Viiictory #23

Wow, I just won {Nanowrimo|Camp Nanowrimo} for the twenty-third time!

For readers of this blog who have missed, like, 75% of my posts over the years, National Novel Writing Month is a challenge to write 50,000 words of a new novel in the month of November, and Camp Nanowrimo is its sister challenge in April and July. I adapt this to write 50,000 words on top of whatever I’m currently working on, and have been doing it since 2002.

This is my 25th Nano or Nano-like attempt, and my 23rd victory. (Interestingly, my two failures were times that I tried Nano on my own, without the motivation of the Nano “Validate your Project” button).

This month, because of friggin’ March, man, I started out pretty far behind, compounded by my robot work and the fact that I was working on JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE. This is less a novel than a series of loosely connected novellas, each slightly different in setting and tone, and has been my most research-heavy project to date. But, nevertheless, I got back on track and climbed the mountain.

Interestingly, a couple of the days in there were my most productive writing days ever – 7,000 and 8,000 word days, right up with the 9,014 word day that I did once on the last day of Nano. I didn’t want to do that again – I wanted to take today off – so I powered through 8000 words on Saturday, finished with 2,600 words on Sunday, and leisurely wrote 2,000 words today unpacking a few of the ideas I had that were still fresh.

And now, the traditional excerpt:

“So,” General Weiss said, sitting down. “You desire to become one of my acolytes?”

Jeremiah glanced over at him, trying to contain her glare. “I desire to learn, sir.”


“What I have to teach is not easy to learn,” Weiss said, patting her leg. “It requires long-term commitment, supreme dedication, self-sacrifice—”


“Are …” Jeremiah felt her brow furrow, tried to control it. “Are you aware of—”


“The nature of your injuries?” Weiss said. “Yes, I heard you were reckless.”


No, sir,” Jeremiah said. She hit the switch to raise her bed until she could look the man more closely in the eye. “I have been injured, repeatedly, because I have been sent into the line of fire without adequate support, repeatedly, and I did my duty, repeatedly.”


“The story goes is that you tried to leap across a city street, four stories up.”


“No, sir,” Jeremiah said. “A monster that had killed dozens was about to make its escape, and I leapt for it, sir, dragging it down to the street, possibly saving hundreds more lives—well, that’s debatable, but I definitively stopped it, at least that is not in dispute—”


“No, no, you’re quite right about the outcome of the operation.” Weiss rubbed his hands together. “And whether I think you’re reckless in the large, I would never dispute the actions of a operative in the clinch. But do you know why the enemy exposed itself to you?”


“I …” Jeremiah said. “But it didn’t. We caught it, and tracked it—”


“Yes, yes, and let’s not dispute that either,” Weiss said, leaning forward. “A hypothetical. Imagine you had two operations running, physically separated, one large and important, one … less so. To protect them, you can run recon missions looking for the enemy, but the enemy might find them. You can run ten recces in the operation period. Where do you put them?”


“Er, well,” Jeremiah said. “Proportionally on the more important—”


“No,” Weiss said. “You run five. All around the least important one. Why?”


“Er …” What clues had he given? “The larger force, is well, larger. It can defend itself.”

“Yes. And?”

Jeremiah’s eyes narrowed. “You want the recces caught?”

“No, not really, but I do, yes.”

“But the smaller force, exposed—”

“And overwhelmed,” Weiss said, “by a mass mobilization of the enemy. Away from my primary force. Now the other five recces probe ahead of the main op, clearing the way while the decoy fights for its life. If done properly—if the decoy force is given both a true objective and the best chance of success, their fight for their lives will only attract more enemy forces. If they win, you have a true two-front victory. If they fail, you don’t even need to send reinforcements—the moment the main force engages the enemy, the enemy will naturally pull back.”

Jeremiah’s brow furrowed.

“Yes, yes, there are many specifics which would make this kind of plan succeed or fail,” Weiss said. “To truly instruct you, we’d need to work through many more patterns, then make them concrete for the kind of forces you will end up commanding—”

“All of them,” Jeremiah said.

“What?”

“I’m going to command all of them,” Jeremiah said. “My aim is to be Minister of War.”

“Oho,” the general said. “Then we have a lot of work to do. Tell me why the thing exposed itself to you. Quick, now.”

“They’re—” Jeremiah’s mouth fell open. “The things are wearing us down.”

Sounds like they have a lot of problems on that boat. The first of the stories in THE MACHINERY OF THE APOCALYPSE is already out: A Choir of Demons, at Aurora Wolf. For the rest … well, you’ll have to wait a bit. Enjoy!

-the Centaur

Jeremiah Willstone on Sale

Jeremiah Willstone and the Clockwork Time Machine is on sale!

Hail fellow adventurers! My first steampunk novel, Jeremiah Willstone and the Clockwork Time Machine, is on sale through the end of the month! The Ebook is only $0.99, so now’s a great time to instantly gift yourself with a trip to Victoriana! You can find it at Amazon, Nook, Kobo, Apple, Google Books, or wherever fine books are sold. If you like action, adventure, corsets, rayguns, or a peek at an alternate history where women’s liberation happened a century early, check it out!

Back to Dragon Con!

Hail, fellow adventurers! If you want to experience our world the way Jeremiah Willstone and her friends first experienced it, there’s no better way than to come to Dragon Con in Atlanta! I’ve been going to Dragon Con longer than almost any con – certainly longer than any still-running con – and after enough time here they put me on panels! And here they are:

  • Practical Time Travel for the Storyteller
    Sat 05:30 pm / Athens – Sheraton
    Panelists: Darin M. Bush, Michael J. Martinez, S.M. Stirling, Anthony Francis, Jack Campbell
    This panel discusses the real science behind time travel, as well as how these scientific theories can place both challenging and rewarding demands on the stories we tell. Time dilation, the grandfather paradox, and more will be explained as we discuss the stories that reference these theories.
  • Partners: Collaborating on Your Novel
    Sun 11:30 am / Embassy CD – Hyatt
    Panelists: Nancy Knight, Janny Wurts, Anthony Francis, Clay and Susan Griffith, Gordon Andrews, Ilona Andrews
    When writers collaborate, the results can be great–or horrible. How do you insure that your collaboration turns out well?
  • Plotting or Plodding?
    Sun 02:30 pm / Embassy CD – Hyatt
    Panelists: Janny Wurts, Anthony Francis, Lee Martindale, Richard Kadrey, Laura Anne Gilman, Melissa F Olson
    It’s the story, stupid! Everybody loves a great story. This panel discusses how to create that unforgettable story roiling within you.
  • Magic Practitioners in Urban Fantasy: Witches and Warlocks
    Mon 10:00 am / Chastain 1-2 – Westin
    Panelists: Jeanne P Adams, David B. Coe, Linda Robertson, Kevin O. McLaughlin, Anthony Francis, Melissa F Olson
    Witches and warlocks in the genre range from being an accepted part of their communities to the most feared. Our panel of authors will discuss the characteristics of those in their works.
  • Write a Damn Good Book
    Mon 11:30 am / Embassy CD – Hyatt
    Panelists: Bill Fawcett, Peter David, E.K. Johnston, Diana Peterfreund, Anthony Francis

    Writers worry about all sorts of things, but the first thing to worry about is writing a great book. Here’s how.

Other fun things at the con are the Parade, the Masquerade, performances by the Atlanta Radio Theater Company, and, of course, The Cruxshadows. So come on down and hang out with 80,000 fans of fantasy and science fiction! Some of them may become your new best friends.

-The Centaur

Enter Colaboratory (AKA “A Spoonful of the Tracking Soup”)

As an author, I’m interested in how well my books are doing: not only do I want people reading them, I also want to compare what my publisher and booksellers claim about my books with my actual sales. (Also, I want to know how close to retirement I am.)

In the past, I used to read a bunch of web pages on Amazon (and Barnes and Noble too, before they changed their format) and entered them into an Excel spreadsheet called “Writing Popularity” (but just as easily could have been called “Writing Obscurity”, yuk yuk yuk). That was fine when I had one book, but now I have four novels and an anthology out. This could take out half an a hour or more, which I needed for valuable writing time. I needed a better system.

I knew about tools for parsing web pages, like the parsing library Beautiful Soup, but it had been half a decade since I touched that library and I just never had the time to sit down and do it. But, recently, I’ve realized the value of a great force multiplier for exploratory software development (and I don’t mean Stack Exchange): interactive programming notebooks. Pioneered by Mathematica in 1988 and picked up by tools like iPython and its descendent Jupyter, an interactive programming notebook is like a mix of a command line – where you can dynamically enter commands and get answers – and literate programming, where code is written into the documents that document (and produce it). But Mathematica isn’t the best tool for either web parsing or for producing code that will one day become a library – it’s written in the Wolfram Language, which is optimized for mathematical computations – and Jupyter notebooks require setting up a Jupyter server or otherwise jumping through hoops.

Enter Google’s Colaboratory.

Colab is a free service provided by Google that hosts Jupyter notebooks. It’s got most of the standard libraries that you might need, it provides its own backends to run the code, and it saves copies of the notebooks to Google Drive, so you don’t have to worry about acquiring software or running a server or even saving your data (but do please hit save). Because you can try code out and see the results right away, it’s perfect on iterating ideas: no need to re-start a changed program, losing valuable seconds; if something doesn’t work, you can tweak the code and try it right away. In this sense Colab has some of the force multiplier effects of a debugger, but it’s far more powerful. Heck, in this version of the system you can ask a question on Stack Overflow right from the Help menu. How cool is that?

My prototyping session got a bit long, so rather than try to insert it inline here, I wrote this blog post in Colab! To read more, go take a look at the Colaboratory notebook itself, “A Sip of the Tracking Soup”, available at: https://goo.gl/Mihf1n

-the Centaur

 

Timeline 10(ab)”’

No progress on BOT NET for Nanowrimo yet today … yesterday I got my daily word count, but today I needed to core dump some ideas I’d been brewing about a Jeremiah Willstone novella, “Crypt of the Burning Scarab”.  I had a brain flash about how to make the plot work out, involving a twisty time travel paradox I haven’t seen before, and wanted to make sure I read up enough physics and math to make sure the idea made sense, then wrote it all down before I dove back into Cinnamon’s world of mathematical magic.

But you know your plot is complicated when you non-ironically need a timeline point 10(ab)”’ – that’s point 10, timelines A&B, variant 3 (prime prime prime).

Happy writing …

-the Centaur

Pictured: A few of the math/physics books I’ve been reading on this idea, plus the “GBC” (Goodfellow, Bengio and Courville) Deep Learning book which I’m (re)reading for work.

Dragon Con Schedule, 2017 Edition!

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Hail, fellow adventurers! I’ll be back at Dragon Con again this year, with a great set of panels! Sometimes that includes dropping in on the Writing Track, but the ones we have officially scheduled so far are:

  • Androids & Automatons
    Friday 1pm – Sheraton / Augusta
    This presentation will cover the history of artificial life from the ancient Greeks to modern automata artists. Techniques for creating your own automata will also be shared.
  • Practical Time Travel for the Storyteller
    Saturday 4pm – Sheraton / Athens
    This panel discusses the real science behind time travel, as well as how these scientific theories can place both challenging & rewarding demands on the stories we tell. Time dilation, the grandfather paradox, & others will be explained & these theories discussed.
  • The Magic and Technology of Building Alternate Worlds
    Saturday 5:30pm – Sheraton / Augusta
    Be it alchemical spells or industrial revolution, many alternate history and Steampunk worlds feature magic, fantastic technological marvels, or even both. But each choice shapes the worlds these authors build. This roundtable discuss worldbuilding and the balance between fantasy and science.
  • Author Reading: Anthony Francis
    Sunday 2:30pm – Hyatt / University
    SF & Urban Fantasy author of Frost Moon, Blood Rock and Liquid Fire reads from his work, including selections from Jeremiah Willstone and the Clockwork Time Machine, from future Dakota Frost novels, and maybe even some Cinnamon Frost stories!

Also, I was scheduled to do a SAM Talk, but it was inadvertently booked over my author reading, and I pretty much have to prioritize my own author reading over a SAM Talk even if there might be more people at the other room. So if you attend my author reading, you may also get to hear what was intended to be my SAM Talk, “Risk Getting Worse”.

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Hope to see you all there – from my end of the table, it kind of looks like this:

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Here’s crossing fingers that we get the double booking all worked out!

-the Centaur

The Centaur at Clockwork Alchemy

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This Memorial Day Weekend, I’ll be appearing at the Clockwork Alchemy steampunk convention! I’m on a whole passel of panels this year, including the following (all in the Monterey room near the Author’s Alley, as far as I know):

Friday, May 26
4PM: NaNoWriMo – Beat the Clock! [Panelist]

Saturday, May 27
12NOON: Working with Editors [Panelist]
1PM: The Science of Airships [Presenter]
5PM: Versimilitude in Fiction [Panelist]

Sunday, May 28
10AM: Applied Plotonium [Panelist]
12NOON: Organizing an Anthology [Panelist]
1PM: Instill Caring in Readers [Panelist]
2PM: Overcoming Writer’s Block [Presenter]

Monday, May 29
11AM: Past, Present, Future – Other! [Moderator]

Of course, if you don’t want to hear me yap, there are all sorts of other reasons to be there. Many great authors will be in attendance in the Author’s Alley:

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There’s a great dealer’s room and a wonderful art show filled with steampunk maker art:

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For yet another more year, we’ll be co-hosted with Fanime Con, so there will be buses back and forth and fans of both anime and steampunk in attendance:

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As usual, I will have all my latest releases, including Jeremiah Willstone and the Clockwork Time Machine, the steampunk novel I have like been promising you all like for ever!

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In addition to my fine books, there will also be new titles from Thinking Ink Press, including the steampunk anthologies TWELVE HOURS LATER, THIRTY DAYS LATER, and SOME TIME LATER!

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I think I have about as much fun at Clockwork Alchemy as I do at Dragon Con, and that’s saying something. So I hope you come join us, fellow adventurers, in celebrating all things steampunk!

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-the Centaur