Little sketchier this time. But drawing every day.
-the Centaur
Posts tagged as “Jeremiah Willstone”
I know it might be hard to believe, but I am not dead, despite 2020's best efforts! In fact, I am going to be at Virtual Dragon Con, participating in the Virtual Mentoring sessions!
2020 Dragon Con Writer's Track Virtual Mentoring Guests
We have 30 established authors and other publishing pros who've generously donated their time and expertise to host 15-minute, one-on-one mentoring sessions with aspiring authors. If you're signing up for an acquiring editor or publisher, you are welcome to pitch your completed book!
If you are meeting with an established author, the door is pretty wide open. You can ask about craft. If you're struggling with something specific, you can ask them about it. We have a number of indie authors, so if you're interested in self-publishing, you can pick their brains. Think about what you want to get out of this dedicated one-on-one session and choose your mentor accordingly.
So, who am I in all of this, if you're just encountering this link and haven't read my books or this blog?
Anthony Francis - Thinking Ink Press & Author
Session schedule: Friday - 4:30, 4:50, 5:10, 5:30
Secret origin: By day, Anthony Francis teaches robots to learn; by night, he writes the Dakota Frost urban fantasy series (FROST MOON, BLOOD ROCK and LIQUID FIRE) and the steampunk Jeremiah Willstone series (THE CLOCKWORK TIME MACHINE). He's also an editor, and co-founded Thinking Ink Press.
Genres & expertise: I'm a science fiction, urban fantasy and steampunk author with experience in space travel, general physics, artificial intelligence, robotics, cognitive science, fictional magic and myth, and real and fictional military systems.
Acquisition wishlist: we're looking for fresh voices in science fiction accessible to new audiences. We've recently published YA military science fiction and humorous cyberpunk novels featuring LGBTQIA characters, and have also published a series of steampunk anthologies.
If you're interested in talking with me about writing science fiction, urban fantasy, or steampunk, or would like to talk about a new book proposal of interest to Thinking Ink Press, the signup sheet for sessions is here: https://form.jotform.com/202435857025050.
This is the first time we've done this virtually, but I've participated before in the live events (on the mentee end, rather than mentor :-D) and found it very valuable. So come on board, ask your questions, and help us make Virtual Dragon Con a success!
Virtual Dragon Con is already running - and I've been on two recorded panels already for the Writer's Track, though I don't know when they'll air yet, just figuring that out myself - but please go check it out and help the world have fun in the face of the zombie apocalypse!
-the Centaur
Wow, um, pandemics. SO, short story, I've been having a rough one, which is why you haven't seen me on this blog. Perhaps the story of my suffering is a story for another time, because I just found this Camp Nano post back from APRIL which was never published because, wow, um pandemics. Congratulations to you, zombie apocalypse, for throwing me off my game! Yay for you, Miss Rita, I guess?
SO ANYWAY, what I'd like to announce, what I planned to announce at the end of April but forgot to post, and now what I have to doubly announce at the end of July, is that I have completed the Camp Nanowrimo challenge to write 50,000 words in the month of April!
And, um, then, I did it again in July.
For those who don't know (how long have you been reading this blog?) National Novel Writing Month is a challenge to write 50,000 words in the month of November, and Camp Nanowrimo is a pair of choose-your-own goal sister challenges in April and July. I do 50,000 words each time, for 150,000 words a year. So far, I've done this (successfully) 27 times ... so my April Post was going to be "Viiiictory, A to Z" and there would have been some dang title for July, Plus One. But whatever, here's a graph of Nanos for you; from the dark line, it looks like my output this month (the dark line) was a bit more ahead of the game than normal (the average is the dotted line):
What was I working on?
This April, I mostly finished JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE, a "novel" made from a collected set of short stories set in an alternate Victorian era filled with strong women, rayguns, and aliens . The first of these stories, "A Choir of Demons," was published in Aurora Wolf magazine, and collectively, they tell the tale of how Jeremiah grows from a wet-behind-the-ears Lieutenant to the leader we see in THE CLOCKWORK TIME MACHINE. My friend Tony Sarrecchia, creator of the Harry Strange Audio Drama, is helping me adapt these to audio.
This July, I started Dakota Frost Book 7, SPIRAL NEEDLE. Dakota, the best magical tattooist in the Southeast, faces a new challenge when her weretiger daughter Cinnamon gets mixed up in a lycanthrope attack, and Dakota will move Heaven and Earth to make sure Cinnamon is safe ... if she can just figure out who's trying to hurt her, and why? This book actually excites me about writing Dakota Frost again - vampire-werekin medicine, Colonial American plague doctors, and secret societies - even if it is perhaps is distracting me from finishing the editing of DF #4-#6 and Cinnamon #1-#3.
But the pandemic, and all the other business going on in my life, has drained my energy for the very difficult task of editing --- and drained my energy for many other things. (Hence no blog posts since my cats came back from the hospital, though they got sick again; they're fine now). In this crisis, some people have died, some are sick, some have lost loved ones, some have lost jobs, and many just feel like they've lost their minds. Fortunately, I'm on the good end of the spectrum: I have my wife, I have my cats, I have my job, and I'm still able to write. For all of that, I count myself blessed.
As for the rest ... well, I'm picking up the pieces and getting back on an even keel, step by step.
Please bear with me while I am beating off the bears.
-the Centaur
Pictured: two hangry cats. They were both sick, just prior to the pandemic, and that was rough enough that I thought I had real problems. Ha! I guess the coronavirus showed me. At least I'm getting to eat some tasty and delicious vegan food.
SO! After yet another National Novel Writing Month, I have added yet another 50,000 words of rough draft to my writing output - making this the fourteenth time I have won Nano, and the twenty-fifth time I have won one of the Nanowrimo or CampNanowrimo challenges! Woohoo!
This month wasn't so bad, though there was a bit of a dip around the time I was writing report cards for our robot learning systems ("Little Johnny 5 tries very hard, but needs to work on his cornering!"). But, as usual, the week I took off for Thanksgiving "vacation" put me back on track:
Yes, one day I did indeed get 6000+ words written, which was a record for the 25th of the month, but nowhere near my record of 9074 words - written on the 30th(!) of November 2016, in what I recall was a delerious mad dash sitting on my sofa wracking my brain to produce enough words to make my goal for PHANTOM SILVER. Frankly speaking, that sucked, and since then I have redoubled my efforts to ensure that I'm never THAT far behind.
So this month looks typical. It's interesting to me how much Nano has become a part of my life. First tried in 2002, first made into a yearly habit in 2007, and first made into a thrice-yearly habit (Camp April, Camp July and November Nano) in 2014-2015 ... now I've done Nano 27 times, with 25 successes, for 1.36 million words of rough draft ... it's a heavy feeling.
Do I want to keep doing this? Absolutely. I wish I had more time to, like, edit my books, so I didn't have a backlog of 6 finished novels, 2 novellas, and 5 partially finished novels. (Gulp!) But I like having a roof more, and the time and money to pay for my laptop, my nice dinners, and my late nite teas and mochas, so, teaching robots to learn by day it is, for the time being.
One of the most interesting things for me is how Nano breaks through your creative barriers. When I started on MACHINERY OF THE APOCALYPSE, then titled TWO YEARS OF HELL, I had the idea of writing an action-adventure steampunk hard science fiction story around computer science concepts, and conceived it as a connected tale made of 16 short stories --- two to the fourth power, a number beloved of many computer scientists.
But as I've written, the story has sprawled out from my original design, and there are at least two, perhaps three set pieces which may demand their own stories. Or perhaps existing stories will have to be cut or deleted. I don't know; I just create the worlds, but once they exist, they follow the laws of physics (plot and character physics). Here's an excerpt from one of those diversions, which may or may not make it into the final design:
The dark doorway loomed before her like a maw. Jeremiah steeled herself: she had been her at best a handful of times, but she felt like she knew every rivet of the damned hatch, felt like she was right back to waiting on the damn Keepers while they prepared themselves.
Oh, she did not, did not, did not want to be back here.
Yet she was, not a child, but a Major. She straightened, nodded.
“Major?” asked Thompson, looking back at her. “You look a bit green.”
Jeremiah smiled, to give herself a moment to speak. What would a cracker-jack young major say? Or … wasn’t that putting on airs? What would General Weiss have said? Perhaps she should just be … honest?
“Good eye, sir, but I don’t just look it: I feel it too,” Jeremiah said, forcing a grin—was that fake, or did she just want to take this in the best humor possible? “Every time I’m here, it takes me right back to my childhood.”
“Childhood?” Thompson asked. The white hairs in his saltpepper eyebrows sparkled as his brow beetled. “Why were you here as a child?”
“I, foolishly perhaps, asked to see the thing that killed my mother,” Jeremiah said. “And … foolishly perhaps, the powers that be let the granddaughter of Benjamin Willstone get what she asked for.”
Thompson stared at her strangely, then turned away.
“I would have let you,” he said at last. “Seems to have been the first step into forming a fine soldier who doesn’t flinch.”
“Oh, I assure you, I flinch,” Jeremiah said. “Just not from duty.”
“That’s the Major Willstone of my reports,” Thompson said. He leaned over and said a bit cheekily. “I hear you scream like a girl even when you’re firing both blasters at point-blank range—”
“Why, I never—” Jeremiah colored. “Well, that does speak to character—”
“Yes, yes, it does,” Thompson said, “and to good sense. Alright, in fairness: the report just said ‘cried out in shock before blasting the thing,’ but one could imagine the girlish scream—”
“Oi!” Jeremiah said. “Wait, what thing was this?”
“Er,” Thompson said, as the hatch opened. “I … don’t recall. Frankly, Major, with your record, the monsters start to blur—”
“Not all of them,” Jeremiah said, striding forward with a projected confidence she absolutely did not feel. “Have a look at that.”
Enjoy. Back to writing!
-the Centaur
SO! I love to write, and four of my novels are published - FROST MOON, BLOOD ROCK, LIQUID FIRE, about magical tattoo artist Dakota Frost, and JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, about steampunk heroine Jeremiah Willstone.
You can read about the published ones at my Novels page, but even though life got a bit away from me this year, I haven't stopped writing - I have six more finished novels in the editing queue, not to mention half a dozen more in process.
And every single one of these novels, published or not, was largely written in National Novel Writing Month in November (or its sister challenge Camp Nanowrimo in April and July).
Nanowrimo is a 501(c)(3)that helps people find their creative voices - and certainly helped me transition from mostly not-writing to writing over a million words of fiction! (Way over, now).
Every year, I donate to the Nanowrimo foundation to help them not just keep the lights on but to support young writers everywhere with their Young Writers Program. This year, consider helping them bring literacy and creativity to more people all around the world!
-the Centaur
So my author reading IS on tomorrow, though you can't search for it by name (my name appears in the panel description, but not in the panelists), it does show up on the list at 11:30 tomorrow (um, today, Saturday):
Reading Session: Anthony Francis
Time: Sat 11:30 am Location: Marietta - Hyatt (Length: 1 Hour)
(Tentative Panelists: Anthony Francis)
I'll be reading from a mixture of my fiction and nonfiction, urban fantasy and steampunk, published works and unpublished works, and maybe even a preview of the Jeremiah Willstone radio drama!
Or, since this got finalized on the schedule at the last minute, I might just be reading a book by myself in a quiet room. Either way, so full of win! :-D
-the Centaur
P.S. It appears my author signing is still on the schedule, so I will also be appearing at 2:30 on Sunday:
Title: Author Signings
Time: Sun 02:30 pm Location: International Hall South 4-5 - Marriott (Length: 1 Hour)
(Tentative Panelists: Anthony Francis)
Don't miss it! (I won't.)
Wow, I just won {Nanowrimo|Camp Nanowrimo} for the twenty-third time!
For readers of this blog who have missed, like, 75% of my posts over the years, National Novel Writing Month is a challenge to write 50,000 words of a new novel in the month of November, and Camp Nanowrimo is its sister challenge in April and July. I adapt this to write 50,000 words on top of whatever I'm currently working on, and have been doing it since 2002.
This is my 25th Nano or Nano-like attempt, and my 23rd victory. (Interestingly, my two failures were times that I tried Nano on my own, without the motivation of the Nano "Validate your Project" button).
This month, because of friggin' March, man, I started out pretty far behind, compounded by my robot work and the fact that I was working on JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE. This is less a novel than a series of loosely connected novellas, each slightly different in setting and tone, and has been my most research-heavy project to date. But, nevertheless, I got back on track and climbed the mountain.
Interestingly, a couple of the days in there were my most productive writing days ever - 7,000 and 8,000 word days, right up with the 9,014 word day that I did once on the last day of Nano. I didn't want to do that again - I wanted to take today off - so I powered through 8000 words on Saturday, finished with 2,600 words on Sunday, and leisurely wrote 2,000 words today unpacking a few of the ideas I had that were still fresh.
And now, the traditional excerpt:
“So,” General Weiss said, sitting down. “You desire to become one of my acolytes?”
Jeremiah glanced over at him, trying to contain her glare. “I desire to learn, sir.”
“What I have to teach is not easy to learn,” Weiss said, patting her leg. “It requires long-term commitment, supreme dedication, self-sacrifice—”
“Are …” Jeremiah felt her brow furrow, tried to control it. “Are you aware of—”
“The nature of your injuries?” Weiss said. “Yes, I heard you were reckless.”
“No, sir,” Jeremiah said. She hit the switch to raise her bed until she could look the man more closely in the eye. “I have been injured, repeatedly, because I have been sent into the line of fire without adequate support, repeatedly, and I did my duty, repeatedly.”
“The story goes is that you tried to leap across a city street, four stories up.”
“No, sir,” Jeremiah said. “A monster that had killed dozens was about to make its escape, and I leapt for it, sir, dragging it down to the street, possibly saving hundreds more lives—well, that’s debatable, but I definitively stopped it, at least that is not in dispute—”
“No, no, you’re quite right about the outcome of the operation.” Weiss rubbed his hands together. “And whether I think you’re reckless in the large, I would never dispute the actions of a operative in the clinch. But do you know why the enemy exposed itself to you?”
“I …” Jeremiah said. “But it didn’t. We caught it, and tracked it—”
“Yes, yes, and let’s not dispute that either,” Weiss said, leaning forward. “A hypothetical. Imagine you had two operations running, physically separated, one large and important, one … less so. To protect them, you can run recon missions looking for the enemy, but the enemy might find them. You can run ten recces in the operation period. Where do you put them?”
“Er, well,” Jeremiah said. “Proportionally on the more important—”
“No,” Weiss said. “You run five. All around the least important one. Why?”
“Er …” What clues had he given? “The larger force, is well, larger. It can defend itself.”
“Yes. And?”
Jeremiah’s eyes narrowed. “You want the recces caught?”
“No, not really, but I do, yes.”
“But the smaller force, exposed—”
“And overwhelmed,” Weiss said, “by a mass mobilization of the enemy. Away from my primary force. Now the other five recces probe ahead of the main op, clearing the way while the decoy fights for its life. If done properly—if the decoy force is given both a true objective and the best chance of success, their fight for their lives will only attract more enemy forces. If they win, you have a true two-front victory. If they fail, you don’t even need to send reinforcements—the moment the main force engages the enemy, the enemy will naturally pull back.”
Jeremiah’s brow furrowed.
“Yes, yes, there are many specifics which would make this kind of plan succeed or fail,” Weiss said. “To truly instruct you, we’d need to work through many more patterns, then make them concrete for the kind of forces you will end up commanding—”
“All of them,” Jeremiah said.
“What?”
“I’m going to command all of them,” Jeremiah said. “My aim is to be Minister of War.”
“Oho,” the general said. “Then we have a lot of work to do. Tell me why the thing exposed itself to you. Quick, now.”
"They're—" Jeremiah's mouth fell open. "The things are wearing us down."
Sounds like they have a lot of problems on that boat. The first of the stories in THE MACHINERY OF THE APOCALYPSE is already out: A Choir of Demons, at Aurora Wolf. For the rest ... well, you'll have to wait a bit. Enjoy!
-the Centaur
Hail fellow adventurers! My first steampunk novel, Jeremiah Willstone and the Clockwork Time Machine, is on sale through the end of the month! The Ebook is only $0.99, so now's a great time to instantly gift yourself with a trip to Victoriana! You can find it at Amazon, Nook, Kobo, Apple, Google Books, or wherever fine books are sold. If you like action, adventure, corsets, rayguns, or a peek at an alternate history where women's liberation happened a century early, check it out!
Hail, fellow adventurers! If you want to experience our world the way Jeremiah Willstone and her friends first experienced it, there’s no better way than to come to Dragon Con in Atlanta! I’ve been going to Dragon Con longer than almost any con - certainly longer than any still-running con - and after enough time here they put me on panels! And here they are:
- Practical Time Travel for the Storyteller
Sat 05:30 pm / Athens - Sheraton
Panelists: Darin M. Bush, Michael J. Martinez, S.M. Stirling, Anthony Francis, Jack Campbell
This panel discusses the real science behind time travel, as well as how these scientific theories can place both challenging and rewarding demands on the stories we tell. Time dilation, the grandfather paradox, and more will be explained as we discuss the stories that reference these theories. - Partners: Collaborating on Your Novel
Sun 11:30 am / Embassy CD - Hyatt
Panelists: Nancy Knight, Janny Wurts, Anthony Francis, Clay and Susan Griffith, Gordon Andrews, Ilona Andrews
When writers collaborate, the results can be great--or horrible. How do you insure that your collaboration turns out well? - Plotting or Plodding?
Sun 02:30 pm / Embassy CD - Hyatt
Panelists: Janny Wurts, Anthony Francis, Lee Martindale, Richard Kadrey, Laura Anne Gilman, Melissa F Olson
It's the story, stupid! Everybody loves a great story. This panel discusses how to create that unforgettable story roiling within you. - Magic Practitioners in Urban Fantasy: Witches and Warlocks
Mon 10:00 am / Chastain 1-2 - Westin
Panelists: Jeanne P Adams, David B. Coe, Linda Robertson, Kevin O. McLaughlin, Anthony Francis, Melissa F Olson
Witches and warlocks in the genre range from being an accepted part of their communities to the most feared. Our panel of authors will discuss the characteristics of those in their works. - Write a Damn Good Book
Mon 11:30 am / Embassy CD - Hyatt
Panelists: Bill Fawcett, Peter David, E.K. Johnston, Diana Peterfreund, Anthony Francis
Writers worry about all sorts of things, but the first thing to worry about is writing a great book. Here's how.
Other fun things at the con are the Parade, the Masquerade, performances by the Atlanta Radio Theater Company, and, of course, The Cruxshadows. So come on down and hang out with 80,000 fans of fantasy and science fiction! Some of them may become your new best friends.
-The Centaur
As an author, I'm interested in how well my books are doing: not only do I want people reading them, I also want to compare what my publisher and booksellers claim about my books with my actual sales. (Also, I want to know how close to retirement I am.)
In the past, I used to read a bunch of web pages on Amazon (and Barnes and Noble too, before they changed their format) and entered them into an Excel spreadsheet called "Writing Popularity" (but just as easily could have been called "Writing Obscurity", yuk yuk yuk). That was fine when I had one book, but now I have four novels and an anthology out. This could take out half an a hour or more, which I needed for valuable writing time. I needed a better system.
I knew about tools for parsing web pages, like the parsing library Beautiful Soup, but it had been half a decade since I touched that library and I just never had the time to sit down and do it. But, recently, I've realized the value of a great force multiplier for exploratory software development (and I don't mean Stack Exchange): interactive programming notebooks. Pioneered by Mathematica in 1988 and picked up by tools like iPython and its descendent Jupyter, an interactive programming notebook is like a mix of a command line - where you can dynamically enter commands and get answers - and literate programming, where code is written into the documents that document (and produce it). But Mathematica isn't the best tool for either web parsing or for producing code that will one day become a library - it's written in the Wolfram Language, which is optimized for mathematical computations - and Jupyter notebooks require setting up a Jupyter server or otherwise jumping through hoops.
Enter Google's Colaboratory.
Colab is a free service provided by Google that hosts Jupyter notebooks. It's got most of the standard libraries that you might need, it provides its own backends to run the code, and it saves copies of the notebooks to Google Drive, so you don't have to worry about acquiring software or running a server or even saving your data (but do please hit save). Because you can try code out and see the results right away, it's perfect on iterating ideas: no need to re-start a changed program, losing valuable seconds; if something doesn't work, you can tweak the code and try it right away. In this sense Colab has some of the force multiplier effects of a debugger, but it's far more powerful. Heck, in this version of the system you can ask a question on Stack Overflow right from the Help menu. How cool is that?
My prototyping session got a bit long, so rather than try to insert it inline here, I wrote this blog post in Colab! To read more, go take a look at the Colaboratory notebook itself, "A Sip of the Tracking Soup", available at: https://goo.gl/Mihf1n
-the Centaur