ideas I’d been brewing about a Jeremiah Willstone novella, “Crypt of the Burning Scarab”. I had a brain flash about how to make the plot work out, involving a twisty time travel paradox I haven’t seen before, and wanted to make sure I read up enough physics and math to make sure the idea made sense, then wrote it all down before I dove back into Cinnamon’s world of mathematical magic.
But you know your plot is complicated when you non-ironically need a timeline point 10(ab)”’ – that’s point 10, timelines A&B, variant 3 (prime prime prime).
Happy writing …
Pictured: A few of the math/physics books I’ve been reading on this idea, plus the “GBC” (Goodfellow, Bengio and Courville) Deep Learning book which I’m (re)reading for work.
So at Dragon Con I had a reading this year. Yeah, looks like this is the last year I get to bring all my books – too many, to heavy! I read the two flash fiction pieces in Jagged Fragments, “If Looks Could Kill” and “The Secret of the T-Rex’s Arms”, as well as reading the first chapter of Jeremiah Willstone and the Clockwork Time Machine, a bit of my and Jim Davies’ essay on the psychology of Star Trek’s artificial intelligences, and even a bit of my very first published story, “Sibling Rivalry“. I also gave the presentation I was supposed to give at the SAM Talks before I realized I was double booked; that was “Risk Getting Worse”.
But that wasn’t recorded, so, oh dang, you’ll have to either go to my Amazon page to get my books, or wait until we get “Risk Getting Worse” recorded. But my interview with Nancy Northcott for the Daily Dragon, “Robots, Computers, and Magic“, however, IS online, so I can share it with you all. Even more so, I want to share what I think is the most important part of my interview:
DD: Do you have any one bit of advice for aspiring writers?
AF: Write. Just write. Don’t worry about perfection, or getting published, or even about pleasing anyone else: just write. Write to the end of what you start, and only then worry about what to do with it. In fact, don’t even worry about finishing everything—don’t be afraid to try anything. Artists know they need to fill a sketchbook before sitting down to create a masterwork, but writers sometimes get trapped trying to polish their first inspiration into a final product.
Don’t get trapped on the first hill! Whip out your notebook and write. Write morning pages. Write diary at the end of the day. Write a thousand starts to stories, and if one takes flight, run with it with all the abandon you have in you. Accept all writing, especially your own. Just write. Write.
Have you read Jeremiah Willstone and the Clockwork Time Machine and wondered why Jeremiah ended up a Ranger when she always wanted to be a Falconer? Or would you like to get started following Jeremiah’s tales on audio? Well, you’re in luck! Our friends at Sage and Savant have read one of the earliest Jeremiah stories, “The Fall of the Falcon”, for your auditory adventuring pleasure!
By Anthony Francis
If you’d like to find out what happens next, get a copy of Thirty Days Later and pick up where “The Fall of the Falcon” leaves off with the stirring conclusion, “The Rise of the Dragonfly”!
One more interview with Sage and Savant … me!
Q: In your story “The Fall of the Falcon” the main character is female, but she has a male name, Jeremiah Willstone. Why is that?
AF: It’s more than just gender bending: it’s an outward sign of their society’s aggressive approach to women’s liberation. I wanted to tell a steampunk story about a young Victorian female soldier, but the Victorians didn’t have women soldiers – we’ve only recently started to allow them in our military. So I imagined a world where that wasn’t just a little bit different, but comprehensively different – a world where women’s liberation came a century early, and with twice as many brains working on hard problems, they were more advanced in 1908 than we are today. But I needed a way to communicate that in the story, and decided that the women in Jeremiah’s family took male names to try to achieve gender equality. With her history written into her name, I now had the storytelling power to discuss that issue as much as I wanted to – or let it slide into the background until someone innocently asks the question, “So, Jeremiah is female, but has a male name. Why is that?”
To read more, check out my interview, and also check out the podcast on Sage and Savant!
I have stories in three of the four books we’re giving away – Jeremiah Willstone stories in the full-length anthologies TWELVE HOURS LATER and THIRTY DAYS LATER, and flash fiction in the Instant Book “Jagged Fragments”.
Sign up, best of luck, and I hope you enjoy it!
Yet one more of my friends from Clockwork Alchemy, Dover Whitecliff, is interviewed on Sage and Savant! A visit to her sometimes witty, often wacky, occasionally wryly satirical alternate world always makes a fun read!
Q: How did you come up with the theme for the Later anthologies?
DW: The Treehouse Authors met for tea at Linde Lane Tea Room in Dixon and decided that we wanted to do a project together for literacy; an anthology was the obvious choice. But the theme is all down to Kiefer Sutherland. The news story of the day was the comeback of 24 and we had never seen an anthology with hour long stories before (though that doesn’t mean there might not be one out there that we missed). The paired stories came about to fill up a twenty-four-hour day, plus it offered the perfect tag line “You can find out what happens twelve hours later.”
Q: Yak? Giant Chicken? Trebuchet? What gives?
DW: It started with a dare in our email planning with the authors for Thirty Days Later. One author found a picture of a clockwork yak and threw down the gauntlet: “Bet you can’t fit a yak in.” Challenge accepted. Rumor has it that there are multiple yak sightings (bonus points if you can find them all). Since that was deemed “Way too easy,” the chieftess of shenanigans, Sparky McTrowell, raised the yak ante for Some Time Later with a trebuchet, and somehow a chicken was thrown in, possibly due to an excess of caffeine and chocolate. And Yes. I fit them all in.
To read more, check out her interview on Sage and Savant!
And yet another! Friend and fellow author / editor BJ Sikes is now interviewed on Sage and Savant!
Q: Is herding authors for an anthology indeed like herding cats? Why do you do it?
BJS: Absolutely. As chief cat wrangler for all three of the Later anthologies, I had to coordinate deadlines and revisions for not just the fifteen or so authors, but also our publisher’s staff. Why do I do it? The power, obviously. But in all seriousness, it’s the satisfaction of being an integral part of a fantastic collection of stories.
Q: What was your favorite story to edit/write for the anthologies?
BJS: That’s a tough one. There are so many great stories and they vary so much in theme, style, and content. I had a great time writing my own stories, especially the first one in Some Time Later, “The Descent.” That one allowed me to get my mycological geek on. I’m partial to Lillian Csernica’s Japanese mythology-inspired stories because they are unique but still feel steampunk.
To read more, check out her interview on Sage and Savant!
Check it out – my friend and fellow author / editor / publisher AJ Sikes is interviewed on Sage and Savant!
Q: So, these anthologies, what’s the story behind these collections of stories?
AJS: Beginning with Twelve Hours Later, the anthologies have been an effort at showcasing the authors who attend Clockwork Alchemy each year. We wanted to have a way of introducing the whole crew to new readers in one swoop, and we also wanted to give back to the community that attends the event. The charity component has seen over $400 donated to the San Jose Public Library system in the past two years, all of which is intended for literacy programs. We’ve been really pleased with the reception of both Twelve Hours Later and Thirty Days Later. This year’s anthology Some Time Later will round out the trilogy, and we think it’s the best one yet.
To read more, check out the article at Sage and Savant!