SO! Once again, I have written more than 50,000 words in a month – this time, on Dakota Frost #7, SPIRAL NEEDLE, which is close to being finished. (Yes, yes, YES, I know, Dakota Frost #4-#6 and Cinnamon Frost #1-#3 are not edited yet, editing is harder than writing, and pays less than teaching robots to learn. I’ll get to them, I’ll get to them, I promise). I can’t figure out the new Camp Nano interface to make it cough up the usual winner banner, so you’ll just get that screenshot instead.
This is my twenty-ninth victorious Nano challenge and thirty-first attempt overall. That’s great stick-to-it-ness, but I was behind for much of the month, not getting my feet under me until the 10th, but I managed a big pushes two weekends a go and a huge push last weekend, leading to me briefly getting ahead of the game right around the 28th, making today an easy coast (1500 words finished me off, though I wrote through to a notch over 1,667 words just for completeness). According to my records, that 8,154 word push on the 25th was the second most I’ve ever written in a day, topped only by my 9,074 word mad push to finish PHANTOM SILVER, Dakota Frost #5, on July 30th, 2016.
Overall, a bit behind this month, which was pretty rough OKR (Objective / Key Result) planning at work. I love the IDEA of OKRs – say what you want to do (Objective, for example, write roughly 1/3 of a novel) and how to measure it (Key Result, for example, 50,000 words in the month of April), but this time it took us until almost the 20th. 3 weeks is way too long to spend on planning for a quarter’s worth of effort.
OH, almost forgot, an excerpt:
The questing metal fingers of the Plague Witch’s “broom” branched and lunged at me. The Salzkammergutschwert’s black blade swept through the metal spikes, as cleanly as a Larry Niven variable sword through tissue paper. The Plague Witch recoiled, whirling the broom-thing, striking its black kettle end on my overextended sword hand. The Salt Chamber Sword sang out across the street, slamming into a fire hydrant in a hiss of water.
But that movement naturally carried me forward, as I thought it would, and the moment the Plague Witch raised her head, I shoved my free hand at her, jamming onto her pointed beak a magical silencing wreath made of glowing vines and Technicolor feathers.
“Oh, shaddap,” I said, drawing the wreath tight just as she tried to scream. The Plague Witch squeaked—she had a mask, not a beak, so the wreath couldn’t actually shut her mouth, but it could effectively gag her, and as she flailed her head, I kicked her. “And siddown!”
And as she stumbled back, for a moment, I thought it was going to work.
The Plague Witch writhed. I seized the Waystaff. Nyissa seized my arm.
“I suggest retreat!” she cried.
“No argument!” I yelled back—but retreat was not so easy. The silencing wreath wasn’t a free design, like my bluebirds or butterflies, but was an ad-hoc construct made from—and attached to—my vine and peacock tattoos, which tugged at me. “Some difficulty!”
“Dakota!” Nyissa cried, pulling me away. “Let go!”
“She’s got me,” I said, my feet slipping on the street. Oh, this had been a bad idea: as the Plague Witch struggled, the wreath self-replicated, drawing more and more silencing power from her own strength—but the design was imperfect, and was reeling me in towards her. “Nyissa!”
Then things happened very, very quickly.
Nyissa—my bodyguard, my bride-to-be, my love—darted forward, seized the Salt Chamber Sword in a burst of spray, and swung wildly at the tattoo vine connecting us. But the Plague Witch, flailing, swung her damaged broom at Nyissa—impacting her stomach.
Nyissa didn’t even scream: she just doubled over in a splash of blood. The broom swept through her as the Plague Witch stumbled away, her body taken through a forward tumble, the lethally sharp sword falling from her hand—and severing the magic-tight tattoo connection.
My vine snapped back to me, hurling me to the pavement. My wind went out.
The Plague Witch tore off her disintegrating crown of vines, and screamed—