Posts tagged as “Thinking Ink Press”
DD: Do you have any one bit of advice for aspiring writers? AF: Write. Just write. Don’t worry about perfection, or getting published, or even about pleasing anyone else: just write. Write to the end of what you start, and only then worry about what to do with it. In fact, don’t even worry about finishing everything—don’t be afraid to try anything. Artists know they need to fill a sketchbook before sitting down to create a masterwork, but writers sometimes get trapped trying to polish their first inspiration into a final product. Don’t get trapped on the first hill! Whip out your notebook and write. Write morning pages. Write diary at the end of the day. Write a thousand starts to stories, and if one takes flight, run with it with all the abandon you have in you. Accept all writing, especially your own. Just write. Write.That's it. To read more, check out the interview here, or see all my Daily Dragon mentions at Dragon Con here, or check out my interviewer Nancy Northcott's site here. Onward! -the Centaur
Applied Plotonium Monterey - Sunday 10:00 AMDavid Colby is the author of the hard science fiction young adult novel DEBRIS DREAMS (think "The Hunger Games meets Gravity") and proposed the panel to explore his love of making the science in science fiction not suck. In addition to David and me, we've also shanghaied, er, convinced two of our mutual friends to join in: writer and chemist Michael Tierney from the Treehouse Writers will join as a panelist, and the writer and computer scientist Roger Que from Write to the End will serve as our moderator. Drop in - you'll enjoy yourself! -the CentaurApplied Plotonium is a discussion and series of examples of worlds that are, in general, 100% scientifically accurate save for a SINGLE element of applied plotonium - a single element or feature that is downright fantastical. Eagerly explores extrapolation ending in exposition!Presenter: David ColbyModerator: Roger Que Panelists: Anthony Francis, Michael Tierney
This Memorial Day Weekend, I’ll be appearing at the Clockwork Alchemy steampunk convention! I’m on a whole passel of panels this year, including the following (all in the Monterey room near the Author’s Alley, as far as I know):
Friday, May 26
4PM: NaNoWriMo - Beat the Clock! [Panelist]Saturday, May 27
12NOON: Working with Editors [Panelist]
1PM: The Science of Airships [Presenter]
5PM: Versimilitude in Fiction [Panelist]Sunday, May 28
10AM: Applied Plotonium [Panelist]
12NOON: Organizing an Anthology [Panelist]
1PM: Instill Caring in Readers [Panelist]
2PM: Overcoming Writer's Block [Presenter]Monday, May 29
11AM: Past, Present, Future - Other! [Moderator]
Of course, if you don’t want to hear me yap, there are all sorts of other reasons to be there. Many great authors will be in attendance in the Author’s Alley:
There’s a great dealer’s room and a wonderful art show filled with steampunk maker art:
For yet another more year, we’ll be co-hosted with Fanime Con, so there will be buses back and forth and fans of both anime and steampunk in attendance:
As usual, I will have all my latest releases, including Jeremiah Willstone and the Clockwork Time Machine, the steampunk novel I have like been promising you all like for ever!
In addition to my fine books, there will also be new titles from Thinking Ink Press, including the steampunk anthologies TWELVE HOURS LATER, THIRTY DAYS LATER, and SOME TIME LATER!
I think I have about as much fun at Clockwork Alchemy as I do at Dragon Con, and that’s saying something. So I hope you come join us, fellow adventurers, in celebrating all things steampunk!
-the Centaur
Q: In your story “The Fall of the Falcon” the main character is female, but she has a male name, Jeremiah Willstone. Why is that? AF: It’s more than just gender bending: it’s an outward sign of their society’s aggressive approach to women’s liberation. I wanted to tell a steampunk story about a young Victorian female soldier, but the Victorians didn’t have women soldiers – we’ve only recently started to allow them in our military. So I imagined a world where that wasn’t just a little bit different, but comprehensively different – a world where women’s liberation came a century early, and with twice as many brains working on hard problems, they were more advanced in 1908 than we are today. But I needed a way to communicate that in the story, and decided that the women in Jeremiah’s family took male names to try to achieve gender equality. With her history written into her name, I now had the storytelling power to discuss that issue as much as I wanted to – or let it slide into the background until someone innocently asks the question, “So, Jeremiah is female, but has a male name. Why is that?”To read more, check out my interview, and also check out the podcast on Sage and Savant! -the Centaur
Q: How did you come up with the theme for the Later anthologies? DW: The Treehouse Authors met for tea at Linde Lane Tea Room in Dixon and decided that we wanted to do a project together for literacy; an anthology was the obvious choice. But the theme is all down to Kiefer Sutherland. The news story of the day was the comeback of 24 and we had never seen an anthology with hour long stories before (though that doesn’t mean there might not be one out there that we missed). The paired stories came about to fill up a twenty-four-hour day, plus it offered the perfect tag line “You can find out what happens twelve hours later.” Q: Yak? Giant Chicken? Trebuchet? What gives? DW: It started with a dare in our email planning with the authors for Thirty Days Later. One author found a picture of a clockwork yak and threw down the gauntlet: “Bet you can’t fit a yak in.” Challenge accepted. Rumor has it that there are multiple yak sightings (bonus points if you can find them all). Since that was deemed “Way too easy,” the chieftess of shenanigans, Sparky McTrowell, raised the yak ante for Some Time Later with a trebuchet, and somehow a chicken was thrown in, possibly due to an excess of caffeine and chocolate. And Yes. I fit them all in.To read more, check out her interview on Sage and Savant! -the Centaur
Q: Is herding authors for an anthology indeed like herding cats? Why do you do it? BJS: Absolutely. As chief cat wrangler for all three of the Later anthologies, I had to coordinate deadlines and revisions for not just the fifteen or so authors, but also our publisher’s staff. Why do I do it? The power, obviously. But in all seriousness, it’s the satisfaction of being an integral part of a fantastic collection of stories. Q: What was your favorite story to edit/write for the anthologies? BJS: That’s a tough one. There are so many great stories and they vary so much in theme, style, and content. I had a great time writing my own stories, especially the first one in Some Time Later, “The Descent.” That one allowed me to get my mycological geek on. I’m partial to Lillian Csernica’s Japanese mythology-inspired stories because they are unique but still feel steampunk.To read more, check out her interview on Sage and Savant!
Q: What excited you about Twelve Hours Later and the other anthologies in which you’ve participated? SEC: Short fiction is an art form in and of itself. Expressing a full story in a little bit of space, means distilling the true essence of your message in a way that someone can read on their lunch hour and still feel like they got a complete picture. Having the opportunity to challenge myself within the framework of the anthologies’ themes made me work hard to present fully developed characters and concepts within those constraints, and it was a lot of fun! That the anthologies benefited literacy programs was the icing on the cake.To read more, check out Sharon's interview on Sage and Savant! -the Centaur