So my author reading IS on tomorrow, though you can't search for it by name (my name appears in the panel description, but not in the panelists), it does show up on the list at 11:30 tomorrow (um, today, Saturday):
Reading Session: Anthony Francis Time: Sat 11:30 am Location: Marietta - Hyatt (Length: 1 Hour)
(Tentative Panelists: Anthony Francis)
I'll be reading from a mixture of my fiction and nonfiction, urban fantasy and steampunk, published works and unpublished works, and maybe even a preview of the Jeremiah Willstone radio drama!
Or, since this got finalized on the schedule at the last minute, I might just be reading a book by myself in a quiet room. Either way, so full of win! :-D
-the Centaur
P.S. It appears my author signing is still on the schedule, so I will also be appearing at 2:30 on Sunday:
Title: Author Signings
Time: Sun 02:30 pm Location: International Hall South 4-5 - Marriott (Length: 1 Hour)
(Tentative Panelists: Anthony Francis)
Wow, I just won {Nanowrimo|Camp Nanowrimo} for the twenty-third time!
For readers of this blog who have missed, like, 75% of my posts over the years, National Novel Writing Month is a challenge to write 50,000 words of a new novel in the month of November, and Camp Nanowrimo is its sister challenge in April and July. I adapt this to write 50,000 words on top of whatever I'm currently working on, and have been doing it since 2002.
This is my 25th Nano or Nano-like attempt, and my 23rd victory. (Interestingly, my two failures were times that I tried Nano on my own, without the motivation of the Nano "Validate your Project" button).
This month, because of friggin' March, man, I started out pretty far behind, compounded by my robot work and the fact that I was working on JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE. This is less a novel than a series of loosely connected novellas, each slightly different in setting and tone, and has been my most research-heavy project to date. But, nevertheless, I got back on track and climbed the mountain.
Interestingly, a couple of the days in there were my most productive writing days ever - 7,000 and 8,000 word days, right up with the 9,014 word day that I did once on the last day of Nano. I didn't want to do that again - I wanted to take today off - so I powered through 8000 words on Saturday, finished with 2,600 words on Sunday, and leisurely wrote 2,000 words today unpacking a few of the ideas I had that were still fresh.
And now, the traditional excerpt:
“So,” General Weiss said, sitting down. “You desire to become one of my acolytes?”
Jeremiah glanced over at him, trying to contain her glare. “I desire to learn, sir.”
“What I have to teach is not easy to learn,” Weiss said, patting her leg. “It requires long-term commitment, supreme dedication, self-sacrifice—”
“Are …” Jeremiah felt her brow furrow, tried to control it. “Are you aware of—”
“The nature of your injuries?” Weiss said. “Yes, I heard you were reckless.”
“No, sir,” Jeremiah said. She hit the switch to raise her bed until she could look the man more closely in the eye. “I have been injured, repeatedly, because I have been sent into the line of fire without adequate support, repeatedly, and I did my duty, repeatedly.”
“The story goes is that you tried to leap across a city street, four stories up.”
“No, sir,” Jeremiah said. “A monster that had killed dozens was about to make its escape, and I leapt for it, sir, dragging it down to the street, possibly saving hundreds more lives—well, that’s debatable, but I definitively stopped it, at least that is not in dispute—”
“No, no, you’re quite right about the outcome of the operation.” Weiss rubbed his hands together. “And whether I think you’re reckless in the large, I would never dispute the actions of a operative in the clinch. But do you know why the enemy exposed itself to you?”
“I …” Jeremiah said. “But it didn’t. We caught it, and tracked it—”
“Yes, yes, and let’s not dispute that either,” Weiss said, leaning forward. “A hypothetical. Imagine you had two operations running, physically separated, one large and important, one … less so. To protect them, you can run recon missions looking for the enemy, but the enemy might find them. You can run ten recces in the operation period. Where do you put them?”
“Er, well,” Jeremiah said. “Proportionally on the more important—”
“No,” Weiss said. “You run five. All around the least important one. Why?”
“Er …” What clues had he given? “The larger force, is well, larger. It can defend itself.”
“Yes. And?”
Jeremiah’s eyes narrowed. “You want the recces caught?”
“No, not really, but I do, yes.”
“But the smaller force, exposed—”
“And overwhelmed,” Weiss said, “by a mass mobilization of the enemy. Away from my primary force. Now the other five recces probe ahead of the main op, clearing the way while the decoy fights for its life. If done properly—if the decoy force is given both a true objective and the best chance of success, their fight for their lives will only attract more enemy forces. If they win, you have a true two-front victory. If they fail, you don’t even need to send reinforcements—the moment the main force engages the enemy, the enemy will naturally pull back.”
Jeremiah’s brow furrowed.
“Yes, yes, there are many specifics which would make this kind of plan succeed or fail,” Weiss said. “To truly instruct you, we’d need to work through many more patterns, then make them concrete for the kind of forces you will end up commanding—”
“All of them,” Jeremiah said.
“What?”
“I’m going to command all of them,” Jeremiah said. “My aim is to be Minister of War.”
“Oho,” the general said. “Then we have a lot of work to do. Tell me why the thing exposed itself to you. Quick, now.”
"They're—" Jeremiah's mouth fell open. "The things are wearing us down."
Sounds like they have a lot of problems on that boat. The first of the stories in THE MACHINERY OF THE APOCALYPSE is already out: A Choir of Demons, at Aurora Wolf. For the rest ... well, you'll have to wait a bit. Enjoy!
Jeremiah Willstone and the Clockwork Time Machine is on sale!
Hail fellow adventurers! My first steampunk novel, Jeremiah Willstone and the Clockwork Time Machine, is on sale through the end of the month! The Ebook is only $0.99, so now's a great time to instantly gift yourself with a trip to Victoriana! You can find it at Amazon, Nook, Kobo, Apple, Google Books, or wherever fine books are sold. If you like action, adventure, corsets, rayguns, or a peek at an alternate history where women's liberation happened a century early, check it out!
As an author, I'm interested in how well my books are doing: not only do I want people reading them, I also want to compare what my publisher and booksellers claim about my books with my actual sales. (Also, I want to know how close to retirement I am.)
In the past, I used to read a bunch of web pages on Amazon (and Barnes and Noble too, before they changed their format) and entered them into an Excel spreadsheet called "Writing Popularity" (but just as easily could have been called "Writing Obscurity", yuk yuk yuk). That was fine when I had one book, but now I have four novels and an anthology out. This could take out half an a hour or more, which I needed for valuable writing time. I needed a better system.
I knew about tools for parsing web pages, like the parsing library Beautiful Soup, but it had been half a decade since I touched that library and I just never had the time to sit down and do it. But, recently, I've realized the value of a great force multiplier for exploratory software development (and I don't mean Stack Exchange): interactive programming notebooks. Pioneered by Mathematica in 1988 and picked up by tools like iPython and its descendent Jupyter, an interactive programming notebook is like a mix of a command line - where you can dynamically enter commands and get answers - and literate programming, where code is written into the documents that document (and produce it). But Mathematica isn't the best tool for either web parsing or for producing code that will one day become a library - it's written in the Wolfram Language, which is optimized for mathematical computations - and Jupyter notebooks require setting up a Jupyter server or otherwise jumping through hoops.
Enter Google's Colaboratory.
Colab is a free service provided by Google that hosts Jupyter notebooks. It's got most of the standard libraries that you might need, it provides its own backends to run the code, and it saves copies of the notebooks to Google Drive, so you don't have to worry about acquiring software or running a server or even saving your data (but do please hit save). Because you can try code out and see the results right away, it's perfect on iterating ideas: no need to re-start a changed program, losing valuable seconds; if something doesn't work, you can tweak the code and try it right away. In this sense Colab has some of the force multiplier effects of a debugger, but it's far more powerful. Heck, in this version of the system you can ask a question on Stack Overflow right from the Help menu. How cool is that?
My prototyping session got a bit long, so rather than try to insert it inline here, I wrote this blog post in Colab! To read more, go take a look at the Colaboratory notebook itself, "A Sip of the Tracking Soup", available at: https://goo.gl/Mihf1n
-the Centaur
What makes you hang on the edge of your seat? I call that a favorite, and I talk about some of my current faves over at the Speculative Chic blog!
[embed]http://speculativechic.com/2017/12/18/my-favorite-things-with-anthony-francis/[/embed]
Go check it out!
Boosting the signal ... I'll be joining my friend David Colby's panel APPLIED PLOTONIUM at 10am on Sunday at Clockwork Alchemy:
Applied Plotonium
Monterey - Sunday 10:00 AM
Applied Plotonium is a discussion and series of examples of worlds that are, in general, 100% scientifically accurate save for a SINGLE element of applied plotonium - a single element or feature that is downright fantastical. Eagerly explores extrapolation ending in exposition!
Presenter: David Colby
Moderator: Roger Que
Panelists: Anthony Francis, Michael Tierney
David Colby is the author of the hard science fiction young adult novel DEBRIS DREAMS (think "The Hunger Games meets Gravity") and proposed the panel to explore his love of making the science in science fiction not suck.
In addition to David and me, we've also shanghaied, er, convinced two of our mutual friends to join in: writer and chemist Michael Tierney from the Treehouse Writers will join as a panelist, and the writer and computer scientist Roger Que from Write to the End will serve as our moderator.
Drop in - you'll enjoy yourself!
-the Centaur
This Memorial Day Weekend, I’ll be appearing at the Clockwork Alchemy steampunk convention! I’m on a whole passel of panels this year, including the following (all in the Monterey room near the Author’s Alley, as far as I know):
Friday, May 26 4PM: NaNoWriMo - Beat the Clock! [Panelist]
Saturday, May 27
12NOON: Working with Editors [Panelist]
1PM: The Science of Airships [Presenter]
5PM: Versimilitude in Fiction [Panelist]
Sunday, May 28 10AM: Applied Plotonium [Panelist]
12NOON: Organizing an Anthology [Panelist]
1PM: Instill Caring in Readers [Panelist]
2PM: Overcoming Writer's Block [Presenter]
Monday, May 29 11AM: Past, Present, Future - Other! [Moderator]
Of course, if you don’t want to hear me yap, there are all sorts of other reasons to be there. Many great authors will be in attendance in the Author’s Alley:
There’s a great dealer’s room and a wonderful art show filled with steampunk maker art:
For yet another more year, we’ll be co-hosted with Fanime Con, so there will be buses back and forth and fans of both anime and steampunk in attendance:
I think I have about as much fun at Clockwork Alchemy as I do at Dragon Con, and that’s saying something. So I hope you come join us, fellow adventurers, in celebrating all things steampunk!
Wow. I guess a lot of books are going to be waiting for me when I get home tonight ... either the shipment of LATER anthologies for Clockwork Alchemy has arrived, or I really messed up my last Amazon Prime order. Be sure to come by Clockwork Alchemy to check them out, or look on Amazon!
Have you read Jeremiah Willstone and the Clockwork Time Machine and wondered why Jeremiah ended up a Ranger when she always wanted to be a Falconer? Or would you like to get started following Jeremiah's tales on audio? Well, you're in luck! Our friends at Sage and Savant have read one of the earliest Jeremiah stories, "The Fall of the Falcon", for your auditory adventuring pleasure!
If you'd like to find out what happens next, get a copy of Thirty Days Later and pick up where "The Fall of the Falcon" leaves off with the stirring conclusion, "The Rise of the Dragonfly"!
-The Centaur
One more interview with Sage and Savant ... me!
https://www.sageandsavant.com/2017/04/05/anthony-francis-talks-about-jeremiah-willstone/
Q: In your story “The Fall of the Falcon” the main character is female, but she has a male name, Jeremiah Willstone. Why is that?
AF: It’s more than just gender bending: it’s an outward sign of their society’s aggressive approach to women’s liberation. I wanted to tell a steampunk story about a young Victorian female soldier, but the Victorians didn’t have women soldiers – we’ve only recently started to allow them in our military. So I imagined a world where that wasn’t just a little bit different, but comprehensively different – a world where women’s liberation came a century early, and with twice as many brains working on hard problems, they were more advanced in 1908 than we are today. But I needed a way to communicate that in the story, and decided that the women in Jeremiah’s family took male names to try to achieve gender equality. With her history written into her name, I now had the storytelling power to discuss that issue as much as I wanted to – or let it slide into the background until someone innocently asks the question, “So, Jeremiah is female, but has a male name. Why is that?”
Holy cow, I almost missed this, and I helped organize it - we're giving away some anthologies in partnership between Thinking Ink Press and steampunk podcast Sage and Savant!
http://www.thinkinginkpress.com/book-giveaway-with-sage-and-savant/
I have stories in three of the four books we're giving away - Jeremiah Willstone stories in the full-length anthologies TWELVE HOURS LATER and THIRTY DAYS LATER, and flash fiction in the Instant Book "Jagged Fragments".
Sign up, best of luck, and I hope you enjoy it!
-the Centaur
Yet one more of my friends from Clockwork Alchemy, Dover Whitecliff, is interviewed on Sage and Savant! A visit to her sometimes witty, often wacky, occasionally wryly satirical alternate world always makes a fun read!
https://www.sageandsavant.com/2017/04/18/down-and-dirty-with-dover-whitecliff-author-and-editor-at-thinking-ink-press/
Q: How did you come up with the theme for the Later anthologies?
DW: The Treehouse Authors met for tea at Linde Lane Tea Room in Dixon and decided that we wanted to do a project together for literacy; an anthology was the obvious choice. But the theme is all down to Kiefer Sutherland. The news story of the day was the comeback of 24 and we had never seen an anthology with hour long stories before (though that doesn’t mean there might not be one out there that we missed). The paired stories came about to fill up a twenty-four-hour day, plus it offered the perfect tag line “You can find out what happens twelve hours later.”
Q: Yak? Giant Chicken? Trebuchet? What gives?
DW: It started with a dare in our email planning with the authors for Thirty Days Later. One author found a picture of a clockwork yak and threw down the gauntlet: “Bet you can’t fit a yak in.” Challenge accepted. Rumor has it that there are multiple yak sightings (bonus points if you can find them all). Since that was deemed “Way too easy,” the chieftess of shenanigans, Sparky McTrowell, raised the yak ante for Some Time Later with a trebuchet, and somehow a chicken was thrown in, possibly due to an excess of caffeine and chocolate. And Yes. I fit them all in.
And yet another! Friend and fellow author / editor BJ Sikes is now interviewed on Sage and Savant!
https://www.sageandsavant.com/2017/04/12/about-alternate-history-with-author-and-editor-bj-sikes/
Q: Is herding authors for an anthology indeed like herding cats? Why do you do it?BJS: Absolutely. As chief cat wrangler for all three of the Later anthologies, I had to coordinate deadlines and revisions for not just the fifteen or so authors, but also our publisher’s staff. Why do I do it? The power, obviously. But in all seriousness, it’s the satisfaction of being an integral part of a fantastic collection of stories.
Q: What was your favorite story to edit/write for the anthologies?BJS: That’s a tough one. There are so many great stories and they vary so much in theme, style, and content. I had a great time writing my own stories, especially the first one in Some Time Later, “The Descent.” That one allowed me to get my mycological geek on. I’m partial to Lillian Csernica’s Japanese mythology-inspired stories because they are unique but still feel steampunk.
Another of my author friends, Sharon Cathcart, was interviewed on Sage and Savant!
https://www.sageandsavant.com/2017/04/10/a-candid-conversation-with-author-sharon-e-cathcart/
Q: What excited you about Twelve Hours Later and the other anthologies in which you’ve participated?SEC: Short fiction is an art form in and of itself. Expressing a full story in a little bit of space, means distilling the true essence of your message in a way that someone can read on their lunch hour and still feel like they got a complete picture. Having the opportunity to challenge myself within the framework of the anthologies’ themes made me work hard to present fully developed characters and concepts within those constraints, and it was a lot of fun! That the anthologies benefited literacy programs was the icing on the cake.
Check it out - my friend and fellow author / editor / publisher AJ Sikes is interviewed on Sage and Savant!
https://www.sageandsavant.com/2017/04/07/getting-to-know-author-and-editor-aj-sikes/
Q: So, these anthologies, what’s the story behind these collections of stories?
AJS: Beginning with Twelve Hours Later, the anthologies have been an effort at showcasing the authors who attend Clockwork Alchemy each year. We wanted to have a way of introducing the whole crew to new readers in one swoop, and we also wanted to give back to the community that attends the event. The charity component has seen over $400 donated to the San Jose Public Library system in the past two years, all of which is intended for literacy programs. We’ve been really pleased with the reception of both Twelve Hours Later and Thirty Days Later. This year’s anthology Some Time Later will round out the trilogy, and we think it’s the best one yet.
Boosting the signal ... my friend and fellow author Kirsten Weiss is on Sage and Savant talking about her writing!
https://www.sageandsavant.com/2017/04/05/catching-up-with-author-kirsten-weiss/
Kirsten Weiss writes genre-blending cozy mystery, urban fantasy, and steampunk suspense, mixing her experiences and imagination to create a vivid world of magic and mayhem.
Q: Tell us about your latest book.
KW: Pressed to Death is a cozy mystery set in a wine country paranormal museum. It’s the second book in my Perfectly Proper Paranormal Museum series...
Fantastic news … auditions are now underway for the very first Jeremiah Willstone radio theater play, “Jeremiah Willstone and the Choir of Demons,” based on the story of the (almost) same name published in Aurora Wolf magazine! Here’s the casting call, being handled by the director, Tony Sarrecchia:
Open casting call for an audio/radio drama.
Tony Sarrecchia (The Harry Strange Radio Drama) is holding open auditions for a new Steampunk audio drama that will be produced in conjunction with the Atlanta Radio Theatre Company The story, an adaptation of Anthony Francis's Jeremiah Willstone series will be recorded in Atlanta and is scheduled to be available through several distribution channels later this year.
English actress and voice-over artist Emma Greene (Swamp Murders, The Harry Strange Radio Drama, An Elf’s Story) will play the title character who is a “third-generation female soldier from a world where women’s liberation happened a century earlier than ours” in tales of “betrayal, corsets, and ray guns.” Jeremiah has appeared in eight stories, with four more stories, a novella, and audio adventures on the way! Most exciting of all, she’s now appearing in her first novel-length adventure, Jeremiah Willstone and the Clockwork Time Machine! A sprawling tale of brass buttons, steam-powered ray-guns, and rollicking adventure.
For this audio drama, director Tony Sarrecchia is looking for the following:
Detective Tenpenny: A middle-aged female detective with a slight British accent.
Sample lines:
#1: “Perfect! The world is falling down around me, and the Army sends me a green-skinned rookie. Can you at least make coffee?”
#2: “Oh, he’s a monster. Seven dead that we know of…all lost to some nefarious machines designed to disfigure and maul their victims.”
Doctor Waxwood: A 60-year physician. Refined Souther accent.
#1: “I am Doctor Waxwood, the patients attending physician. I trust you both know enough to maintain decorum and discretion.”
#2: “I would love to get my hands on the demons who would do such a thing to a child!”
Madame Windprice: A 50-year solider ravished by time and illness. English accent.
#1: “I saw them everywhere—if I were 20 years younger I’d have taken them all.”
#2: “Blood Boolean toys! Give me an old-fashioned analogue spectroscope any day!”
Ensign Adler: Young male or female solider. English or southern accent.
#1: “Jeremiah, hurry, we’re going to be late!”
#2: “Yes! You struck the nail squarely!”
Prof Kilroe: Male, military professor, 40s. Southern Accent
#1: “Outfitting is the foundation of Expeditionary work. Thanks to modern shape readers and auto whittling, we can customize each Expeditionary's gear to their individual bodies. Now, I'd like each of you to measure your hand and weapon as outlined on the board. (WALKING AROUND THE ROOM) Yes, good, good. Careful around the fingers. As you trace and measure, the wax cylinder is encoding a sound that will instruct the autowhittler to sculpt a new pistol grip customized to both your left Kathodenstrahl (cat-HOD-en-STRAHL) and your hand.”
Zane Cross: Male, villain, 30s. English or Southern Boston Accent
#1: “Do you propose we just shoot evil-glare at each other for the rest of the night.”
#2: “There is nothing COMMON about me!”
Currently, compensation is in credit and samples. This audition is for actors in the Atlanta Metro area (or those who can attend recording sessions in Atlanta).
Audition recordings specifications:
⁃ Mp3 at 44.1Khz 128 bit rate
⁃ Record each line separately
⁃ Label as follows: your name_character_line#.mp3
⁃ Send in a zip file (or Dropbox) to producer@harrystrange.com
In an email please include the following:
⁃ Your real name
⁃ Credits
⁃ Location
⁃ Phone/Skype
⁃ Willingness to perform in front of a live audience (not a requirement, just a nice to know)
You can contact Tony directly about the open casting call, or contact me at centaur at dresan dot com and I’ll pass it along.
Want to know more about the process of writing a novel? I believe that you should “put it all in” - to use all your inspiration on every project, and to not hold things back for later. Now is the opportunity; take it! To learn more, check out my guest post at Magical Words!
Putting It All In
One of the most important pieces of writing advice I’ve received is “put it all in.” If you’ve got a great idea, don’t save it for a great story: put it in the story you’re working on now. I can’t tell you how many times in the past I had a great idea that I felt I “wasn’t ready to tell,” but I can tell you that those stories almost never get told.
When I started writing a steampunk novel, I questioned what to put in it. I knew my protagonist was a young female soldier from the Victorian era, but what else should go in the story? Some things seemed obvious ...
So my author reading IS on tomorrow, though you can't search for it by name (my name appears in the panel description, but not in the panelists), it does show up on the list at 11:30 tomorrow (um, today, Saturday):
As an author, I'm interested in how well my books are doing: not only do I want people reading them, I also want to compare what my publisher and booksellers claim about my books with my actual sales. (Also, I want to know how close to retirement I am.)
In the past, I used to read a bunch of web pages on Amazon (and Barnes and Noble too, before they changed their format) and entered them into an Excel spreadsheet called "Writing Popularity" (but just as easily could have been called "Writing Obscurity", yuk yuk yuk). That was fine when I had one book, but now I have four novels and an anthology out. This could take out half an a hour or more, which I needed for valuable writing time. I needed a better system.
I knew about tools for parsing web pages, like the parsing library Beautiful Soup, but it had been half a decade since I touched that library and I just never had the time to sit down and do it. But, recently, I've realized the value of a great force multiplier for exploratory software development (and I don't mean Stack Exchange): interactive programming notebooks. Pioneered by Mathematica in 1988 and picked up by tools like iPython and its descendent Jupyter, an interactive programming notebook is like a mix of a command line - where you can dynamically enter commands and get answers - and literate programming, where code is written into the documents that document (and produce it). But Mathematica isn't the best tool for either web parsing or for producing code that will one day become a library - it's written in the Wolfram Language, which is optimized for mathematical computations - and Jupyter notebooks require setting up a Jupyter server or otherwise jumping through hoops.
Enter Google's Colaboratory.
Colab is a free service provided by Google that hosts Jupyter notebooks. It's got most of the standard libraries that you might need, it provides its own backends to run the code, and it saves copies of the notebooks to Google Drive, so you don't have to worry about acquiring software or running a server or even saving your data (but do please hit save). Because you can try code out and see the results right away, it's perfect on iterating ideas: no need to re-start a changed program, losing valuable seconds; if something doesn't work, you can tweak the code and try it right away. In this sense Colab has some of the force multiplier effects of a debugger, but it's far more powerful. Heck, in this version of the system you can ask a question on Stack Overflow right from the Help menu. How cool is that?
My prototyping session got a bit long, so rather than try to insert it inline here, I wrote this blog post in Colab! To read more, go take a look at the Colaboratory notebook itself, "A Sip of the Tracking Soup", available at: 
The challenge on this one: no pencils, no references, just straight freeform inking. 
Boosting the signal ... I'll be joining my friend David Colby's panel APPLIED PLOTONIUM at 10am on Sunday at 
In addition to David and me, we've also shanghaied, er, convinced two of our mutual friends to join in: writer and chemist 
Wow. I guess a lot of books are going to be waiting for me when I get home tonight ... either the shipment of 
One more 
Q: Yak? Giant Chicken? Trebuchet? What gives?
DW: It started with a dare in our email planning with the authors for Thirty Days Later. One author found a picture of a clockwork yak and threw down the gauntlet: “Bet you can’t fit a yak in.” Challenge accepted. Rumor has it that there are multiple yak sightings (bonus points if you can find them all). Since that was deemed “Way too easy,” the chieftess of shenanigans, Sparky McTrowell, raised the yak ante for Some Time Later with a trebuchet, and somehow a chicken was thrown in, possibly due to an excess of caffeine and chocolate. And Yes. I fit them all in.
BJS: Absolutely. As chief cat wrangler for all three of the Later anthologies, I had to coordinate deadlines and revisions for not just the fifteen or so authors, but also our publisher’s staff. Why do I do it? The power, obviously. But in all seriousness, it’s the satisfaction of being an integral part of a fantastic collection of stories.
Q: What was your favorite story to edit/write for the anthologies?
BJS: That’s a tough one. There are so many great stories and they vary so much in theme, style, and content. I had a great time writing my own stories, especially the first one in Some Time Later, “The Descent.” That one allowed me to get my mycological geek on. I’m partial to Lillian Csernica’s Japanese mythology-inspired stories because they are unique but still feel steampunk.
Q: What excited you about Twelve Hours Later and the other anthologies in which you’ve participated?
SEC: Short fiction is an art form in and of itself. Expressing a full story in a little bit of space, means distilling the true essence of your message in a way that someone can read on their lunch hour and still feel like they got a complete picture. Having the opportunity to challenge myself within the framework of the anthologies’ themes made me work hard to present fully developed characters and concepts within those constraints, and it was a lot of fun! That the anthologies benefited literacy programs was the icing on the cake.
Q: Tell us about your latest book.
KW: Pressed to Death is a cozy mystery set in a wine country paranormal museum. It’s the second book in my Perfectly Proper Paranormal Museum series...
