Hi, I’m Anthony Francis, and I teach robots to learn, particularly deep reinforcement learning for robot navigation as well as the intersection of memory, emotion, and planning for contextual control. …
SO! I love to write, and four of my novels are published – FROST MOON, BLOOD ROCK, LIQUID FIRE, about magical tattoo artist Dakota Frost, and JEREMIAH WILLSTONE AND THE…
So I read a lot and write a lot and occasionally edit what I write and even more rarely, something gets sent to an editor and turned into a publication.…
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So, this happened! Our team’s paper on “PRM-RL” – a way to teach robots to navigate their worlds which combines human-designed algorithms that use roadmaps with deep-learned algorithms to control…
SO! There I was, trying to solve the mysteries of the universe, learn about deep learning, and teach myself enough puzzle logic to create credible puzzles for the Cinnamon Frost…
Wow, it’s already here – my flash fiction short story “One Day Your Strength Will Fail” is about to appear in the very first issue of the Bay Area’s new…
Wow. After nearly 21 years, my first published short story, “Sibling Rivalry”, is returning to print. Originally an experiment to try out an idea I wanted to use for a…
Why yes, I’m running a deep learning system on a MacBook Air. Why?
Yep, that’s Python consuming almost 300% of my CPU – guess what, I guess that means this machine has four processing cores, since I saw it hit over 300% –…
(Self-deprecating note: this blogpost is a rough draft of an essay that I’m later planning to refine for the Write to the End site, but I’ve been asked to share…
Let me completely up front about my motivation for writing this post: recently, I came across a paper which was similar to the work in my PhD thesis, but applied…
In many ways, Howard Philips Lovecraft and Jorge Luis Borges are different. Howard Philips Lovecraft wrote dark, atmospheric American horror at the dawn of the twentieth century. Jorge Luis Borges,…
... and we had a nice afternoon visiting family and nice evening relaxing afterward. But despite the fact that it worked out well for us, it's important to take some time out to share that news with your friends and family, because political action, as important as it is, can sometimes backfire on you.
More in a bit. But everyone is safe.
-the Centaur
Pictured: A New Fashioned at the 07, a restaurant with a great vegan menu that my wife and I enjoy quite a bit - and is becoming a new favorite of her mother, who recently moved to town.
So today I'm going to a #nokings protest in downtown Greenville to stand up for our democracy in the face of the authoritarianism creeping over our whole society since the re-election of Donald Trump. I'm never going to be someone who criticizes my opponents for everything that they do, but ever since Trump chose to lie about his affinity for the ideas in Project 2025 - after praising the project at the Heritage Foundation in 2022 and before embracing it in his administration in 2025 proper - we've been sliding more and more to a "unitary executive" idea in which the President has plenary power to do whatever the hell he wants.
Not in my country!
So we're going to a #nokings protest in downtown Greenville, South Carolina. No Kings may be a movement, but it's also an idea - and an ideal. For example, the No Kings Act was designed to counter the Supreme Court's blatantly unconstitutional grant of immunity to the President - when the constitution implies exactly the opposite: "the Party convicted shall nevertheless be liable and subject to Indictment, Trial, Judgment and Punishment, according to Law."
Now, Heaven knows I'm no fan of Donald Trump's policies, but there's a difference between disagreeing with what he wants to accomplish and opposing the methods by which he's doing it. Sure, I don't like many of the things that he's doing, but that's a normal part of the political process: you don't always get what you want. But the actions of ICE, the roadmap of Project 2025, and Trump's embrace of strongmen is a direct threat to the civic foundations of American democracy, and must be stopped - for everyone's sake.
So, even if you're a conservative supporter of Donald Trump, you should join these protests. The unitary executive theory is the path to authoritarianism, and while the powers and privileges of strongmen may be appealing to Trump and some of his followers, we're driving dangerously close to the edge in this country, and if we slip down that cliff into dictatorship, it can take decades to get back. As Rush Limbaugh said, if you loan power to someone, you've got to watch them. And even if you agree with Trump, you should not give him any more power than he needs - or the next president may use that power against you.
It's going to take a long time to get our civic ship righted; it's time to get started.
So I wasn't kidding about the long slog: I am still chewing through the classic textbook Pattern Recognition and Machine Learning (PDF) by Christopher Bishop, day and night, even though he's got a newer book out. This is in part because I'm almost done, and in part because his newer book focuses on the foundations of deep learning and is "almost entirely non-Bayesian" - and it's Bayesian theory I'm trying to understand.
This, I think, is part of the discovery I've made recently about "deep learning" - by which I mean learning in depth by people, as opposed to deep learning by machines: hard concepts are by definition tough nuts to crack, and to really understand them, you need to hit them coming and going - to break apart the concept in as many ways as possible to ensure you can take it apart and put it back together again. As Marvin Minsky once said, "You don't understand anything until you learn it more than one way."
To some people, that idea is intuitive; to others, it is easy to dismiss. But if you think about it, when you're learning a subject you don't know, it's like going in blind. And like the parable of the blind men and the elephant - each of whom touched one part of an elephant and assumed they understood the whole - if you dig deeply into a narrow view of a subject, you can get a distorted view, like extrapolating a giant snake from an elephant's trunk, or a tall tree from its leg, or a wide fan from its ear, or a long rope from its tail.
Acting as if those bad assumptions were true could easily get you stomped on - or skewered, by the elephant's tusk, which is sharp like a spear.
So back to Bayesian theory. Now, what the hell is a "Bayes," some of you may ask? (Why are you reviewing the obvious, others of you may snark). Look, we take chances every day, don't we? And we blame ourselves for making a mistake if we know that something is risky, but not so much if we don't know what we don't know - even though we intuitively know that the underlying chances aren't affected by what we know. Well, Thomas Bayes not only understood that, he built a framework to put that on a solid mathematical footing.
Some people think that Bayes' work on probability was trying to refute Hume's argument against miracles, though that connection is disputed (pdf). But the big dispute that arose was between "frequentists" who want to reduce probability to statistics, and "Bayesians" who represent probability as a statement of beliefs. Frequentists incorrectly argued that Bayesian theory was somehow "subjective", and tried to replace Bayesian reasoning with statistical analyses of imaginary projections of existing data out to idealized collections of objects which don't exist. Bayesians, in contrast, recognize that Bayes' Theorem is, well, a theorem, and we can use it to make objective statements of the predictions we can make over different statements of belief - statements which are often hidden in frequentist theory as unstated assumptions.
Now, I snark a bit about frequentist theory there - and not just because the most extreme statements of frequentist theory are objectively wrong, but because some frequentist mathematicians around the first half of the twentieth century engaged in some really shitty behavior which set mathematical progress back decades - but even the arch-Bayesian, E. T. Jaynes, retreated from his dislike of frequentist theory. In his perspective, frequentist methods are how we check the outcome of Bayesian work, and Bayesian theory is how we justify and prove the mathematical structure of frequentist methods. They're a synergy of approaches, and I use frequentism and the tools of frequentists in my research, um, frequently.
But my point, and I did have one, is that even something I thought I understood well is something that I could learn more about. Case in point was not, originally, what I learned about frequentism and Bayesianism a while back; it was what I learned about principal component analysis (PCA) at the session where I took the picture. (I was about to write "last night", but, even though this is a "blogging every day" post, due to me getting interrupted when I was trying to post, this was a few days ago).
PCA is another one of those fancy math terms for a simple idea: you can improve your understanding by figuring out what you should focus on. Imagine you're firing cannon, and you want to figure out where the cannonballs are going to land. There are all sorts of factors that affect this: the direction of the wind, the presence of rain, even thermal noise in the cannon if you wanted to be super precise. But the most important variables in figuring out where the cannonball is going to land is where you're aiming the thing! Unless you're standing on Larry Niven's We Made It in the windy season, you should be far more worried about where the cannon is pointed than the way the wind blows.
PCA is a mathematical tool to help you figure that out by reducing a vast number of variables down to just a small number - usually two or three dimensions so humans can literally visualize it on a graph or in a tank. And PCA has an elegant mathematical formalism in terms of vectors and matrix math which is taught in schools. But it turns out there's an even more elegant Bayesian formalism which models PCA as a process based on "latent" variables, which you can think about as the underlying process behind the variables we observe - using our cannonball example, that process is again "where they're aiming the thing," even if we ultimately just observe where the cannonballs land.
Bayesian PCA is equivalent (you can recover the original PCA formalism from it easily) and elegant (it provides a natural explanation of the dimensions PCA finds as the largest sources of variance) and extensible (you can easily adapt the number of dimensions to the data) and efficient (if you know you just want a few dimensions, you can approximate it with something called the expectation-maximization algorithm, which is way more efficient than the matrix alternative). All that is well and good.
But I don't think I could have even really understood all that if I hadn't already seen PCA in half a dozen other textbooks. The technique is so useful, and demonstrations about it are so illuminating, that I felt I had seen it before - so when Bishop cracked open his Bayesian formulation, I didn't feel like I was just reading line noise. Because, let me tell you, the first time I read a statistical proof, it often feels like line noise.
But this time, I didn't feel that way.
I often try to tackle new problems by digging deep into one book at a time. And I've certainly learned from doing that. But often, after you slog through a whole textbook, it's hard to keep everything you've learned in your head (especially if you don't have several spare weeks to work through all the end-of-chapter exercises, which is a situation I find myself in more often than not).
But more recently I have found going through books in parallel has really helped me. Concepts that one book flies over are dealt with deeply in another. Concepts that another book provides one angle on are tackled from a completely different one in another. Sometimes the meaning and value of concepts are different between different authors. Even intro books sometimes provide crucial perspective that helps you understand some other, deeper text.
So if you're digging into something difficult ... don't try to go it alone. When you reach a tough part, don't give up, search out other references to help you. At first it may seem an impossible nut to crack, but someone, somewhere, may have found the words that will help you understand.
I once told my wife I was patient - and it was indeed four years from our first meeting to our marriage - but the truth of the matter is that I'm terrible at delayed gratification. I have a kazillion things I want to do and I want them all done now, now, now - but if these things I want done are MY creative projects, then I can't really hire anyone else to do them. I've got to do them myself.
This is a big bottleneck if I haven't yet learned the skill to my own satisfaction.
I've talked before about one of the techniques I use - reading the difficult book at the dinner table. I eat out a lot, and do a lot of my reading either in coffeehouses, at dinnertime, or sitting on a rocking chair near my house. But those places are useful for books that can be read in pieces, in any order. At the dinner table, I have one book set aside - usually the most difficult or challenging thing I am reading, a book which I take in a little bit at breakfast, a little bit at late night milk and pound cake, one bite-sized step at a time.
At the dinner table, I have read Wolfram's A New Kind of Science and Davies' Machine Vision and Jayne's Probability Theory: The Logic of Science and even an old calculus textbook from college that I was convinced I had failed to fully understand on the first readthrough (hint: I hadn't; I had inadvertently skipped one part of a chapter which unlocked a lot of calculus for me). And now I'm going through Bishop's Pattern Recognition and Machine Learning, which has taught me much that I missed about deep learning.
Here's the thing: having gone through (most of) two whole probability textbooks and a calculus textbook that I read to help support the probability textbooks, I no longer feel as unexpert about probability as I once did. It was my worst subject in college, hands down, but I have reached the point where I understand what I did not understand and why I didn't understand it, I know how to solve certain problems that I care about, I know where to look to get help on problems that I can't solve, and I have realized the need to be humble about problems that are currently beyond my framework of understanding.
[Whew! I almost said "I have learned to be humble" there. Ha! No, I don't think you can really learn to actually be humble. You can however learn the need to be humble and then try to achieve it, but humility is one thing that it is really difficult to actually have - and if you claim you have it, you probably don't.]
Now, I know this seems obvious. I know, I know, I know, if you read a buncha textbooks on something and are actually trying to learn, you should get better at it. But my experience is that just reading a textbook doesn't actually make you any kind of expert. At best, it can give you a slightly better picture of the subject area. You can't easily train yourself up for something quickly - you've got to build up the framework of knowledge that you can then use to actually learn the skill.
Which can lead you to despair. It feels like you read a buncha textbooks about something and end up more or less where you started, minus the time you spent reading the textbooks.
But that's only because the process of learning something complex can indeed be a really long slog.
If you keep at it, long enough, you can make progress.
You just have to be patient ... with yourself.
-the Centaur
Pictured: Pattern Recognition and Machine Learning by Bishop, sitting next to my breakfast a few days ago.
Anyone who knows Greenville, South Carolina would NOT describe it as a "vegan paradise". The closest place I can think of that fits that description is Las Vegas, which explicitly features vegan and vegetarian dining thanks to Steve Wynn ( https://www.wynnlasvegas.com/dining/vegetarian-dining ). Asheville, North Carolina, Montreal in Canada, and the San Francisco Bay Area are neck-and-neck behind.
Greenville? I'd snarkily say "not so much", but actually my home town has a fair share of vegan restaurants (Sunbelly, the Naked Vegan, and the Vegan Farmercy come to mind), as well as those which have a vegan menu (Entre Nous / Maestro, the 07, the 05, and the One 5 leap to mind). But actually we live in a time where many restaurants have vegan options, including our favorite, Brixx.
Veganism is an ethical necessity for some, but a luxury for most of us: most humans have not lived in an environment in which they could choose to go vegan even if they wanted to. Fortunately, even in traditional Greenville, South Carolina, we've reached the point where many places have a vast selection of vegan food items, and me and my wife can have a meal together, entirely cruelty-free.
I think I've mentioned before that I once got into an argument with a friend over whether you should complain about something you got for free. My friend said, "If someone buys you a steak, you don't complain about how well it was done, you just say thank you." No, that's how bullies give gifts: with the expectation that they can unilaterally create a debt with an expectation of gratitude.
In real life, it is, of course, gracious to simply say thank you when you receive a gift, even it isn't something that you wanted - or, even if it is not something you approve of. For example, my wife, who is vegan, used to simply smile and say thank you if she has been given something that she would not normally eat, because she's an ethical vegan: the animal has already died, so she would rather it not go to waste.
But she's found herself doing that less and less: some non-vegan food makes her sick, some non-vegan food simply doesn't taste good anymore, and, some non-vegan people are just being dicks. Once we went to a friend's house for Thanksgiving dinner, and they assured her that there would be many vegan options; when we got there, the only thing that was vegan was salad, no dressing, and they literally told her to "suck it up."
The entitlement of the giver gets drawn into even sharper relief when it comes to food allergies. More than one friend has ended up sick because waitstaff lied about what was in their food - and I do mean lied, because in more than one case they specifically asked about it, and then when the food arrived the waitstaff said something like, "but it's chopped up finely, you'll never taste it." Taste isn't the problem, buddy.
But bad actors do not fill the whole world, and the positive side to my friend's argument is that if someone has done something nice for you, it can ruin their day to find out that their extra effort wasn't wanted. Case in point is what C. S. Lewis called "the gluttony of delicacy": where you're super particular about what you want, but don't see it as being demanding or gluttonous because you're "not asking for much."
For example, I hate for stuff to go to waste, and don't use straws, or lemons, in my iced tea, so I ask waitstaff for "unsweetened iced tea, no lemon, no straw." Now, I don't really sweet tea anymore---originally for health and now for taste reasons---so I would send the wrong drink back; but if they give me a lemon and straw, I don't say anything. Thankfully, results from NASA's space probes show the Earth rests on the back of a giant turtle, not a giant camel, so hopefully, getting one extra straw will not cause the end of the world. (1)
But not wanting things to go to waste can ... interact ... with generosity. Another case in point: hot peppers. At one restaurant I go to, you can ask for a little extra sauce, or light cheese, or whatever, and it will happen. At another local restaurant, the kitchen is a little more ... granular with their generosity. I asked for an extra hot pepper on a dish ... and the kitchen sent out an entire plate of extra peppers.
My server buddy always knows what's up and once warned me: "you know, for this kitchen ... let's not make the order too complicated." So we try to keep things simple for them. They've got our best interests at heart. And when they do send out an entire plate of hot peppers when I want just one, I smile and say thank you, and do my best to eat as many of them as I can ... before my mouth catches on fire. (2)
-the Centaur
Pictured: Bistec y camarones con pimientos adicionales.
(1) NASA results actually show that neither oversized tortoises nor dromedaries play any significant astronomical role, making the apocalyptic potential of extra drinking straws even more remote.
(2) I did not, indeed, finish the entire plate of peppers - there were like 200% more peppers than I wanted.
Cats are so colorful and varied it's easy to forget that part of the function of coloring is camouflage. I almost didn't see this little gal sitting in our front foyer! But the camera never lies:
Meet Lovi(licious(ness)), the fifth member of our increasing series of L-named cats. This little lady started coming round our house in San Jose, and after Sandi started feeding her, she soon won her over (it is not clear who won whom over). Sandi welcomed her inside, where Lovi started using the litter box like a pro. We suspect she was someone's kitten who was scared away from their home by fireworks at the Fourth of July, and after unsuccessfully attempting to find her owners, Sandi brought her back to South Carolina.
Crazy cat people here we come.
-the Centaur
Pictured: Um, I said it: our new cat, in our new foyer, trying, unsuccessfully, to hide.
No, not 1923: the numbers 19 and 23: the number of years my wife and I have been married, and together! We met on September 13, 2002 and married a smidge over four years later on September 16, 2006. I always love the fact that we got married so close to the date that we met (I argued we should hold it on the same date, but everyone told me "we're not attending a wedding in the middle of the week" so, eh, the 16th).
For our anniversary, we went to Asheville, North Carolina for the weekend, which we really enjoy due to its wide range of vegan restaurants, great bookstores, nearby hiking, and spectacularly walkable downtown. My wife and I really enjoy places where we can walk everywhere - New Orleans' French Quarter, San Diego's Gaslamp District, Montreal's Old Town, Monterey, even smaller places like Davis, and of course London.
So for the weekend, we walked, and walked, and walked, and walked. We visited all the bookstores and all the art galleries that we could, and looped around downtown maybe a dozen times. Unusually this visit, we chose to try to go hiking - we spent so much time our first five or six trips there in the downtown we rarely got out to do anything else. But we did the Blue Ridge Parkway and Catawba Falls, which has a truly epic staircase tracing its way to the top - 580 steps, which is more than enough to put a crimp in anyone's climb.
No, that's not computer generated, but it did feel like I was in some infinite stairwell in a computer game after a while - it just kept going up and up and up! There's a tall observation tower at roughly the middle, which triggered my latent fear of heights - something I haven't quite debugged; it triggered leaning out over the Hoover Dam but not standing at the Grand Canyon, and leaning over the rail of the observation tower, but not leaning over the rail of the staircase just a few feet away. I think it has something to do with my body detecting "there's a big drop and it might be behind you" - or perhaps I'm just worried I'll lose my hat.
Regardless, the food was the real standout on the weekend. At two of our favorite restaurants - Mountain Madre and Strada - we found there were way more vegan items than were listed on the menu, which enabled us to get some really great things we'd never tried before - vegan nachos at Mountain Madre and vegan bolognese at Strada, both excellent. The Smokin Onion was a great new find - we went there for breakfast before our hike, and liked it so much we went back on our way out of town. The pumpkin spice "cruffin" was superb - yes, decadently sweet, but actually also fluffy and not overpowering.
But the real anniversary dinner was at Plant, one of the best vegan restaurants we've been to - easily the equal of our favorite restaurant, Millennium in Oakland. At Millennium, we often get a high-top table near the front window, but at Plant, you can actually reserve a spot at the "mini-bar" - a two-top counter next to where the drinks are prepared, which feels really intimate even though it's right out in the middle of the restaurant. The waitress remembered us and hooked us up on our anniversary dessert!
Sometimes when I travel I include picture from my hotel room, but by chance my wife and I recognized and took a picture of our hotel room. It might not be immediately obvious to anyone else - except I'd looked out the window minutes before, we were one of the only hotel rooms with an open curtain in more or less the right place --- and, tellingly, I could see the same bags piled by the window. Even zoomed in it's pretty small, and I can't go and check right now to confirm --- my wife crashed out early while I took a West Coast church board meeting --- but as best I can reconstruct it, here's what I see in that window:
My laptop bag is what I call my "portable office" - containing the book(s) I'm reading, my writing notebook, my drawing notebook and tools and any reference materials, the top scientific folder and notebook I'm working on, and a bunch of laptop gegaws like a power supply and various USB plugs. I think this doesn't look like a laptop bag because my hiking shoes are piled atop that, but whatevz. The other half of the "portable office" is a stack of books and a clipboard with my "todo paper", a heavyweight copper parchment or blue linen paper I use to organize tasks, all shoved into a tote bag for easy transport.
Next to that are more creative piles - a tote with the portable music keyboard and some music theory books for my electronic music practice, and next to that is a larger tote with the "active pile" of the fiction, comic and technical books that are near the top of my pile. I don't always get to all those piles, but the longer I stay in any given place, the more glad I am that I've got that pile with me so I can quickly switch gears to whatever task that sparks my creativity in the moment.
All that seems a lot, but it's way downsized and organized compared to the stuff I used to carry around everywhere. Someone once said they thought I had some kind of caching system that I just can't quite turn off, and I agree - except the only way I seem to be able to do all the things that I do is to keep a big pile of stuff near me so I can turn spare minutes into accomplished tasks. I ... don't think I'm that great at it, honestly, but it does enable me to get closer to where I want to go, step by step, piece by piece.
-the Centaur
Pictured: Um, I said it already: our hotel in downtown Asheville.
Back from Dragon Con, but still scrambling from thing to thing due to our upcoming 19th anniversary. So, in lieu of a serious update, I present one of "the Originals" ... one of our three recently adopted kittens:
I understand cats are boneless, but this is a bit much! How does this not break something?
Anyway, lots of news, and hopefully getting back to it next week ...
-the Centaur
Pictured: either Lily(pad(ski)), or Luna(tic(les)). Can't quite tell from this angle, but I think Luna.
Friday, August 29 7:00pm Hyatt Regency VI-VII Jeremiah Willstone: The Plague of Gears – Ep01 Hour of the Wolf Written by Anthony Francis, adapted for audio by Tony Sarrecchia. Two fisted steampunk adventure! Victoria cadet Jeremiah Willstone battles clockwork monsters and time-bending ghosts in a whirlwind of romance, danger, and daring heroics! Also featuring Maid of the Mirror Written for audio by Ellie Cook
Sunday, August 31 7:00pm Hyatt Regency VI-VII Jeremiah Willstone: The Plague of Gears – Ep02 The Time of Ghosts Written by Anthony Francis, adapted for audio by Tony Sarrecchia. Two fisted steampunk adventure! Victoria cadet Jeremiah Willstone battles clockwork monsters and time-bending ghosts in a whirlwind of romance, danger, and daring heroics! Also featuring Nothing-at-All Written for audio by Kelley S. Ceccato
The stories behind these were written by me for the Twelve Hours Later anthology, adapted by my friend Tony Sarrecchia, and performed by ARTC, my favorite radio theater company. I am working with Tony and ARTC to put together full audio dramatizations which we're hoping to bring to Dragon Con 2026.
But that's a bit far out! This year, my full schedule is:
Fri 01:00 pm ~ Hyatt Embassy EF From Story Seed to Plot Tyra Burton(M), Gerald L. Coleman, Anthony Francis, Paige L. Christie, DL Wainright, Nancy Knight How do you go from having your initial story idea---which may only be a character, scene, or setting---to a full-fledged story plot? Our panelists will share their tips and tricks.
Fri 07:00 pm - Hyatt Regency VI-VII ARTC Presents: Maid of the Mirror & Jeremiah Willstone Ep01 Atlanta Radio Theatre Company, Anthony Francis(O), Tony Sarrecchia(O) An audio drama extravaganza: Deep below the mountains of Ireland, a faerie warrior guards a magic mirror & its occupant, the Knight of Scars. By Ellie Cook. ALSO Cadet Jeremiah Willstone battles monsters & ghosts in two-fisted steampunk adventures. By Anthony Francis, adapted by Tony Sarrecchia.
Sat 04:00 pm ~ Hyatt Learning Center Reading Session: Anthony Francis I will be reading from my latest work!
Sat 07:00 pm ~ Hyatt Embassy CD IP Here, There, & Everywhere! Intellectual Property! James P. Nettles(M), Anthony Francis, Courtney Lytle, Dwayne K. Goetzel, Scott Macmann, John Goodwin Its great to have an idea or create a new world---but how do you go about that while still making sure your shiny stays yours? Join experts in a discussion about what this means for creatives. Can you trademark a genre? How about a term? Game mechanics? If one person can dream it, what comes next?
Sun 01:00 pm ~ Courtland Grand Augusta Courtland A Master Class: Introducing Technology to Alternate History Henry Herz, Robert W Ross(M), S. M. Stirling, Steve Saffel, Anthony Francis Join our masters of writing as they discuss how they decide what technology they keep, what they remove, and what they completely reinvent for their novels. What influences these decisions, and how do they make their world feel like a shift from the real world? Joint with the Writers Track.
Sun 07:00 pm ~ Hyatt Regency VI-VII ARTC Presents: Nothing-at-All and Jeremiah Willstone Ep02 Atlanta Radio Theatre Company, Anthony Francis(O), Tony Sarrecchia(O) When a healer with no name, a patient with no hope, and a Wizard with no heart cross paths, will magic, love, and redemption follow? By Kelley S. Ceccato. ALSO Cadet Jeremiah Willstone battles monsters and ghosts in two-fisted Steampunk adventures. By Anthony Francis, adapted by Tony Sarrecchia.
Sun 10:00 pm ~ Hyatt Embassy EF The Evolution of the Vampire in Speculative Fiction Anthony Francis(M), Violette L Meier, Patricia L. Briggs, R. E. Carr, Elizabeth Donald, DL Wainright From Carmilla to Sinners, vampires have been monsters, heroes, and everything in between. This discussion aims to break down how vampires have evolved in our entertainment, why they're so alluring to readers and viewers alike, and how to use them in our fiction effectively.
I hope to see you all there!
-the Centaur Pictured: Fans on Thursday morning, watching Star Wars robots!
Worldcon is over, and people are now returning to their lives. I've got a day and a half here to enjoy Seattle, but the funny thing is, right now I'm in the same hotel bar where the above die-hards were closing out Worldcon last night - it's got a great high-top table at the window, which is great for writing.
Which I need to do, after reading more of Dwight Swain's Techniques of the Selling Writer over breakfast. You'd think I'd have finished this book given that I lecture on Swain, but I got introduced to him through his audio lectures, so the lead up to my Worldcon talk was my first time to go through this book cover to cover, and even then I focused on the scene-and-sequel stuff that I was discussing. His discussion of openings - focusing on where, what's going on, and to whom, with what conflict, expressed with showing through immediate action - got my brain thinking about how to rework the opening of WATCHTOWER OF DESTINY. My room's being cleaned, so I decided to sit down and write my notes on these ideas right now.
Even though I'm a night owl, sometimes it's good to start the day with food for body and mind.
It can inspire you.
-the Centaur
Pictured: The Fountain bar last night, the Fountain bar this morning, and yet another breakfast at Alder and Ash - smoked salmon omelet, dry toast and fresh fruit.
So! Worldcon 2025 is at an end! And what a wild blast it was. I enjoyed the previous Worldcon I attended in San Jose, but I wasn't really prepared to take advantage of it. This year, I couldn't swing a sonic screwdriver without bapping a friend or colleague, or without making a new business or academic contact. I credit at least some of that to the prepwork that I and the Thinking Ink Press team did, and at least some of it to having the Clockwork Alchemy / Milford Workshop table as a "home base" to go back to.
After the Hugos, the Fountain bar at the Sheraton was so packed they couldn't even take my order before close, but I wanted to get more writing done, and I was just up the street last year for CVPR 2024, so I remembered the Elephant and Castle bar, right up the street, open until 2. I got a goodly chunk of THE WATCHTOWER OF DESTINY done right here in the table in the center, until roughly 1am.
BUT! Even as a night owl, I understand the value of early to bed, early to rise, and to convince myself to do that, I try to get up for a hearty breakfast. I don't always make it, but I made it today. The TIP gang has been keeping tabs of each other on Signal, and so my colleague Liza Olmsted and I realized we were at the same restaurant, got together (as I was starting my breakfast and she was finishing hers) and during our discussions came up with the idea for a brand new anthology! Woohoo.
The simple expedient of bringing Clockwork Edgar (Sandra's messenger raven) attracted a lot of people to the Clockwork Alchemy table, and the backstory Sandra had built around Edgar's messenger bag (complete with spare gear, compass, message and a few other items) was very entertaining.
After a neurodivergence talk at noon, which was very productive for me and Liza, I returned to the show floor to close up and found that we had two more hours before close due to a typo in an email. So, I had one last chance to attend a talk by my new friend Dr. Paul Price, who lectured on "exponential plots" (think Goku getting more and more powerful in Dragon Ball Z) with a strongly evidence-based lecture built on a close read of old space opera.
Paul showed that cyclical (episodic) plots work well with no-growth (think Sherlock Holmes versus case of the week) or slow-growth plots (think a slowly learning protagonist) but can get out of hand if a ridiculous enemy attacks every week with a similarly ridiculous growth in the protagonist's power - nevertheless, if you build in humanizing elements from the start, it can still work.
The coolest thing in his lecture was his critique of gender roles in the old space operas - I don't remember the precise numbers, but the gist was, in an entire space opera series by John Campbell, there were 25 instances of the pronoun "she" - but 18 of those referred to a ship, 6 to love interests, and the remaining was a stenographer who was alien, but was nevertheless depicted in a stereotypical gender role.
After that, we did close, and even as we did so, I kept on making contacts, meeting people, and so on. Even trying to buy a last-minute gift from a friend ended up with a vendor taking my card and inquiring about my writing as they were a voracious reader and were interested in my series.
Paul and I, who just met, nevertheless found many similarities in our research styles, and got together tonight to discuss next steps on using his data in our corpus or our code to analyze his data. A laser-guided question from an audience member at my talk got me thinking about DEI issues with our corpus, and Paul's "usages of the pronoun she" analysis sounds like a perfect candidate for implementation by an LLM.
On the way back, we had an interesting conversation about religion, mortality, transhumanism, the weird giant statue we saw in front of an art museum, and the crowd of filkers still filking away in the hotel when we finally got back.
I ended up retiring to the hotel bar - which I interpreted as the right thing to do because on my way down there I ran into someone I had wanted to run into at the con but had only passed and waved. We had a great conversation, and I got a lot of work done at the hotel bar before closing it up.
On that note, that's a wrap for Worldcon 2025. I may have more to say about it ... but it's gonna have to be tomorrow.
-the Centaur
Pictured: Me at the photo booth, the courtyard of Elephant and Castle, fresh fruit for breakfast, Edgar the clockwork raven, Paul giving his talk at the academic track, packing up our booth at the con, a giant statue on the street, a giant crowd of filkers, and me and a giant tray of oysters - all rendered with my "make it look like an illustration" series of Photoshop filters.
Well, we made it through WorldCon Day 4! My talk apparently went well, as I was mobbed when it was over and a half-dozen people actually dropped by the poster session - some of them, interested in serious academic followup! And one guy said, "Your talk was the fastest thirty minutes of my life. I loved it."
Mission accomplished!
The Clockwork Alchemy contingent finally arrived in force, so we at last had a proper table setup!
So I got to head out to see the show floor, which was pretty amazing! There was a Star Trek Jack Skellington, holding what appears to be either a Babylon 5 Shadow Ship or a modified Klingon batleth sword.
There were too many cool things for this post, but, I always have time for ... robots!
Sonic screwdrivers!
Wand duels!
Our books continuing to sell! (The stack isn't shorter, but we've been replenishing it)
Later that night I attended the Hugo ceremony, which was pretty awesome, with singing by Nisi Shawl that is still echoing in my head because they did it as a "bit" between the different presentations ("Down, down, down the Hugo road ...) and a really funny video bit from the actual Hugo Best Novel winner.
Afterwards, some of the award winners came to the Fountain bar in the Sheraton for a victory lap!
I also got to see a lot of friends at the con. All in all, a pretty good day!
-the Centaur
Pictured: The fan tables, me at my poster, Sandra Forrer talking to a steampunk fan, our table, the giant Jack Skellington in a Next Generation uniform, a youth robot team, a sonic screwdriver collection, a LARP wand duel, the Neurodiversiverse at the Liminal Fiction table, the Hugos, and the hotel afterparty.
Not a lot of pictures from today proper because our Friday volunteer had an unexpectedly rough trip in, and I'm again stuck at the Clockwork Alchemy / Milford Workshop table:
But the costumes have been great! I've seen a fair bit of Oz this year ...
Some Star Trek / Steampunk riffs:
And whatever these folks sitting at the far table are:
My buddy RM Ambrose gave a good talk on framework for discussing violence and nonviolence in fiction:
I have even finished a rough cut of Saturday's presentation, and despite the fact that it is +110 plus slides, because many of my slides are sequences that add elements to existing slides, there are only like 30-40 content slides, and I was consistently able to get through it in ~20 minutes, well under time.
Don't you think he looks a little tired?
-the Centaur
Pictured: The WorldCon Bar, our table, various costumes, Ralph's talk, my slides, and the Centaur, sleepy.
Day Two of Worldcon! And The Neurodiversiverse is already selling out at Liminal Fiction! (Apparently someone mentioned it at a panel!) But if you want forty-plus hopeful, empowering own-voices stories of neurodivergent people encountering aliens, conveniently packaged with poetry and art in an award-winning anthology, please drop by their booth and buy up the rest of their stock of the NDV!
We still don't have a fully staffed table as some people couldn't make it to the con (one, yesterday, held up when their train stopped while the police resolved an active shooter situation (!)). But I am getting work done on my presentation for Saturday (and on my blogging!)
Some great costumes and t-shirts this year, even though traffic near the CA/Milford booth is a bit thin.
I particularly liked this Oz guardsman!
Also met many authors and friends of authors I know. And, at breakfast at Alder and Ash this morning, I got in line at the host stand, only for the guy in front of me to step aside and say "Sorry! Still waiting for my party to arrive." I was seated promptly ... and then, moments later, the guy saw the woman sitting at the table next to me and joined her, saying "You were seated at the only table I couldn't see from the door. THEN this random dude starts mentioning that The Shattering Peace was doing well and discussing panels, and a quick glance confirmed it was John Scalzi, my favorite blogger, who apparently also writes books or something, which some of you may have heard of, discussing publishing with someone in the industry.
I let them eat, and finished my delicious breakfast so I could staff the table.
-the Centaur
Pictured: NDV at the Liminal Fiction booth, the booth itself, the view from the CA/Milford table, a t-shirt, an Oz guardian costume, and breakfast at Alder and Ash (with John Scalzi just outside the frame to the right).
SO! We're out at Worldcon. I've already run into fellow TIPster Betsy Miller, author Clara Ward, and several other folks who either knew me or I knew them.
Today and tomorrow I am volunteering at the Clockwork Alchemy / Milford Workshop joint table! Compared to the GeekGirlCon and LARP booths around us, our table display is a little underwhelming as a lot of the Milford and Clockwork contingent either couldn't make it or were delayed. So we just have the brochures and stands I could fit in my suitcase, which was a fair trick as I brought 30 books to the Book Nook!
I'll be signing there today at 3pm. Then on Saturday at 11, I'll be in Room 320 presenting on "The Cognitive Science of Scenes and Sequels," joint work with my colleague Kenneth Moorman of Transylvania University. The poster session will be from 12-1 on the fourth floor Paramount Lounge:
I hope to see you there! You'd appear somewhere in the image below ...
-the Centaur
Pictured: Some Daleks and the TARDIS, the Clockwork Alchemy / Milford shared table, my book at the Book Nook, my poster up at the Paramount Lounge, and the view behind the table.
This series began because I was recruited by my church board to pinch hit while our leader was busy. In more detail if you need it, the Vestry (the church board) of Saint Stephens-in-the-Field Episcopal Church (the church right up the street from my house in San Jose, and on whose board I still sit) asked its Vestry members to contribute "reflections" to our church newsletter (the Friday Journal) while our leader (Janet, the "Senior Warden") was busy teaching summer swimming classes.
SO! I wrote some things. And, now, present them to you! Please enjoy these thinkerly ruminations ...
A Red-Letter Reading from a Red-Letter Bible
This June began with a red-letter day: June 1st, the Seventh Sunday of Easter … where the entire Gospel reading would have been printed in red in a “red-letter” Bible.
In a movie, that red text would be foreshadowing: Sunday’s Gospel was Jesus’s farewell address to his disciples, immediately prior to his arrest and execution. And perhaps that red text is foreshadowing for us as well, as all of us will face trials and tribulations in our lives.
But in a Bible, that red text draws our attention to Jesus’s words. And Jesus’s farewell draws our attention not to trials and tribulations, but to love. Jesus reveals the Father’s name so that the Father’s love for Jesus may live in his disciples, and the disciples may live in Jesus.
I inherited my red-letter Bible from my parents. It’s a big, heavy Catholic Bible, with a somewhat intimidating picture of Pope Paul VI staring intently out of the frontispiece, and is copyrighted the year after my birth, so I often like to think that my parents probably bought this Bible for me.
But they forgot to fill in the page titled “This Bible Is Presented To,” and I like to think that’s another kind of foreshadowing. The Bible is presented to everyone, and its red letter text draws our attention to the words of Jesus, which culminate in a message of love in the face of death.
Earlier in the readings, Paul is jailed for curing a woman of demonic possession, then sings hymns to his fellow prisoners. When an earthquake frees them, the jailor is so distressed he wants to kill himself; but rather than escape, Paul ministers to the jailor so he can be saved.
We often think we need to rescue ourselves from the situations we find ourselves in. But the Psalm in Sunday’s reading reminds us that God saves his faithful from the wicked … and Paul reminds us that God can even help us save the wicked from themselves, with God’s help.
In this world, we all face trials and tribulations. But Jesus’s red-letter words help us focus on what’s important: not our immediate challenges, but our relationships with each other, and how those relationships should be not aligned with the world, but in mutual love guided by God.
-Anthony
Pictured: The third edition of the New Oxford Annotated Bible, which is my favorite Bible, even though it is not the version of the Bible that my parents got me as a kid. But I'd rather post this post with a related, if not completely on-point image, than wait for a picture of the right Bible, which, no sacrilege intended, only God knows when I would actually get around to taking.
Hey folks! I'll be attending WorldCon as part of the Academic Track! My presentation is on "The Cognitive Science of Scenes and Sequels" - an exploration of the real science behind writing teacher Dwight Swain's theory that you should write stories in action scenes followed by reaction sequels - and will be held Saturday, August 16th, at 11am, with a poster session in the Paramount Lounge from 12-1:
Many of my colleagues will also be there - Liza Olmsted and Betsy Miller of Thinking Ink, and our Neurodiversiverse authors Clara Ward (author of Be the Sea) and Cat Rambo (author of You Sexy Thing). Fellow Taos Toolbox alumnus RM Ambrose, editor of Vital: The Future of Healthcare will also be on a panel.
I'm working on a paper on "The Cognitive Science of Scenes and Sequels" with my friend Kenny Moorman. We're attempting to harmonize "scenes and sequels" from professional writing craft with the findings of the cognitive science of story understanding ... and I'm presenting it at WorldCon in a little over a week.
It's been slow going due to the amount of research involved---at least seven narrative disciplines affect our work, and relevant papers and projects go back fifty years---not to mention my periodic struggles with writer's block whenever I switch projects (as two other writing deadlines are overlapping this one).
SO! I've been working on the paper a lot of late, scribbling on printouts over coffee, then editing over dinner, staying up late at night to harmonize details. And I was plugging away at the "WC:AD" (WorldCon ACademic) paper when I hit a new section my collaborator had added on "the Lorentzian Argument."
Huh, I thought, I've been working on general relativity, where Lorentzian metrics show up; I wonder if this is the same Lorentz? Surely, I thought, I could take a stab at the section. Then I saw Kenny had moved the section on "Implications for the Transgender Narrative" to just after "The Lorentzian Argument."
He'd done so on purpose. There were notes there. There was a deep connection between them.
I realized there was no way I could fill out this section; I had to move on.
Then I woke up.
-Anthony
Pictured: Working on WC:AD at Monterey by the Mall. I wonder if the strength of the margarita has any effect on the bizarreness of the dreams?
P.S. In case it wasn't clear, our paper doesn't have implications for the transgender narrative, nor is there a Lorentzian argument in narrative theory---at least, that I am aware of. My brain made it all up probably because I'm also studying general relativity and transgender issues in the background for other projects.