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Posts published in “Steampunk”

Jeremiah Willstone and the Adventures of Liberated Women in an Age of Steam!

Viiictory to the Twenty-Fifth Power!

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SO! After yet another National Novel Writing Month, I have added yet another 50,000 words of rough draft to my writing output - making this the fourteenth time I have won Nano, and the twenty-fifth time I have won one of the Nanowrimo or CampNanowrimo challenges! Woohoo!

This month wasn't so bad, though there was a bit of a dip around the time I was writing report cards for our robot learning systems ("Little Johnny 5 tries very hard, but needs to work on his cornering!"). But, as usual, the week I took off for Thanksgiving "vacation" put me back on track:

Yes, one day I did indeed get 6000+ words written, which was a record for the 25th of the month, but nowhere near my record of 9074 words - written on the 30th(!) of November 2016, in what I recall was a delerious mad dash sitting on my sofa wracking my brain to produce enough words to make my goal for PHANTOM SILVER. Frankly speaking, that sucked, and since then I have redoubled my efforts to ensure that I'm never THAT far behind.

So this month looks typical. It's interesting to me how much Nano has become a part of my life. First tried in 2002, first made into a yearly habit in 2007, and first made into a thrice-yearly habit (Camp April, Camp July and November Nano) in 2014-2015 ... now I've done Nano 27 times, with 25 successes, for 1.36 million words of rough draft ... it's a heavy feeling.

Do I want to keep doing this? Absolutely. I wish I had more time to, like, edit my books, so I didn't have a backlog of 6 finished novels, 2 novellas, and 5 partially finished novels. (Gulp!) But I like having a roof more, and the time and money to pay for my laptop, my nice dinners, and my late nite teas and mochas, so, teaching robots to learn by day it is, for the time being.

One of the most interesting things for me is how Nano breaks through your creative barriers. When I started on MACHINERY OF THE APOCALYPSE, then titled TWO YEARS OF HELL, I had the idea of writing an action-adventure steampunk hard science fiction story around computer science concepts, and conceived it as a connected tale made of 16 short stories  --- two to the fourth power, a number beloved of many computer scientists.

But as I've written, the story has sprawled out from my original design, and there are at least two, perhaps three set pieces which may demand their own stories. Or perhaps existing stories will have to be cut or deleted. I don't know; I just create the worlds, but once they exist, they follow the laws of physics (plot and character physics). Here's an excerpt from one of those diversions, which may or may not make it into the final design:

The dark doorway loomed before her like a maw. Jeremiah steeled herself: she had been her at best a handful of times, but she felt like she knew every rivet of the damned hatch, felt like she was right back to waiting on the damn Keepers while they prepared themselves.

Oh, she did not, did not, did not want to be back here.

Yet she was, not a child, but a Major. She straightened, nodded.

“Major?” asked Thompson, looking back at her. “You look a bit green.”

Jeremiah smiled, to give herself a moment to speak. What would a cracker-jack young major say? Or … wasn’t that putting on airs? What would General Weiss have said? Perhaps she should just be … honest?

“Good eye, sir, but I don’t just look it: I feel it too,” Jeremiah said, forcing a grin—was that fake, or did she just want to take this in the best humor possible? “Every time I’m here, it takes me right back to my childhood.”

“Childhood?” Thompson asked. The white hairs in his saltpepper eyebrows sparkled as his brow beetled. “Why were you here as a child?”

“I, foolishly perhaps, asked to see the thing that killed my mother,” Jeremiah said. “And … foolishly perhaps, the powers that be let the granddaughter of Benjamin Willstone get what she asked for.”

Thompson stared at her strangely, then turned away.

“I would have let you,” he said at last. “Seems to have been the first step into forming a fine soldier who doesn’t flinch.”

“Oh, I assure you, I flinch,” Jeremiah said. “Just not from duty.”

“That’s the Major Willstone of my reports,” Thompson said. He leaned over and said a bit cheekily. “I hear you scream like a girl even when you’re firing both blasters at point-blank range—”

“Why, I never—” Jeremiah colored. “Well, that does speak to character—”

“Yes, yes, it does,” Thompson said, “and to good sense. Alright, in fairness: the report just said ‘cried out in shock before blasting the thing,’ but one could imagine the girlish scream—”

“Oi!” Jeremiah said. “Wait, what thing was this?”

“Er,” Thompson said, as the hatch opened. “I … don’t recall. Frankly, Major, with your record, the monsters start to blur—”

“Not all of them,” Jeremiah said, striding forward with a projected confidence she absolutely did not feel. “Have a look at that.”

Enjoy. Back to writing!

-the Centaur

My Novels and Nano

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SO! I love to write, and four of my novels are published - FROST MOON, BLOOD ROCK, LIQUID FIRE, about magical tattoo artist Dakota Frost, and JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, about steampunk heroine Jeremiah Willstone.

You can read about the published ones at my Novels page, but even though life got a bit away from me this year, I haven't stopped writing - I have six more finished novels in the editing queue, not to mention half a dozen more in process.

And every single one of these novels, published or not, was largely written in National Novel Writing Month in November (or its sister challenge Camp Nanowrimo in April and July).

Nanowrimo is a 501(c)(3)that helps people find their creative voices - and certainly helped me transition from mostly not-writing to writing over a million words of fiction! (Way over, now).

Every year, I donate to the Nanowrimo foundation to help them not just keep the lights on but to support young writers everywhere with their Young Writers Program. This year, consider helping them bring literacy and creativity to more people all around the world!

-the Centaur

Viiictory #23

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Wow, I just won {Nanowrimo|Camp Nanowrimo} for the twenty-third time!

For readers of this blog who have missed, like, 75% of my posts over the years, National Novel Writing Month is a challenge to write 50,000 words of a new novel in the month of November, and Camp Nanowrimo is its sister challenge in April and July. I adapt this to write 50,000 words on top of whatever I'm currently working on, and have been doing it since 2002.

This is my 25th Nano or Nano-like attempt, and my 23rd victory. (Interestingly, my two failures were times that I tried Nano on my own, without the motivation of the Nano "Validate your Project" button).

This month, because of friggin' March, man, I started out pretty far behind, compounded by my robot work and the fact that I was working on JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE. This is less a novel than a series of loosely connected novellas, each slightly different in setting and tone, and has been my most research-heavy project to date. But, nevertheless, I got back on track and climbed the mountain.

Interestingly, a couple of the days in there were my most productive writing days ever - 7,000 and 8,000 word days, right up with the 9,014 word day that I did once on the last day of Nano. I didn't want to do that again - I wanted to take today off - so I powered through 8000 words on Saturday, finished with 2,600 words on Sunday, and leisurely wrote 2,000 words today unpacking a few of the ideas I had that were still fresh.

And now, the traditional excerpt:

“So,” General Weiss said, sitting down. “You desire to become one of my acolytes?”

Jeremiah glanced over at him, trying to contain her glare. “I desire to learn, sir.”

“What I have to teach is not easy to learn,” Weiss said, patting her leg. “It requires long-term commitment, supreme dedication, self-sacrifice—”

“Are …” Jeremiah felt her brow furrow, tried to control it. “Are you aware of—”

“The nature of your injuries?” Weiss said. “Yes, I heard you were reckless.”

No, sir,” Jeremiah said. She hit the switch to raise her bed until she could look the man more closely in the eye. “I have been injured, repeatedly, because I have been sent into the line of fire without adequate support, repeatedly, and I did my duty, repeatedly.”

“The story goes is that you tried to leap across a city street, four stories up.”

“No, sir,” Jeremiah said. “A monster that had killed dozens was about to make its escape, and I leapt for it, sir, dragging it down to the street, possibly saving hundreds more lives—well, that’s debatable, but I definitively stopped it, at least that is not in dispute—”

“No, no, you’re quite right about the outcome of the operation.” Weiss rubbed his hands together. “And whether I think you’re reckless in the large, I would never dispute the actions of a operative in the clinch. But do you know why the enemy exposed itself to you?”

“I …” Jeremiah said. “But it didn’t. We caught it, and tracked it—”

“Yes, yes, and let’s not dispute that either,” Weiss said, leaning forward. “A hypothetical. Imagine you had two operations running, physically separated, one large and important, one … less so. To protect them, you can run recon missions looking for the enemy, but the enemy might find them. You can run ten recces in the operation period. Where do you put them?”

“Er, well,” Jeremiah said. “Proportionally on the more important—”

“No,” Weiss said. “You run five. All around the least important one. Why?”

“Er …” What clues had he given? “The larger force, is well, larger. It can defend itself.”

“Yes. And?”

Jeremiah’s eyes narrowed. “You want the recces caught?”

“No, not really, but I do, yes.”

“But the smaller force, exposed—”

“And overwhelmed,” Weiss said, “by a mass mobilization of the enemy. Away from my primary force. Now the other five recces probe ahead of the main op, clearing the way while the decoy fights for its life. If done properly—if the decoy force is given both a true objective and the best chance of success, their fight for their lives will only attract more enemy forces. If they win, you have a true two-front victory. If they fail, you don’t even need to send reinforcements—the moment the main force engages the enemy, the enemy will naturally pull back.”

Jeremiah’s brow furrowed.

“Yes, yes, there are many specifics which would make this kind of plan succeed or fail,” Weiss said. “To truly instruct you, we’d need to work through many more patterns, then make them concrete for the kind of forces you will end up commanding—”

“All of them,” Jeremiah said.

“What?”

“I’m going to command all of them,” Jeremiah said. “My aim is to be Minister of War.”

“Oho,” the general said. “Then we have a lot of work to do. Tell me why the thing exposed itself to you. Quick, now.”

"They're—" Jeremiah's mouth fell open. "The things are wearing us down."

Sounds like they have a lot of problems on that boat. The first of the stories in THE MACHINERY OF THE APOCALYPSE is already out: A Choir of Demons, at Aurora Wolf. For the rest ... well, you'll have to wait a bit. Enjoy!

-the Centaur

Jeremiah Willstone on Sale

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Jeremiah Willstone and the Clockwork Time Machine is on sale!

Hail fellow adventurers! My first steampunk novel, Jeremiah Willstone and the Clockwork Time Machine, is on sale through the end of the month! The Ebook is only $0.99, so now's a great time to instantly gift yourself with a trip to Victoriana! You can find it at Amazon, Nook, Kobo, Apple, Google Books, or wherever fine books are sold. If you like action, adventure, corsets, rayguns, or a peek at an alternate history where women's liberation happened a century early, check it out!

Surfacing

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An interpretation of the rocket equation.

Wow. It's been a long time. Or perhaps not as long as I thought, but I've definitely not been able to post as much as I wanted over the last six months or so. But it's been for good reasons: I've been working on a lot of writing projects. The Dakota Frost / Cinnamon Frost "Hexology", which was a six book series; the moment I finished those rough drafts, it seemed, I rolled into National Novel Writing Month and worked on JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE. Meanwhile, at work, I've been snowed under following up on our PRM-RL paper.

Thor's Hammer space station.

But I've been having fun! The MACHINERY OF THE APOCALYPSE is (at least possibly) spaaaace steampunk, which has led me to learn all sorts of things about space travel and rockets and angular momentum which I somehow didn't learn when I was writing pure hard science fiction. I've learned so much about creating artificial languages as part of the HEXOLOGY.

The Modanaqa Abugida.

So, hopefully I will have some time to start sharing this information again, assuming that no disasters befall me in the middle of the night.

Gabby in the emergency room.

Oh dag nabbit! (He's going to be fine).

-the Centaur

Back to Dragon Con!

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Hail, fellow adventurers! If you want to experience our world the way Jeremiah Willstone and her friends first experienced it, there’s no better way than to come to Dragon Con in Atlanta! I’ve been going to Dragon Con longer than almost any con - certainly longer than any still-running con - and after enough time here they put me on panels! And here they are:

  • Practical Time Travel for the Storyteller
    Sat 05:30 pm / Athens - Sheraton
    Panelists: Darin M. Bush, Michael J. Martinez, S.M. Stirling, Anthony Francis, Jack Campbell
    This panel discusses the real science behind time travel, as well as how these scientific theories can place both challenging and rewarding demands on the stories we tell. Time dilation, the grandfather paradox, and more will be explained as we discuss the stories that reference these theories.
  • Partners: Collaborating on Your Novel
    Sun 11:30 am / Embassy CD - Hyatt
    Panelists: Nancy Knight, Janny Wurts, Anthony Francis, Clay and Susan Griffith, Gordon Andrews, Ilona Andrews
    When writers collaborate, the results can be great--or horrible. How do you insure that your collaboration turns out well?
  • Plotting or Plodding?
    Sun 02:30 pm / Embassy CD - Hyatt
    Panelists: Janny Wurts, Anthony Francis, Lee Martindale, Richard Kadrey, Laura Anne Gilman, Melissa F Olson
    It's the story, stupid! Everybody loves a great story. This panel discusses how to create that unforgettable story roiling within you.
  • Magic Practitioners in Urban Fantasy: Witches and Warlocks
    Mon 10:00 am / Chastain 1-2 - Westin
    Panelists: Jeanne P Adams, David B. Coe, Linda Robertson, Kevin O. McLaughlin, Anthony Francis, Melissa F Olson
    Witches and warlocks in the genre range from being an accepted part of their communities to the most feared. Our panel of authors will discuss the characteristics of those in their works.
  • Write a Damn Good Book
    Mon 11:30 am / Embassy CD - Hyatt
    Panelists: Bill Fawcett, Peter David, E.K. Johnston, Diana Peterfreund, Anthony Francis

    Writers worry about all sorts of things, but the first thing to worry about is writing a great book. Here's how.

Other fun things at the con are the Parade, the Masquerade, performances by the Atlanta Radio Theater Company, and, of course, The Cruxshadows. So come on down and hang out with 80,000 fans of fantasy and science fiction! Some of them may become your new best friends.

-The Centaur

Guest Post on Speculative Chic!

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What makes you hang on the edge of your seat? I call that a favorite, and I talk about some of my current faves over at the Speculative Chic blog!

[embed]http://speculativechic.com/2017/12/18/my-favorite-things-with-anthony-francis/[/embed]

Go check it out!

 

 

Timeline 10(ab)”’

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No progress on BOT NET for Nanowrimo yet today ... yesterday I got my daily word count, but today I needed to core dump some ideas I'd been brewing about a Jeremiah Willstone novella, "Crypt of the Burning Scarab".  I had a brain flash about how to make the plot work out, involving a twisty time travel paradox I haven't seen before, and wanted to make sure I read up enough physics and math to make sure the idea made sense, then wrote it all down before I dove back into Cinnamon's world of mathematical magic.

But you know your plot is complicated when you non-ironically need a timeline point 10(ab)''' - that's point 10, timelines A&B, variant 3 (prime prime prime).

Happy writing ...

-the Centaur

Pictured: A few of the math/physics books I've been reading on this idea, plus the "GBC" (Goodfellow, Bengio and Courville) Deep Learning book which I'm (re)reading for work.

My Daily Dragon Interview in Two Words: “Just Write!”

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So at Dragon Con I had a reading this year. Yeah, looks like this is the last year I get to bring all my books - too many, to heavy! I read the two flash fiction pieces in Jagged Fragments, "If Looks Could Kill" and "The Secret of the T-Rex's Arms", as well as reading the first chapter of Jeremiah Willstone and the Clockwork Time Machine, a bit of my and Jim Davies' essay on the psychology of Star Trek's artificial intelligences, and even a bit of my very first published story, "Sibling Rivalry". I also gave the presentation I was supposed to give at the SAM Talks before I realized I was double booked; that was "Risk Getting Worse".

But that wasn't recorded, so, oh dang, you'll have to either go to my Amazon page to get my books, or wait until we get "Risk Getting Worse" recorded. But my interview with Nancy Northcott for the Daily Dragon, "Robots, Computers, and Magic", however, IS online, so I can share it with you all. Even more so, I want to share what I think is the most important part of my interview:

DD: Do you have any one bit of advice for aspiring writers?

AF: Write. Just write. Don’t worry about perfection, or getting published, or even about pleasing anyone else: just write. Write to the end of what you start, and only then worry about what to do with it. In fact, don’t even worry about finishing everything—don’t be afraid to try anything. Artists know they need to fill a sketchbook before sitting down to create a masterwork, but writers sometimes get trapped trying to polish their first inspiration into a final product.

Don’t get trapped on the first hill! Whip out your notebook and write. Write morning pages. Write diary at the end of the day. Write a thousand starts to stories, and if one takes flight, run with it with all the abandon you have in you. Accept all writing, especially your own. Just write. Write.

That's it. To read more, check out the interview here, or see all my Daily Dragon mentions at Dragon Con here, or check out my interviewer Nancy Northcott's site here. Onward!

-the Centaur

 

 

Oh Myyy!

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Wow. I guess a lot of books are going to be waiting for me when I get home tonight ... either the shipment of LATER anthologies for Clockwork Alchemy has arrived, or I really messed up my last Amazon Prime order. Be sure to come by Clockwork Alchemy to check them out, or look on Amazon!