200,000 Words of Cinnamon Frost

Milestones are coming. And the first of these is catching up on my wordcount for my Nanowrimo project this November, BOT NET!

Winning at Nano always feels like climbing a hill, but for me in particular it almost always feels like I start out sliding back down, Sisyphus-like, as I struggle to get a handle on the story.

But then there comes that magic point where I need to write 1,666 words in a  day and I. Got. Nothing.  Then I’m forced to be creative, and the real fun stuff happens, an event I call “going off the rails”. Hey, let’s try to embed a tweet!

So now things are back on track for the month, and I’m smack in the middle of where I normally am this time of Nano … Actually, it appears I’m ahead. Checking the stats … yep. At this point, I’m normally just shy of 6,000 words behind ( -5,984, though that estimate is numerically precise, it is not likely to be meaningfully accurate ) but today I am 169 words ahead of the Nano wordcount:

I’m one more thing too: 200,000 words into the Cinnamon Frost trilogy.

There are 3 published Dakota Frost novels: FROST MOON, BLOOD ROCK and LIQUID FIRE, and three more finished rough drafts: SPECTRAL IRON, PHANTOM SILVER, and SPIRITUAL GOLD. By my count, I’ve written about 900,000 words about Dakota Frost, Skindancer, the woman who can bring her tattoos to life. But in one sense, that’s expected: I planned Dakota. I wanted to write a character that other people who can relate to.

Cinnamon Frost, as I’ve said before, is a character I never expected. She shoved her way into the Dakota Frost universe, in one of those “step off into space moments”, and she shows no signs of leaving.

Cinnamon might say 200,000 seems significant because of how humans process patterns – how we love all those zeroes – but it’s just a number: 2*10*10*10*10*10. But somehow, it feels right to take it this far, and I look forward to writing the next 100,000 to 150,000 words that will finish her trilogy and give her a chance to live her own literary life.

Time to get back to it.

-the Centaur

P. S. I said milestones are coming. If you’ve read closely in this post, you’ll realize another milestone is coming soon. Stay tuned …

10,000 words into Nano

So, the good news: I just crossed the 10,000 word mark in Nanowrimo 2017!

The bad news: I need to be at 13,333 words by today!

The good-bad news is, normally I’m closer to 4500 words behind at this point of Nano, so I am ahead of where I am normally behind:

What can I. say? “Don’t get cocky, kid.” Back to it …

-the Centaur

You Have a Story to Tell

Oh hey! I almost forgot! Thinking Ink Press, the small press of which I am a part, is doing a fundraiser to produce a book of essays by my good friend Keiko O’Leary, leader of the Write to the End writing group.

Keiko’s “we accept all writing” philosophy and no-drama writing sessions have inspired many writers over the years, and she’s written a lot about her philosophy on her own blog and on Write to the End.

This fundraiser, in addition to getting you a cool tote bag that will remind you that “You have a story to tell,” will help us put together a book of her essays and publish it through Thinking Ink Press!

Go check it out: http://www.thinkinginkpress.com/2017/11/tip/you-have-a-story-to-tell-tote-bag-sale/ or directly at https://www.customink.com/fundraising/writers-quote-tote-bag.

-the Centaur

Timeline 10(ab)”’

No progress on BOT NET for Nanowrimo yet today … yesterday I got my daily word count, but today I needed to core dump some ideas I’d been brewing about a Jeremiah Willstone novella, “Crypt of the Burning Scarab”.  I had a brain flash about how to make the plot work out, involving a twisty time travel paradox I haven’t seen before, and wanted to make sure I read up enough physics and math to make sure the idea made sense, then wrote it all down before I dove back into Cinnamon’s world of mathematical magic.

But you know your plot is complicated when you non-ironically need a timeline point 10(ab)”’ – that’s point 10, timelines A&B, variant 3 (prime prime prime).

Happy writing …

-the Centaur

Pictured: A few of the math/physics books I’ve been reading on this idea, plus the “GBC” (Goodfellow, Bengio and Courville) Deep Learning book which I’m (re)reading for work.

Nanowrimo 2017 in Process

“Okay, so … um, hi! I’m Cinnamon Frost, and I’m here to tell you that my biographer, Anthony Francis, is busy as fuck writing my next adventure, BOT NET, for National Novel Writing Month!  He’s real behind, so as soon as he finishes this post, he’s, like, seriously, getting back to creatin’ my universe!”

Thanks, Cinnamon! Sounds about right! I am now 1170 words in and 3830 words behind according to my spreadsheet. Time to get cracking!

I’ve got a laptop, a table and two and a half hours in the coffeehouse before it closes – GO!

-the Centaur

Everything was on fire until earlier today

Not literally; we were far south of the literal fires, which just barely missed the homes of our friends. But so many other things have been going wrong that it felt like things were on fire … so no posts for a while, sorry.

But tonight, I got to the last chapter of Dakota Frost #6, SPIRITUAL GOLD.

I will likely finish this chapter Saturday.

That makes today a good day.

Time for some cake.

-the Centaur

Pictured: a cat break with Loki. Not how things look right now, but how I feel.

My Daily Dragon Interview in Two Words: “Just Write!”

So at Dragon Con I had a reading this year. Yeah, looks like this is the last year I get to bring all my books – too many, to heavy! I read the two flash fiction pieces in Jagged Fragments, “If Looks Could Kill” and “The Secret of the T-Rex’s Arms”, as well as reading the first chapter of Jeremiah Willstone and the Clockwork Time Machine, a bit of my and Jim Davies’ essay on the psychology of Star Trek’s artificial intelligences, and even a bit of my very first published story, “Sibling Rivalry“. I also gave the presentation I was supposed to give at the SAM Talks before I realized I was double booked; that was “Risk Getting Worse”.

But that wasn’t recorded, so, oh dang, you’ll have to either go to my Amazon page to get my books, or wait until we get “Risk Getting Worse” recorded. But my interview with Nancy Northcott for the Daily Dragon, “Robots, Computers, and Magic“, however, IS online, so I can share it with you all. Even more so, I want to share what I think is the most important part of my interview:

DD: Do you have any one bit of advice for aspiring writers?

AF: Write. Just write. Don’t worry about perfection, or getting published, or even about pleasing anyone else: just write. Write to the end of what you start, and only then worry about what to do with it. In fact, don’t even worry about finishing everything—don’t be afraid to try anything. Artists know they need to fill a sketchbook before sitting down to create a masterwork, but writers sometimes get trapped trying to polish their first inspiration into a final product.

Don’t get trapped on the first hill! Whip out your notebook and write. Write morning pages. Write diary at the end of the day. Write a thousand starts to stories, and if one takes flight, run with it with all the abandon you have in you. Accept all writing, especially your own. Just write. Write.

That’s it. To read more, check out the interview here, or see all my Daily Dragon mentions at Dragon Con here, or check out my interviewer Nancy Northcott’s site here. Onward!

-the Centaur

 

 

Dragon Con Schedule, 2017 Edition!

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Hail, fellow adventurers! I’ll be back at Dragon Con again this year, with a great set of panels! Sometimes that includes dropping in on the Writing Track, but the ones we have officially scheduled so far are:

  • Androids & Automatons
    Friday 1pm – Sheraton / Augusta
    This presentation will cover the history of artificial life from the ancient Greeks to modern automata artists. Techniques for creating your own automata will also be shared.
  • Practical Time Travel for the Storyteller
    Saturday 4pm – Sheraton / Athens
    This panel discusses the real science behind time travel, as well as how these scientific theories can place both challenging & rewarding demands on the stories we tell. Time dilation, the grandfather paradox, & others will be explained & these theories discussed.
  • The Magic and Technology of Building Alternate Worlds
    Saturday 5:30pm – Sheraton / Augusta
    Be it alchemical spells or industrial revolution, many alternate history and Steampunk worlds feature magic, fantastic technological marvels, or even both. But each choice shapes the worlds these authors build. This roundtable discuss worldbuilding and the balance between fantasy and science.
  • Author Reading: Anthony Francis
    Sunday 2:30pm – Hyatt / University
    SF & Urban Fantasy author of Frost Moon, Blood Rock and Liquid Fire reads from his work, including selections from Jeremiah Willstone and the Clockwork Time Machine, from future Dakota Frost novels, and maybe even some Cinnamon Frost stories!

Also, I was scheduled to do a SAM Talk, but it was inadvertently booked over my author reading, and I pretty much have to prioritize my own author reading over a SAM Talk even if there might be more people at the other room. So if you attend my author reading, you may also get to hear what was intended to be my SAM Talk, “Risk Getting Worse”.

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Hope to see you all there – from my end of the table, it kind of looks like this:

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Here’s crossing fingers that we get the double booking all worked out!

-the Centaur

The Climb up the Hill

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Taking on a challenge like writing a novel can seem daunting. A good novel can range from 60,000 words for a young adult novel or a romance up to 360,000 word for a fantasy novel, with a typical length closer to 90,000 to 120,000 words. For perspective, a paragraph in a five-paragraph essay can be 100 words, so a 100,000 word novel like my first novel, FROST MOON, is like a thousand-paragraph essay. To someone who had trouble getting those 500 words down, that’s incredibly daunting.

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Challenges like National Novel Writing Month can, paradoxically, make it easier. 50,000 words in a month seems daunting, but that’s only half a full-length novel, and even more so, it’s not 50,000 words of a finished novel: it’s 50,000 words of unpolished first draft. You can let yourself write drek you’re not proud of if it gets words on the page. If you’re the kind of person daunted by the thought of writing a whole novel, or paralyzed by perfectionism, National Novel Writing Month offers an easier path up the hill.

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Still, it’s a long hill. And it can be daunting, no doubt. Especially if you tend to get behind, like I do, or if you tend to get trapped polishing your words, as I often do. You sometimes need tips and techniques to help yourself get past the stumbling blocks.

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Here are a few of the ones that have worked for me in the past.

  • Commit to Writing Every Day. This is really hard to do, so you need to make sure you do it. You’ll fail, of course, but if you’re constantly writing every day, then missing a day won’t hurt you. If you’re not writing every day, however, soon, you’ll be a week behind, with no way to come back.
  • Track Your Progress. If you don’t track your progress, you can find yourself far off the path. I use a spreadsheet which tells me how far ahead (or, more often, behind) I am and how many words I need to write each day to stay on track for the end of the month. Other people use the National Novel Writing Month site to track this.
  • Put Writing First. Turn off your Internet until you’ve written. Put off that computer game. Defer going to see that movie until the end of the month. For me, since I read and write over lunch, dinner, and coffee, I have to shut off my internet and defer reading the next scientific paper in my stack until I’ve gotten my word count for the day (with the exception of when my food actually is hot on the plate; I’ll read then as it’s hard to write and eat at the same time).
  • Don’t Edit – Just Write. Editing can come later. It’s not adding words to your document. Get your first draft down, then edit it, or you won’t get your 50,000 words in the month, and if you can’t get through 50,000 words without getting bogged down in edits, you’ll never get your 100,000 word novel done.
  • Don’t Delete – Use Strikethrough. Don’t cut words during Nano, that’s just shooting yourself in the foot. The point is to get through your whole story. If you don’t like something you wrote, strike it out, put it in italics, whatever, just mark it for future revision and write what you want instead as the next paragraph. Trust me, your inner editor can turn on your new idea just as easily as it can turn on your old – so get them both down and move on. I use a special style in Word called “Summary” for this purpose – italics surrounded by dotted lines.
  • Don’t Research – Use Angle Brackets. My writing group uses <angle brackets> to indicate something that must be filled in later. Other people use the copyediting term TK – to come (sic). The point is, use something unique and searchable. Turn off your Internet, resist the desire to chase links in Wikipedia or TV Tropes, and write <TK: for that thing you wanted to fill in here but couldn’t think of at the time> so you can come back to it later.
  • ALTERNATELY. In addition to angle brackets, I use the word “ALTERNATELY” when I realize a scene’s gone the wrong way. Rather than rewriting or creating new connective material, I say ALTERNATELY, or perhaps “ALTERNATELY: Dakota realizes something is wrong” and then pick up where I left off. On the next pass, this is easily fixable.
  • Remember, at some point, you may hate it. Sooner or later, every writer falls out of love with their manuscript. That’s OK. “If you’re going through hell, keep going.” The point is not to cater to your emotions, but to get through your emotions to the end of your project. Let the hate flow through you! And move on to the next bit. Sooner or later, every writer falls in love with their manuscript – and the sooner you write more words, the sooner you’ll get there.

Your mileage may vary, of course, but these tips helped me.

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Writing 50,000 words of rough draft is not writing a novel. You’ve got a lot more to go – between 10,000 and 310,000 words depending on whether you’re aiming at Goosebumps or George R. R. Martin. But if you can get 50,000 words under your belt, you’ll have the pleasure of looking back and realizing you can accomplish quite a climb.

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20 Goes at Nano

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Above you see a big pile of all the words I’ve written in National Novel Writing Month and related challenges, laid out horizontally by day of month and laid down vertically by the challenge in which I wrote them, creating an interesting strata effect, like words deposited by a geological process. This month marks my 20th attempt at Nano, 18 of which were successful:

Deliverance 2002 Nanowrimo WINNER
Frost Moon 2007 Nanowrimo WINNER
Blood Rock 2008 Nanowrimo WINNER
Liquid Fire 2009 Nanowrimo WINNER
Clockwork 2010 Nanowrimo WINNER
Clockwork 2010 December Nano FAILED
Hex Code 2011 Nanowrimo WINNER
Clockwork 2012 Script Frenzy WINNER
Spectral Iron 2012 Nanowrimo WINNER
Marooned 2013 Nanowrimo WINNER
Spectral Iron 2014 Camp Nanowrimo WINNER
Spectral Iron 2014 August Nano FAILED
Phantom Silver 2014 Nanowrimo WINNER
Spectral Iron 2015 Camp Nanowrimo WINNER
Hex Code 2015 Nanowrimo WINNER
Phantom Silver 2016 Camp Nanowrimo WINNER
Phantom Silver 2016 Camp Nanowrimo WINNER
Spiritual Gold 2016 Nanowrimo WINNER
Spiritual Gold 2017 Camp Nanowrimo WINNER
Spiritual Gold 2017 Camp Nanowrimo WINNER

As I’ve noted before, the two in which I failed were “off months” where I tried to tackle Nanowrimo on my own. For me, it’s much harder without the external benefit of the contest, and on the two times I tried it I bombed out after a few days. You can see that in this graph, which shows the number of words I’m ahead or behind at each part of the month:

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This graph means the most to me, because I was involved in the creation of it, and so intuitively understand it; if I see my monthly progress (the darkest line above) below the dotted line of the average, I know to worry; if I see it below my worst track for any part of the month, I know to really get cracking. Looks like the farthest behind I ever got (and succeeded) was 20,00 words behind, on LIQUID FIRE in 2009, and in PHANTOM SILVER in 2016.

But for people not intimately involved in laying down those tracks, the average amount ahead / behind per day is perhaps more useful:

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This shows that a successful Nanowrimo participant can be very far ahead, or very far behind, and still win in the month. Do what works for you! There’s a lot of wiggle room in there.

But if you’re more interested in brass tacks, here’s the maximum and average amount I wrote in each day:

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This shows that typically at the start of Nano I’m writing a little bit less than the needed word count per day, and at the end of Nano I’m writing a little bit more – but that the maximum I have to do each day is radically more than that – once almost 10,000 words (and that was a hell of a push, I can tell you – that was PHANTOM SILVER in July of 2016, and I was down to the wire, writing 7000 words in the last day – and finding the Camp Nano counter was 2000 words off of Microsoft Word’s count, so I had to generate 2,000 more words in the last couple of hours).

I will probably dig a bit more into SPIRITUAL over the last two days of the 30 day challenge (I know July has an extra day, but I can use the break). I’m not quite done – the manuscript is at 171,330 words, but maybe 20,000 to 30,000 words of that are in-manuscript notes that need to be turned into text, and then I have a lot I want to cut. During Nano, if I change my mind about how a scene is going, I don’t cut it and rewrite it, because that defeats the purpose of generating words; I write the word ALTERNATELY on its own line and rewrite the scene. After Nano, all that needs to get edited, merged and/or cut.

Often, I find that I’m not satisfied with the first rough draft text I produce in Nano. There are amazing gems in there, but also drek. But at the same time, I find that I am almost always very satisfied at having a text that flows through all the scenes I wanted to write. The idea of a scene in your head is just that – an idea. It’s not real until you write it. If you don’t write it, you can’t improve it – you’ll either long for it to be written, or you’ll elaborate on your idea of it in your head endlessly, or, worst of all, get caught up in the smug satisfaction of your own unfinished work, admiring the creation of something awesome that doesn’t actually exist.

But once you write it, you can see whether the idea works or not. You can decide to keep it, or refine it, or discard it. Even better, it springboards you – into new alternates for the same scene, or new ideas for what happens next, or new insights into your character, their plot, and the themes of your story.

Don’t just dream your story – write it down. Only by writing dreams down can you turn them into reality.

And Nanowrimo is a great place to get started with that. The 50,000 word challenge may seem impossible. It may not even seem like the kind of thing you want to do. No one is making you, after all: you don’t have to. But if your head is filling with ideas and you can’t get them out, why not take on an impossible seeming challenge to write 50,000 words of them down.

Believe me, it’s possible.

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-the Centaur