... I miss the glory days when you were open until 10 (and Bookbuyers was open to midnight, just up the street) but you're still a great place to grab a mocha, get together with techy friends, and work on a project.
What's amazing about the Bay Area is how much technology is just milling around in the ether. I practically tripped on a robot on the way to the meeting, some people at a nearby table were talking about self-driving cars, day before yesterday the people next to me were talking about robots, reinforcement learning and my colleagues, and I ran into three techy friends, one of whom introduced me to some more robot folk.
Well, it looks like the way WordPress is going to pull the Classic Editor out of my cold, dead hands is to screw up the formatting of any post published with the Classic Editor. The only way it seems to get posts to appear correctly in the blog roll is to use the new Gutenberg garbage. I will be updating posts a few at a time to try to overcome this. The problem is only "new" Classic Editor posts ... the older content in the blog doesn't appear to be affected, so hopefully it won't take too long if I update a few a day.
We're the first panel, at 10am Saturday, and our panelists include:
Laurel Anne Hill [Moderator]
Laurel Anne Hill—author and former underground storage tank operator—grew up in San Francisco, with more dreams of adventure than good sense or money. Her close brushes with death, love of family, respect for honor and belief in a higher power continue to influence her writing and her life. She has authored two award-winning novels: The Engine Woman’s Light (Sand Hill Review Press), a gripping spirits-meet-steampunk, coming-of-age heroic journey, and Heroes Arise. Laurel’s published short stories and nonfiction pieces total over forty. She has served as a program participant at many science fiction/fantasy conventions, including the World Science Fiction Con and World Fantasy Con. She’s the Literary Stage Manager for the annual San Mateo County Fair, a speaker, writing contest judge, and editor. And she’s even engineered a steam locomotive. For more about her, go to http://www.laurelannehill.com.
Madeleine Holly-Rosing is the writer/creator of the award-winning Boston Metaphysical Society graphic novel series. Previously self-published, it is now published by Source Point Press. The series also includes the award winning prequel novel, A Storm of Secrets, and an anthology. After running eight successful crowdfunding campaigns, she published the book, Kickstarter for the Independent Creator. Other comic anthology projects include: The Scout (The 4th Monkey), The Sanctuary (The Edgar Allan Poe Chronicles), The Marriage Counselor (Cthulhu is Hard to Spell), The Glob (Night Wolf), The Infinity Tree (Menagerie: Declassified), and the upcoming, The Birth (Stan Yak Vampire Anthology).
Michael Tierney writes steampunk-laced alternative historical fiction stories from his Victorian home in Silicon Valley. After writing technical and scientific publications for many years, he turned his sights to more imaginative genres. Trained as a chemist, he brings an appreciation of both science and history to his stories. His latest novel is Mr. Darwin’s Dragon. Visit his blog at www.airshipflamel.com.
By day, Anthony Francis teaches robots to learn; by night he writes science fiction and draws comic books. Anthony’s best known for his Skindancer urban fantasy series of novels including the Epic eBook Award winner Frost Moon and its sequels Blood Rock and Liquid Fire, all following the misadventures of magical tattoo artist Dakota Frost trying to raise her weretiger daughter Cinnamon in Atlanta.
Anthony also writes the Jeremiah Willstone steampunk series, following a young female soldier in a world where women’s liberation happened a century early – and so, with twice as many brains working on hard problems, the Victorians invented rayguns and time travel. In addition to her debut novel Jeremiah Willstone and the Clockwork Time Machine, Jeremiah appears in a dozen other stories, including “Steampunk Fairy Chick” in the UnCONventional anthology.
Anthony is co-editor of the anthology Doorways to Extra Time and a co-founder of Thinking Ink Press, publisher of the steampunk anthologies Twelve Hours Later, Thirty Days Later, and Some Time Later. He’s the artist of the webcomic fanu fiku and he’s co-author of the 24 Hour Comic Day Survival Guide. He’s participated in National Novel Writing Month and its related challenges over 20 times, recently cracking one million words written in Nano.
Anthony lives in San Jose with his wife and cats, but his heart will always belong in Atlanta. To learn more about Dakota Frost, visit facebook.com/dakotafrost or dakotafrost.com; to learn more about Jeremiah Willstone, visit facebook.com/jeremiahwillstone; to learn more about Anthony and his appearances, visit his blog dresan.com.
... came up as my wife and I were discussing the "creative hangers-on form" of Stigler's Law. The original Stigler's Law, discovered by Roger Merton and popularized by Stephen Stigler, is the idea that in science, no discovery is named after its original discoverer.
In creative circles, it comes up when someone who had little or nothing to do with a creative process takes credit for it. A few of my wife's friends were like this, dropping by to visit her while she was in the middle of a creative project, describing out loud what she was doing, then claiming, "I told her to do that."
In the words of Finn from The Rise of Skywalker: "You did not!"
In computing circles, the old joke referred to the Java programming language. I've heard several variants, but the distilled version is "He thinks he invented Java because he was in the room when someone made coffee." Apparently this is a good description of how Java itself was named, down to at least one person claiming they came up with the name Java and others disputing that, even suggesting that they opposed it, claiming instead that someone else in the room was responsible - while that person in turn rejected the idea, noting only that there was some coffee in the room from Peet's.
Day 3, just under 600 words, still behind. A lot of today was spent on planning the scene.
Rough draftiness, with Dakota infiltrating a church using her magic tattoos:
My eyelids flickered as the orchid petals infiltrated the lock, a jumble of images and feelings flooding back to me as the interlocking parts of the stamen column felt the tumblers. It was hard to see and “see” at the same time, much less guide the—
I drew a careful breath, then turned my hand. The petals and sepals closed on the knob and turned it, softly, and I gingerly opened the doors. My vines and their floating leaves shifted as the heavy wood parted, but did not otherwise react: no security system had been triggered.
The church was spacious, almost cavernous … but not wholly dark. An eerie blue glow filtered in from the twin rows of stained glass, but the white light glinting off the rows of pews came from a pool of spotlights, pinioning before the altar a gleaming silver coffin.
“My friend,” came a quiet Asian voice. “You should not have come here.”
Instantly I whirled 270, twisting mana up in my body, murmuring shield just as I came face to face with … a priest? A typical, nay, stereotypical long-cassocked priest, stepping from a confessional, bearing an ornate pectoral cross and carrying a gun … no … a water pistol?
“Let this be a warning to you,” he said, and fired. “Begone!”
Quick Sharpie sketch of the friend from high school mentioned in the last blogpost. Image and name withheld as he is apparently not a public figure, but nonetheless [your name "greenville"] found them anyway. The sketch is ... okay. A little cartoony - the real person's jaw is a bit rounder.
Drawing every day.
Semi-quick sketch of David Hilbert. Face is a bit squnched to one side, and I could have put in more work on the wrinkles. But frankly, the original picture is dark enough under that hat that it's hard to interpret, and it's late and I'm tired, so I just went with it instead. More tomorrow.