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Posts published in “Urban Fantasy”

The Dakota Frost, Skindancer series … and all of Dakota Frost’s friends!

Camp Nano July 2016: PHANTOM SILVER

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National Novel Writing Month is November, but the Camp version - Camp Nanowrimo - has rolled around yet again, and I am returning to finish the final part of PHANTOM SILVER, which will be Dakota Frost Book 5. For my own entertainment, I put together the above cover, which will NOT be the cover of the final book - but it’s teaching me more about cover design.

http://campnanowrimo.org/campers/xenotaur/novels/phantom-silver-273805

Magical tattoo artist Dakota Frost just wants to raise her adopted children in peace, but when a routine film shoot at a haunted house awakens a real ghost and an ancient curse, she finds herself in a race to prevent the devious phantom from hurting her family ... if the curse hidden in the family silver doesn't kill her first.

Sounds exciting! What’s more exciting to me is that after a long conversation with the estimable Gayle Schultz, I’ve found a way to resolve the climax which could only appear in a Dakota Frost book - or maybe in a Jim Butcher book if he got on a lot of drugs. Now I have a destination - time to finish the drive.

Onward!

-the Centaur

Skindancer in Sweden

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I think I’ve mentioned this on Facebook, but not here: sometimes real life lurks beneath the surface. I read what I write, both to myself and out loud; I have beta readers and editor and publishers; I follow the reviews of my books; I follow their sales; and I pay close attention when people mention they’ve seen or read or liked my books. And then something happens which exceeds your expectations - a friend going to the ICRA conference sent me this pic of a full copy of my Skindancer trilogy in a bookstore in Sweden:

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It is an English-Swedish science fiction bookstore with an extremely complete collection … but still, my trade-paperback sized volumes from a midsize publisher are up there with mass-market paperbacks from the big N publishing houses. That means someone on the other side of the world … someone with no contact with me, someone with no contact with my publisher that I know of … decided to compile a list of urban fantasy series … and mine was included.

Wow. I’m honored. And a little bit shocked.

Must write faster.

-the Centaur

Thrown off the horse and back into the saddle

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I have not yet finished dealing with the aftermath of Clockwork Alchemy, and yet I already find myself dealing with the prepwork for Dragon Con! But the good news is, once again, I’m a guest (well, technically, an “attending professional”):

Anthony Francis By day, Anthony Francis is a roboticist; by night, he's an author and comic book artist. He wrote the Dakota Frost, Skindancer urban fantasy series including Frost Moon, Blood Rock, and Liquid Fire; edited the Doorways to Extra Time anthology; and published the steampunk anthology Thirty Days Later.

Yaay! Oh wait, that means I have to do panels. Aaaa!

Watch this space.

-the Centaur

Viiictory the Fourteenth

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Print

Viiictory! I successfully completed Nanowrimo for the fourteenth time - adding 50,000 words to PHANTOM SILVER, Dakota Frost #5. And, by working hard, I did it!

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Because of work, life, and other writing, I got behind early this month, and had to press hard to really make it. But I successfully got it off my plate one day early. Because Nano’s site counts words differently than Microsoft Word, I had to push a bit past my Word word count, and so saw something I rarely see on this graph: a negative velocity debt, meaning I could write backwards and still end up finishing the count (at least the Word count) exactly on time.

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For a bit late in the month, especially around the 26th, it was as bad as I’ve ever gotten it: 6000+ words behind only 5 days from the end of the month. But somehow I managed to pull it out, setting a couple of daily records on writing … though I never even came close to my absolute max writing rate of 7,000 words a day.

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Strangely, even though Camp Nano doesn’t have November’s holidays, it still works out that most of the writing gets done near the end of the month. Go figure.

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Alright, late, tired, going to bed, more commentary later.

-the Centaur

Life is More Important

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So after catching up for a while on Camp Nano, I fell behind again … because I and my wife traveled back to Greenville, South Carolina to assist my mother’s rehab from knee surgery, and frankly that’ more important than any amount of word count. The good news is, she’s doing very well, and came home from the hospital yesterday … the even better news is, that my wife and my mom patched it up after eight years of not speaking to each other, a feat which I didn’t think was even possible. What a wonderful trip!

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I lost my momentum the moment I hopped on that plane, and after that it was tough to get it back when I was caring for Mom - you can see the dent in the schedule around the 20th - and getting back on track after that required a full court press. But, in the past several days, I was able to do just that, and managed to pump out 2000+ words on all of the past five days, and double that on three of those. As of tonight, I am caught up.

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As for now, there’s two days left, which I could tackle at a normal pace—though I’ll likely try to finish by Friday so that I can chill out on Saturday and have a nice relaxing weekend.

Wish me luck.

-the Centaur

Reality intervenes, but …

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… we may still pull it out. We’ve been in worse scrapes ...

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Er … well, no we haven’t, but it’s still clearly possible. More news in a bit.

-the Centaur

Now it’s starting to feel possible again …

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I was literally dreaming all night about the chapter I wrote today - I got up several times with tears in my eyes, as one of Dakota’s enemies unexpectedly turned into one of her strongest allies. Fascinating what a fictional world can do to you. But the upshot is, I got 4,000 words done for two days in a row … and have a clear path for what I need to write tomorrow.

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We may win this one yet! Assuming I survive this weekend’s craziness! Which I can’t tell you about, but … aaaa!

-the Centaur

Now that’s what I’m talking about …

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4200 words today! Keep that up for 3 more days, I’ll be more or less back on track.

And then I’ll still have 18,000 words left to write this month. AAAAA!

Onward!

-the Centaur

Briefly …

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Is the novel back on track? NO. But am I up to speed? YES.

Of course, I know I’ll lose more days, so really, to finish, I’m going to need to do even more than the—hork!—2750 words per day that my spreadsheet predicts I’ll need to do to get back on track.

But I’ve gotten a much better groove, the story is starting to dovetail nicely, and some sections which felt out of place have, after a few moves, found a nice home in the story.

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The rocket is taking off, but there’s a long climb ahead.

Back to it.

-the Centaur

The good news and the bad news

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The good news is I wrote ~2800 words yesterday, more than I needed. The bad news is I wrote 900 of those words by hand in my notebook (so as to not disturb the other diners in the dark and quiet restaurant with the typing coming from my glowing laptop), and took most of this afternoon’s writing session to get them all typed in. Argh! Still, I’m happy with the results ...

“So,” Avenix said. “We have begun to seek out, in all our holdings, other threats—”

I raised my hand. “Hang on,” I said. Filling in the blanks, this ghost had to have been a fae hunter; that’s why they called me. But Avenix wasn’t saying that outright: he seemed to be feeding me my own lines. “You feared a threat to your realm … started a search for dangerous use of magic … then called me to deal with the problem. Did I get that right?”

“Well … yes,” Avenix said.

“Don’t lie to me!” I said, slapping my hand on the table. “What’s your real goal?”

“I am not lying to you,” Avenix said.

“Why would he lie to you?” Nyissa asked. “It’s a reasonable course of action—”

“Are you all insane?” I said. “Do you have no memories? Ten years ago—ten months ago—you’d have all been tearing each other apart, lashing out at everyone in sight, blaming anyone you could get your hands on to deal with your problems. You’d have been at war with Sidhain just because this happened on her doorstep—”

“Not likely,” Avenix said, shuddering.

“Save it! She has a real bad attitude,” I said, “but she’s pretty damn inoffensive for an alleged apocalyptic horror, and I’ve seen you in action against witchhunters! You can’t expect me to believe you’re all playing nice just because I came along!

Sounds like Dakota and Avenix are going to have it out. Onward!

-the Centaur

Back in motion, but not yet on track …

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Several times in the past few days, I’ve finally gotten up to speed on Camp Nanowrimo. Only problem is, because I got so far behind, I need to go 50% faster than I’m already doing … and to catch up this weekend, even if such a thing was possible, I’d have to write eight times as much as I’ve already written today. Aaaa!

Still, onward!

-the Centaur

A Partial Answer …

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… to how I made so little progress yesterday: halfway through yesterday’s writing session, I started entering yesterday’s wordcount into today’s row of the spreadsheet, effectively cutting my apparent wordcount for the day in half.

That would do it.

No excerpts; I just experimented with a new chapter 1 and I want to try it on for size before I share it. But it seems to dovetail nicely with what I’ve already written … and it was 800 free words, springing fully formed from my pen, uh, keyboard.

Onward!

-the Centaur

Blood in the Water

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Well, shoot. Camp Nano not going well so far. Blast ye, taxes. Is the date right? Should I make Dakota worry about her taxes too, just to be mean? Checking The Grid … no, dangit, her taxes wouldn’t be due until the next book. Sigh.

Back to work.

-the Centaur

Back to PHANTOM SILVER

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Back at work on Dakota Frost #5, PHANTOM SILVER, for Camp Nanowrimo. I’m at 50,000+ words already and hope to get it to 100,000 words the month of April, then finish the book off in Camp Nanowrimo in July. My summary from the Camp Nano page:

Dakota Frost --- Skindancer, magical tattooist, chair of the Magical Security Council, and harried mother of a teen weretiger and a teen half-elf --- still has to pay the bills. Fortunately that involves something awesome, being a headliner on the supernatural debunking show The Exposers billed as the Skeptical Witch.

Too bad their latest adventure turns up a very real ghost, which latches onto Dakota to help dispel its ancient family curse. Add to that a reawakened fae curse, an invasion from the land of the dead - and an annoying older brother - and you have a recipe for disaster.

and an excerpt of yesterday’s writing:

“Alright, your turn,” I said.

“Mo—uh, my Lady Frost, I do not think—” Benjamin began.

“What did you say?” the sphinx said, claws scraping against granite.

“You asked me a riddle, now I ask you a riddle back, correct?” I said.

“You wish to duel me?” the sphinx said. “I accept!”

“Wait,” I said, befuddled, “weren’t we dueling already?”

“It was a riddle challenge,” Benjamin said. “Trolls ask one, sphinxes three—”

“The riddle game is from The Hobbit, Mom,” Cinnamon said, tugging at my arm.

“The riddle game is an ancient and honorable mode of dueling and I accept,” the sphinx roared, stamping one paw, so that all three of us cringed back. “I accept! We must answer three riddles each before we pass by; at the first slip … the winner takes the loser as the prize.”

Oh dear! Sounds like Dakota and her brood are in trouble!

Now to brew up more of it. Back to work.

-the Centaur

P. S. Planning it out, it looks like the next three Dakota Frost books will dovetail nicely with the first three Cinnamon Frost books, so I have a loose hexalogy on my hands. I had to look that one up, God help me. (And I pray He does.)

Red Herrings

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So, I’m behind on my blog. And several posts have died on the vine because events have moved too fast.

So let’s get you all caught up on what’s going on.

It all appeared to start when the lights burned out on my car. This was distressing because I’d just had them replaced, twice in the last nine months, and is a real pain in the kestrel because while one of the bulbs, the left side, is easy to replace, the other, the right, is devilishly hard to get to, and even harder to put back because of a bracket that pokes right where your hand should go. The bruised back of my right hand is still hurting from the attempt to get the bulb back in - but as you can see above, I succeeded. I even took a picture, with the ripped up package that had held the new bulbs now holding the old bulbs, just to prove I did it.

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I felt good about that, and so had a nice meal - actually, that’s a lie. I was already heading to dinner - and actually, that’s a lie too, I was at work. I fixed my car's headlights on the first dry day after the day I bought the bulbs, squeezing it in between a bank trip to fix some Thinking Ink Press business and my usual evening “break” which consists of a drive listening to a fiction audiobook (“Imprisoned with the Pharaohs” by Lovecraft), a dinner reading technical papers (on deep learning) and a coffeehouse run working on writing stuff (more Thinking Ink Press work and research for the new opener of THE CLOCKWORK TIME MACHINE).

But, as the evening wound down and I packed it in to go to the gym with my night-owl wife, I started mentally planning a short blogpost about “So I can fix my car!” which I felt all unwontedly triumphal about since I’d tried replacing these bulbs two or three times before and always had to get it done at an auto shop, but “Look, Ma! Bruised hands!” I did it myself this time, and I felt great about it.

Until I got back to my car and it failed to start.

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The car’s failure mode was strange. The door opened, the lights came on and stayed on, all normal - but then all the interior displays flickered and died without starting the engine, and then progressively all electric circuits on the car locked up, including the locks and the trunk - though some weird device in the hood of the car made a sad, dying-Millennium-Falcon-hyperdrive whine. The failure was so strange, in fact, that at first I thought I’d fried a circuit when I was struggling with the light (though later I realized that would probably have just blown a fuse).

So there I was, eleven at night, with a dead car, in a sub-sub-basement parking garage in a part of Palo Alto so spooky I’ve written about it as a haunt of vampires. (In the middle part of the third Dakota Frost book, LIQUID FIRE, available on Amazon in print and on Kindle - am I spoiling the mood? I’m spoiling the mood. I’ll stop).

My night-owl wife was desperately trying to finish the antiquing on a mirror due tomorrow, so I was unable to get her on the phone - and she was forty-five minutes away regardless. So I tried to carefully think through my options: call a roadside service (which I don’t have), get the car towed to a nearby garage (a prospective gamble if the garage couldn’t take me), rent a car to get home (somewhat expensive), get a nearby hotel until the morning (probably more expensive), get a cab (certainly much more expensive), and so on, and so on. I settled on a tow truck with good Yelp ratings, only to find that they couldn’t send a truck out until morning because of the ridiculously low clearance of the sub-sub-basement of the parking garage I was parked in (6’8”).

We canceled it, and I finally got a call from my wife, who agreed to pick me up. With difficulty I extracted my work laptop from the frozen trunk of the car and sealed the car up. It was midnight, and almost everything was closed, so I then trudged to a nearby Subway and waited, starting on my work laptop the work I was fairly convinced I wouldn’t have time to get to the next morning, all the time thinking about a blogpost “So I can fry my car” while I angstily considered the wisdom of running 130,000 miles on a car, or working myself to the bone, or of a late-night coffeehouse run with my car in such a low clearance garage.

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The next day, after canceling my morning meetings, arranging a tow and a garage visit, and an adventure in helping my wife deliver her mirror, my wife brought me back to the parking structure. The sub-sub-basement was sealed - it’s private parking during the day - and after wandering around looking for a buzzer an eagle-eyed security guard found me and agreed to let me in. The tow was almost guaranteed to be expensive because of the clearance, so the tow company sent a battery technician out; after another adventure guiding the technician to the poorly marked garage via cell phone, we found out that the progressive death of power in the car should have been a hint. The Prius’s backup 12-volt battery, the original which came with the now six year old car, had died. Perhaps I left the lights on when I left the car, though I don’t recall doing that; the repair technician’s opinion was the battery was crap, outputting bursty voltage (? really? but it was visibly frying his instrument) and that’s what fried my lights and was on its way to frying my other electrics. Um … sure, not sure I’ve heard that failure mode before, but $300 dollars later, I had a functioning car.

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The thoughts that I’d fried my own electrics, or even left the lights on, were red herrings. Now, I don’t mean red herrings like those smoked fish that activists used to drag along the path of a fox to throw hounds off the scent, though that would have probably fried my electrics, or even red herrings like those false clues mystery writers use to throw the readers off the track of the real killer, though leaving my lights on to throw me off is the kind of sneaky thing that a mystery writer might do, and it is the mystery usage that inspired the sense which I do mean; no, I mean the red herrings of debugging: those things that happen right around the time a problem happened, but which have nothing to do with it - so no amount of investigation of them will make sense.

No amount of looking for a shorted wire in the hood would have revealed my dead battery in the trunk. No amount of brain wracking about whether the lights were on would have revealed anything about the age of my car. The actual solution didn’t involve more digging into the obvious possibilities, but involved doing something completely different - collecting data about a different system, using instruments I didn’t have on hand. Even without the intuition that the battery was old or the drained power was a sign of power loss or the possible lights out were a battery issue, one look under the hood of my car - where I could find no system with which I was sufficiently familiar to successfully debug or even feel safe with experimentation - should have told me to call a roadside expert to do tests I couldn’t perform myself and to effect a repair in minutes what would have taken me hours.

Similarly, the idea of running myself too hard or exposing myself to risk from a late night coffee run with my car parked in a nearby garage were red herrings. I had fun that night, fixing my car, making things happen with the small press, my car was parked conveniently, and even with the failure little more thought about the problem would have had me call out roadside service, gotten a new battery, and I could have driven it home. The long time walking around making phone calls in the dreary parking garage sucked, but no more than the time when, as a child, my dad’s motorcycle had a breakdown way out in the country, and we had to call a friend to pick us up. We waited hours then, like I waited an hour and a half that night; but the car came, the ride home happened, and then the problem was fixed. I got home late, sure, but it was after a nice ride with my wife talking about life. I missed a couple of morning meetings at work, sure, but I got to have a sandwich with my wife before she went home, and I drove my own car to my next meeting, which went swimmingly. And I even got some work done, and learned something. Studying the different methods of gradient descent, working through implementations in TensorFlow, and modeling function parameters in Mathematica, that time in the parking garage was long forgotten.

So, red herrings. Things can go wrong, but the obvious causes aren’t the obvious causes. Don’t blame the wrong thing, or you can spend a lot of effort hurting yourself. Do the due diligence to find the real causes - and then make the right choices to solve the real problems, and then move on, and on, and on, solving one problem at a time until you at last fall asleep at home, content.

That’s the only thing that really works.

-the Centaur

Obfuscated

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Yeah, that goop someone injected into my Dakota Frost site doesn’t look suspicious at all.

(In case you’re not a programmer, healthy code doesn’t look like that. This code has been munged and rewritten so it’s almost impossible to see what it does. Not that I care - I just deleted it. But it makes it hard for someone who needs to debug it, in the cases where you need to debug it.)

Sheesh. Get off my lawn. Still cleaning things up. More in a bit.

-the Centaur

So it was a hacked .htaccess…

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So, the Dakota Frost site got hacked. May still be hacked, for all I know, because I just found and eliminated only one error, and I still haven’t found out how they got in. Of course, I changed all my passwords everywhere else first before logging into the site, confirming no-one had hacked the user accounts, and then downloading all the code for some forensics.

But what was peculiar was that, even though I could clearly see evidence of hackery thanks to the very nice, publicly available Webmaster tools at the Google, I could not see any difference between the live site and my previous backup except for the addition of the Akismet spam filter, which I’m pretty sure I did myself.

Then I found it, when I detected a strange file named kgcakmhg.php. Tracing it back, in the root of the HTML directory, someone had modified files back in February - first to point the .htaccess to a strange file named baccus-contextually.php, which called the weirdly named file and also relied on changes to the style directory. No changes to the blog code were necessary - everything was being rewritten before it got there.

Removing those files? Easy. Site’s back to normal … I guess. Closing the open barn door? Uh …harder. Since I don’t know which door they came through.

Off to do more debugging …

-the Centaur

So, dakotafrost.com has been hacked

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So, yeah. I’ve lost sites to hacks before - the wiki on dresan.net, which I barely used - but those were obvious. This one is a subtle hack, not immediately visible, detected by the supercomputers at the Google. Will take a bit of effort to work this one out.

You see disruption here, you know why.

Sigh.

-the Centaur

That Sock Drawer

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What to do with the stories in your sock drawer?

For those of you who don’t know, the “sock drawer” is where short stories go to die, named after the place you file manuscripts away after you’ve exhausted your efforts to sell, edit, or burn them. Stories go through a life cycle:

  1. You Get the Idea: Sometimes, this is no more than a title. Most people stop here.
  2. You Start the Draft: You actually start writing! Most people never get here.
  3. You Finish the Draft! Most people who get to Stage 2 never get to Stage 3. Believe it or not, this is the hardest part.
  4. You Edit the Draft! Some people get stuck forever here, or skip this entirely, like bloggers. :-)
  5. You Let Other People See It! I call this the ”beta” stage because I generally don’t let people see stuff until I’ve edited it.
  6. You Send It Out! You send the story or novel out for publication.
  7. It’s Accepted Right Away! Editors ALWAYS accept stories, right?
  8. ???
  9. Profit!

Actually, MOST of the time markets don’t accept what you send them. From what you see above, it seems like I’ve got a pretty good acceptance rate, but that’s actually counting by stories. If we instead look at how many times I sent them out:

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Yeah. And even that’s a bit exaggerated, since I get invited to write a lot of stories, so if i was to tease the data apart to look at my cold-call rejection rate, I would get very depressed. So really there are a few more stages which can happen after you send things out:
  • You Keep Circulating Your Work: If first you don’t succeed, try the next magazine or site on the list.
  • You Revise Your Work: A clever editor’s comment, or more insight, leads you to rework your story. Go back to Step 4.
  • You Get Stuck: You don’t know how to fix your work, but aren’t ready to give up yet. You’re essentially at Step 3.
  • You Give Up: You convince yourself the work can’t be fixed … and dump it in your sock drawer.

As you saw from the first diagram, I’ve got a small handful of stories in my sock drawer … not that I’ll never think of going back to them, but if so, it will probably be a ground-up rewrite harvesting the manuscript for whatever good ideas I’ve got. But I also have a larger tranche of stories I haven’t quite given up on yet, ones I think I can salvage, but which aren’t as important as my novels.

But if I’m not working on them, are they in the sock drawer, or not? Some of those stories went out to a dozen or more places and got as many rejections. Others I sent to one or two places, or nowhere. And if I read them again, what would I think? Is it worth going back to them? If it’s a choice between working on Dakota Frost, Cinnamon Frost, Jeremiah Willstone, or Serendipity the Centaur, I’m going to choose one of them over a short story I wrote back in 2001.

So why am I digging back at the boundary of Stalled and the Sock Drawer?

Recently, a friend told me about a short story submission deadline that was closing fast. I looked at my list of stories I’ve sent out to find one to send … but I’ve gotten much better at sending out my work, so, surprisingly, I didn’t have anything to send. So I had a choice: let the deadline pass … or find my best unpublished story and send it out.

I actually do have 2 or 3 stories on my shortlist of “this story is really good, but it never made it” but I want to edit these before I send them out again, so I thought about letting the deadline pass. Then I realized that if I never go back to those stories, I might as well consider them dead. I always mean to revise them - I have a folder of comments and notes on them - but somehow I never get around to it. So I needed to commit: lob the lot into the sock drawer, or take action.

I found the best of these that fit within the word count limits of the magazine. Then I reformatted it according to William Shunn’s manuscript guidelines, to give it the best chance for success. The very act of reformatting it gave me a new eye on the story … and I realized that inside that 10,000 word manuscript was a great 8,000 word story screaming to get out.

I didn’t have time to make those changes before the deadline. I did a quick edit, I fixed a few minor warts … and I sent it out.

If they like it, hopefully by the time they get back to me, I’ll have a great edit ready.

If not … I’ll have a great edit ready for someone else.

In the meantime, I added a tick to the count of Circulating Stories in the following graph...

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… and blogging about it added a tick to this graph:

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Since I’ve seen, and done the alternative … sitting on stories forever ... I think this is was the “write" thing to do.

-the Centaur

Welcome to 2016

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Hi, I’m Anthony! I love to write books and eat food, activities that I power by fiddling with computers. Welcome to 2016! It’s a year. I hope it’s a good one, but hope is not a strategy, so here’s what I’m going to do to make 2016 better for you.

First, I’m writing books. I’ve got a nearly-complete manuscript of a steampunk novel JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE which I’m wrangling with the very excellent editor Debra Dixon at Bell Bridge Books. God willing, you’ll see this come out this year. Jeremiah appears in a lot of short stories in the anthologies UnCONventional, 12 HOURS LATER, and 30 DAYS LATER - more on that one in a bit.

I also have completed drafts of the urban fantasy novels SPECTRAL IRON and HEX CODE, starring Dakota Frost and her adopted daughter Cinnamon Frost, respectively. If you like magical tattoos, precocious weretigers, and the trouble they can get into, look for these books coming soon - or check out FROST MOON, BLOOD ROCK and LIQUID FIRE, the first three Dakota books. (They’re all still on sale, by the way).

Second, I’m publishing books. I and some author/artist friends in the Bay Area founded Thinking Ink Press, and we are publishing the steampunk anthology 30 DAYS LATER edited by Belinda Sikes, AJ Sikes and Dover Whitecliff. We’re hoping to also re-release their earlier anthology 12 HOURS LATER; both of these were done for the Clockwork Alchemy conference, and we’re proud to have them.

We’re also publishing a lot more - FlashCards and InstantBooks and SnapBooks and possibly even a reprint of a novel which recently went out of print. Go to Thinking Ink Press for more news; for things I’m an editor/author on I’ll also announce them here.

Third, I’m doing more computing. Cinnamon Frost is supposed to be a mathematical genius, so to simulate her thought process I write computer programs (no joke). I’ve written up some few articles on this for publication on this blog, and hope to do more over the year to come.

Fourth, I’m going to keep doing art. Most of my art is done in preparation for either book frontispieces or for 24-Hour Comics Day, but I’m going to step that up a bit this year - I have to, if I’m going to get (ulp) three frontispieces done over the next year. Must draw faster!

Finally, I’m going to blog more. I’m already doing it, right now, but one way I’m trying to get ahead is to write two blog posts at a time, publishing one and saving one in reserve. This way I can keep getting ahead, but if I fall behind I’ve got some backlog to fall back on. I feel hounded by all the ideas in my head, so I’m going to loose them on all of you.

As for New Year’s Resolutions? Fah. I could say “exercise more, blog every day, and clean up the piles of papers” but we all know New Year’s Resolution’s are a joke, unless your name is Jim Davies, in which case they’re performance art.

SO ANYWAY, 2016. It’s going to be a year. I hope we can make it a great one!

-the Centaur

Pictured: The bookshelves of Cafe Intermezzo in the Atlanta airport, one place where I like to write books and eat food.