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Posts tagged as “Clockwork Alchemy”

Clockwork Alchemy Schedule

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Ahoy, fellow adventurers, if you’re interested in tales from a traveler who’s voyaged far and wide across the sea of unending stories, yet somehow returned to the shores we know, you can come listen to me talk at Clockwork Alchemy this year - I’m on four panels!

Saturday
4PM: Overcoming Writer's Block
Scheduled Presentation Time: Saturday 4pm - 4:50pm
Location: Author's Salon (Monterey Room)

Sunday
10AM: Writing Victorian Sci-Fi
Scheduled Presentation Time: Sunday 10am - 10:50am
Location: Author's Salon (Monterey Room)

12 Noon: The Science of Airships
Scheduled Presentation Time: Sunday Noon - 12:50pm
Location: The Academy (San Martin Room)

2PM: Organizing an Anthology
Scheduled Presentation Time: Sunday 2pm-2:50pm
Location: Author's Salon (Monterey Room)

I’ve given the "Science of Airships" before, and have done panels similar to “Writing Victorian Sci-Fi” and “Organizing an Anthology”, but “Overcoming Writer’s Block” I’ve not presented before to a public audience, so it should be interesting!

Come check it out!

-the Centaur

At Clockwork Alchemy 2016!

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Greetings, fellow adventurers! At long last, that time has rolled around again - Clockwork Alchemy, the Bay Area’s premiere steampunk convention. I’ll be here this weekend, most importantly for the launch of THIRTY DAYS LATER!

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SO this year blogging every day was supposed to be a thing, but life is more important, and after taking care of my mom after her knee surgery, being there for my wife, and doing a good job at that thing I do that keeps a roof over our heads and food in the cats’ bellies, the next most important thing was … well, not 30DL, it was THE CLOCKWORK TIME MACHINE!

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But that ain’t out yet, as it is still in copyedit. We may go another round on this one. Whatever. I want this book to win the Hugo and I trust my editor, so we’re going to work on it and Get It Right. But AFTER making sure my editor did not send ninjas to have me killed, the next most important thing was launching THIRTY DAYS LATER on time!

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THIRTY DAYS LATER is Thinking Ink’s first full length fiction anthology, and we wanted to get this one right, or at least not so wrong that all the books were gone. Now that I am at the con with a giant pile of books, at last, I can breathe easy.

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Oh, and I can finish my slides for Saturday’s presentation. Aaaa!

-the Centaur

Two Jeremiah stories reviewed on Publisher’s Weekly

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THIRTY DAYS LATER was reviewed on Publisher’s Weekly, and my two stories got a great review:

Each [story in THIRTY DAYS LATER] is broken into two separately titled parts, with events in the second part unfolding 30 days after those in the first. Anthony Francis, in “The Fall of the Falcon/The Rise of the Dragonfly,” uses that interval to work a crafty time-travel paradox into a futuristic tale of “infectious Foreign gearwork” run amok.

THIRTY DAYS LATER officially comes out June 1st, but you can order it now on Amazon! Check it out!

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They’re Heeere…

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It is with an enormous sigh of relief that I can announce that THIRTY DAYS LATER will indeed be available by Clockwork Alchemy!

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Above is the stack of books as they arrived at my house today, and below is my smile when I inspected the shipment!

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I don’t even want to start to go into the snafus which happened at the last minute, because they are OVER! I can at last add this to the stack, and move on. More later on how THIRTY DAYS LATER is Thinking Ink Press’s first fiction anthology, how it features the next of the Jeremiah Willstone stories, and why you want to watch out for yaks and Sasquatch … but for now … they’re here!

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-the Centaur

THIRTY DAYS LATER reviewed by the Punkettes

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Excellent news - THIRTY DAYS LATER has been reviewed by the Punkettes!

Need help steaming up your Summer? The other day I made myself a cup of tea and sat down to read the THIRTY DAYS LATER anthology put on by Thinking Ink Press. I wasn’t expecting the soirée of steam/clock infusion. I soon found my tea turning cold and me turning the next page. Thirty Days Later is full of interesting diverse stories that will appeal to a wide variety of readers with sightings of Royals, ghosts, dragons, Japanese folklore, spies, and even a Sasquatch(?!).

Very cool! Go check the review out, and remember, THIRTY DAYS LATER comes out in a couple of months!

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Priorities

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Wow, the Vegan New Orleans and Vegan Las Vegas posts are taking a lot longer than expected - I didn’t get them out yesterday like I wanted. But that’s OK, because even more important stuff happened: Thinking Ink Press received the print proofs of THIRTY DAYS LATER, our first fiction anthology, which happens to feature Harry Turtledove. Woot! Here’s Betsy Miller, the author and publisher who did much of the work making the physical copy of this happen:

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I’m normally a hermit, working on my projects, but this past week has been almost totally focused on people: coffee with my thesis advisor talking about the Google, interviews, office moves with my team, coffechats with friends about the mathematical underpinnings of deep learning, dinner with my buddy Nathan Vargas, dinner with my buddy Derek Reubish planning a friends and family trip, and dinner with Derek and our buddy autocross racer Fred Zust catching up after Fred’s wife participated in a big race. No pics of that - I let Derek and Fred handle that chore - so instead I give you pics of the farmer’s wrap I had at Barnes and Noble while waiting for the call that Fred had finally hit town.

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Work is important - I spent the morning working on math and writing prior to meeting Betsy to talk about the page proofs, which itself was another kind of working; and as you see above, I worked while waiting for Fred to arrive.

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But there’s more to life than work. As another buddy, Gene Forrer, just pointed out, THIRTY DAYS LATER wouldn’t exist except for the strong camaraderie of all the authors at Clockwork Alchemy, and as Belinda Messenger-Sikes pointed out, that level of camaraderie among writers is unusual for such a small genre convention.

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But that camaraderie does more than just produce books; it also produces communities, long-lasting friendships, durable associations that pass the test of time. I’m happy to have all the friends I have, and even though I love being a hermit and just working on my work, I enjoy all the time I get to spend with all my friends building and building upon our friendships.

-the Centaur

Announcing 30 DAYS LATER, a Steampunk Anthology

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The small press I’m associated with, Thinking Ink Press, has just announced its first anthology, 30 DAYS LATER, edited by A.J. Sikes, B.J. Sikes, and Dover Whitecliff of the Treehouse Writers’ Group! Check out the Thinking Ink Press announcement for more details, but it should be coming out around the time of the Clockwork Alchemy conference this May.

-the Centaur

Pictured: A clock, image credit: Deutsche Fotothek, downloaded from Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Germany license. Not the cover or anything, just something I liked - we’re saving the cover reveal.

Welcome to 2016

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Hi, I’m Anthony! I love to write books and eat food, activities that I power by fiddling with computers. Welcome to 2016! It’s a year. I hope it’s a good one, but hope is not a strategy, so here’s what I’m going to do to make 2016 better for you.

First, I’m writing books. I’ve got a nearly-complete manuscript of a steampunk novel JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE which I’m wrangling with the very excellent editor Debra Dixon at Bell Bridge Books. God willing, you’ll see this come out this year. Jeremiah appears in a lot of short stories in the anthologies UnCONventional, 12 HOURS LATER, and 30 DAYS LATER - more on that one in a bit.

I also have completed drafts of the urban fantasy novels SPECTRAL IRON and HEX CODE, starring Dakota Frost and her adopted daughter Cinnamon Frost, respectively. If you like magical tattoos, precocious weretigers, and the trouble they can get into, look for these books coming soon - or check out FROST MOON, BLOOD ROCK and LIQUID FIRE, the first three Dakota books. (They’re all still on sale, by the way).

Second, I’m publishing books. I and some author/artist friends in the Bay Area founded Thinking Ink Press, and we are publishing the steampunk anthology 30 DAYS LATER edited by Belinda Sikes, AJ Sikes and Dover Whitecliff. We’re hoping to also re-release their earlier anthology 12 HOURS LATER; both of these were done for the Clockwork Alchemy conference, and we’re proud to have them.

We’re also publishing a lot more - FlashCards and InstantBooks and SnapBooks and possibly even a reprint of a novel which recently went out of print. Go to Thinking Ink Press for more news; for things I’m an editor/author on I’ll also announce them here.

Third, I’m doing more computing. Cinnamon Frost is supposed to be a mathematical genius, so to simulate her thought process I write computer programs (no joke). I’ve written up some few articles on this for publication on this blog, and hope to do more over the year to come.

Fourth, I’m going to keep doing art. Most of my art is done in preparation for either book frontispieces or for 24-Hour Comics Day, but I’m going to step that up a bit this year - I have to, if I’m going to get (ulp) three frontispieces done over the next year. Must draw faster!

Finally, I’m going to blog more. I’m already doing it, right now, but one way I’m trying to get ahead is to write two blog posts at a time, publishing one and saving one in reserve. This way I can keep getting ahead, but if I fall behind I’ve got some backlog to fall back on. I feel hounded by all the ideas in my head, so I’m going to loose them on all of you.

As for New Year’s Resolutions? Fah. I could say “exercise more, blog every day, and clean up the piles of papers” but we all know New Year’s Resolution’s are a joke, unless your name is Jim Davies, in which case they’re performance art.

SO ANYWAY, 2016. It’s going to be a year. I hope we can make it a great one!

-the Centaur

Pictured: The bookshelves of Cafe Intermezzo in the Atlanta airport, one place where I like to write books and eat food.

Taking Stock

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What you see above are (almost) all the author's copies I have of all the published fiction I've written. Why am I taking stock of all this now? Well, at Clockwork Alchemy, this happened:

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I sold many, many other copies of my books and a solid dozen copies of FROST MOON - nearly cleaning out my stock of my first novel. I'd ordered twenty when LIQUID FIRE came out, but between that dozen, a few for a shelf at work, and a box that I sent to BayCon, I was left with just two of them. Time to order more.

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I'm in the writing game for the long haul, so I generally order 20-30 copies of any book or anthology that my work is published in (less or more if the publisher has a deal on sending a specific amount). Generally, north of 20 is a good number - I just sold out of 20 FROST MOON, but it can take a few years to sell out of 30 copies of an anthology. Your mileage may vary.

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Along with the books are piles of swag, postcards, t-shirts and various display materials which I organize into boxes so they can easily be taken to conventions. After several iterations of this, I've grown to keeping the stock in one big box, the swag in another box, keeping an empty "useful box" for extra copies on the first day of a convention (or a few copies for a smaller event like a signing) and all the oversized books and display materials needed at a full table in another box.

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This way if I want to go to a con, I can just grab a couple boxes and go. If I want to go to a con where I've got a table, everything I need is in just a couple more boxes, all of which fit in a couple shelves (more or less) in one bookcase.

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For a local con where I have a table, like Clockwork Alchemy, I go all out, so I need a couple more boxes of props, a display stand, and some tablecloths and an antique easel on loan from my wife. But the results, I think, are impressive.

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At least, thanks to my helpful assistants (thanks!) ...

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… it helped me sell a lot of books, and hopefully, make a lot of new fans.

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Time to order more FROST MOON …

-the Centaur