Posts Tagged ‘Gaslights and Rayguns’

JW&TCTM is HERE!

Thursday, February 23rd, 2017

20170221_172832.jpg

At long last, Jeremiah Willstone and the Clockwork Time Machine, my fourth published novel, is OUT in the world! You can get it wherever fine books are sold:

The Clockwork Time Machine tells the story of Jeremiah Willstone, a female adventurer from an alternate world called Victoriana, where, because women’s liberation happened a century early and twice as many brains ended up working on hard problems, science has advanced more in 1908 than it has in our world today – but inadvertently, these scientific advances attracted the attention of aliens called Foreigners, who have come calling to make this world their own!

When Jeremiah’s treacherous uncle steals a dangerous alien weapon and secrets it away on an airship to a possibly hostile shore, Jeremiah leads a strike team to retrieve it – and finds herself chasing him across the seas of time itself, with her uncle just possibly aiming to upend the entire world order she holds dear! With time running out, Jeremiah must sacrifice everything she is to save everyone she loves.

20170221_172448.jpg

Enjoy!

-the Centaur

JW&TCTM Release: February 23rd, 2017

Saturday, February 18th, 2017

Jeremiah Willstone and the Clockwork Time Machine will be out next week – February 23rd, 2017! Order it on Amazon, review it on Goodreads, or ask for it wherever fine books are sold!

Jeremiah Willstone and TCTM(1).jpg

From an Epic Award winning author comes a sprawling tale of brass buttons, ray guns, and two-fisted adventure!

In an alternate empire filled with mechanical men, women scientists, and fantastic contraptions powered by steam, a high ranking officer in the Victoriana Defense League betrays his country when he steals an airship and awakens an alien weapon that will soon hatch into a walking factory of death.

Commander Jeremiah Willstone and her team must race through time in a desperate bid to stop the traitor’s plan to use the alien weapon to overthrow the world’s social order. With time running out, Jeremiah may have to sacrifice everything she is to save everyone she loves.

“Addictive, sassy, sexy, funny, intense, brilliant.” -Bitten By Books, on Frost Moon

Epic Award winner Anthony Francis writes the Dakota Frost, Skindancer series and the Jeremiah Willstone series while working on robots for “the Search Engine Which Starts with a ‘G’.”

Cover Reveal: JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE!

Friday, February 10th, 2017

For those wondering what I’ve been up to for the last six months, the biggest thing is THIS …

Jeremiah Willstone and TCTM.jpg

At long last, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is coming to print! We’ll be picking the actual release date in the next few days, but I can’t think of a better gift for my birthday than seeing the cover of my new novel!

Here’s a sneak peek at the back cover blurb:

From an Epic Award winning author comes a sprawling tale of brass buttons, ray guns, and two-fisted adventure!

In an alternate empire filled with mechanical men, women scientists and fantastic contraptions powered by steam, a high ranking officer in the Victoriana Defense League betrays his country when he steals an airship and awakens an alien weapon that will soon hatch into a walking factory of death.

Commander Jeremiah Willstone and her team must race through time in a desperate bid to stop the traitor’s plan to use the alien weapon to overthrow the world’s social order. With time running out, Jeremiah may have to sacrifice everything she is to save everyone she loves.

“Addictive, sassy, sexy, funny, intense, brilliant.” -Bitten By Books, on Frost Moon

Epic Award winner Anthony Francis writes the Dakota Frost, Skindancer series and Jeremiah Willstone series while working on robots for “the Search Engine Which Starts with a ‘G’.”

Prevail, Victoriana!

-the Centaur

TCTM is on its way to production!

Friday, December 23rd, 2016

Screenshot 2016-12-23 18.40.31.png

JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is now on its way to production at Bell Bridge Books. It only took me about a month to go over the page proofs after all the crap that’s been going on in my life, but at last, at last, it’s out of my hands. Now all I have to do is market the thing! Oh … on that note …

http://www.jeremiahwillstone.com/

More content landing there Real Soon Now … but as for me, I’m going to go have a well-needed drink. (*)

-the Centaur

(*) Axually, I had it already, nonalcoholic of course. I elect not to drink unless I know I’ll be spending more than a couple of hours at the location of my consumption, and even then, it’s “one and done,” baby.

20161223_214343.jpg

Jeremiah Willstone and the Choir of Demons

Tuesday, October 4th, 2016

Jeremiah Willstone returns to your aerograph dial in her latest cylinder of two-fisted science adventure: “A Choir of Demons”, published this October 1st on Aurora Wolf magazine!
Steam550x550.jpg

Michael Pennington, the editor of Aurora Wolf, did these two super fun digital illustrations of Jeremiah for the story, which he graciously agreed to let me use to promote the story – a tale of Jeremiah’s very first adventure out of Academy. It’s one thing to have an great reputation. It’s another to be thrust too much responsibility too soon. On her very first day as an Expeditionary, Jeremiah is called on to fight what appears to be a choir of demons – but is she up to the task?

Steam-close-550x570.jpg

An excerpt:

Bharat looked at her thoughtfully. “Well, Lieutenant,” he said, handing the dispatch to her. “Looks like your bailiwick.”

“A … police matter, sir?” Jeremiah said, her voice unexpectedly rising; most unbecoming in a soldier, but she hadn’t expected to be sent on a formal mission on her very first day. Navid clearly had talked her up too much! “With respect, sir, I’ve not even completed orientation—”

“You’re wearing the tailcoat,” Lord Bharat said firmly. “Aquit it well. Dismissed.”

Jeremiah clicked her heels, whirled and marched off, her head positively spinning. What were the protocols? Who were the players? She was going in blind! She tried to pump the dispatcher for details, but he sternly sent her on her way: the plea was urgent.

And so, within the hour, Jeremiah found herself halfway across Boston standing beside a detective policeman opening the bloodied front door of an artisan’s shop. Even as the hardbitten woman’s shaking hand cranked the passkey, Jeremiah steeled herself.

“Not sure whether this is an Incursion,” the detective muttered, “but it sure as hell looks like Expeditionary business.” The lockpick engaged, and the spattered door swung open with an ominous creak …

To read more, check the story out at Aurora Wolf! And stay tuned for more Jeremiah in upcoming anthologies and the novel THE CLOCKWORK TIME MACHINE!

-Anthony

Persistence is Rewarded, Despair is a Mistake

Sunday, September 18th, 2016

stories-sold-2016-09-18.png

So I’m proud to announce that “A Choir of Demons” was just accepted by Aurora Wolf magazine, with a projected release date of October 1st. More news as that gets finalized, but I’m more interested right now in the process by which this story was sold. Had I acted on feedback which made me despair on the story, I might have changed it ways that ruined it for its right home.

As I’ve documented before, I once sent my stories out to many places, only to get discouraged, and created a narrative that I’d sent them out until I exhausted the markets, and gave up. The reality was that several stories I told myself were no damn good actually got great feedback, but the markets that wanted to publish them went out of business.

Maybe those markets went under because they weren’t accepting better stories, but actually, many, many magazines went out of business right around that time, so I really was in a market contraction – and a time crunch, as I quit work on stories as my PhD ratcheted up, as I cut back writing because of RSI, and because I helped found a startup.

But when I started sending things out again, things got much better. I still get only a 15% acceptance rate, so on average I need to send a story to half a dozen markets or more before I get a success. But my latest story, “A Choir of Demons”, a steampunk police procedural which I wrote specifically for Analog or Asimov’s, wasn’t getting a lot of traction: it racked up almost a dozen rejections.

Most were form letters, but a few had detailed feedback. But that feedback was strange and contradictory. One complained that the beginning of the story didn’t get inside the character’s head … when the first two pages were primarily the protagonist’s reactions to her situation. Another complained the story wasn’t sufficiently standalone, when I tried to make it specifically standalone. And so on.

I was considering a major rewrite, but remembered Heinlein’s famous advice for writers: “Write. Finish what you write. Send your work out. Keep it on the market until sold. Only rewrite to editorial order” and so reactivated my subscription to the story-market service Duotrope, finding another dozen markets I hadn’t seen on the free listings on the similar site Ralan.

I have to give kudos to Duotrope – I found three markets that each responded almost immediately. The first two gave me prompt but nice rejections. The third was Aurora Wolf – whose editor passed on a few kind words which essentially called out “A Choir of Demons” as the kind of thing that they were looking for.

Had I limited myself to just a few markets, I might not have found a right home for “A Choir of Demons”. Had I changed the story to mold it to fit the markets that didn’t want it, I might easily have broken the things about the story that made it a good fit for its ultimate home.

So persistence is rewarded – but the road of persistence can get lonely at times, and it’s easy to lose your way. Don’t despair while traveling that road, or you might drive off the road straight into a mistake.

-the Centaur

Book Reading: 1pm Sunday

Saturday, September 3rd, 2016

circularstair.png

So, Dakota Frost and Jeremiah Willstone fans, come to Dragon Con this Sunday at 1pm and you’ll get to hear me read from both series! I’ll be reading from one of FROST MOON or LIQUID FIRE (depending on how many fans in the audience there are who have read each book) and from THE CLOCKWORK TIME MACHINE. Also, I’ll likely read one or more of my flash fiction pieces, probably “Solomon’s Baby” and possibly a few other short pieces depending on time.

  • Reading: Anthony Francis
    Sunday 1pm, Edgewood – Hyatt
    Anthony Francis reads from the Skindancer series, from THE CLOCKWORK TIME MACHINE, from his flash fiction work, and answers your questions!
  • Steampunk/Alternate History Is Here to Stay
    Sunday 8:30pm, Embassy CD – Hyatt
    Is the Steampunk market soft? Writers discuss keeping the genre alive and kicking. How to infuse your Steampunk/Alt History novels and stories with new life.

Later, I’ll be talking more about steampunk at 8:30pm as well. Also, at 10am on Monday, not on the schedule, I’ll be on a panel about starting a small press. Drop on by, and I hope you enjoy!

reading2016.png

Pictured: a cool staircase because it’s cool, and the neat badge schedule things they give us to tell us where to go when.

-the Centaur

THIRTY DAYS LATER on sale!

Friday, September 2nd, 2016

Hey gang, I’ll be at Dragon Con’s Avoiding Historical Mistakes tomorrow at 7pm, but if you’re interested in a lot of good steamy stories, go visit your favorite e-bookstore, where THIRTY DAYS LATER is on sale for $0.99! Thirty tales of alternate history for a buck – you can’t beat that! And it has the two latest Jeremiah Willstone stories in there – “Fall of the Falcon” and “Rise of the Dragonfly”, so go check it out!

30dl-cover.png

-the Centaur

Viiictory the Fifteenth

Sunday, July 31st, 2016

Print

Once again, I’ve completed the challenge of writing 50,000 words in a month as part of the National Novel Writing Month challenges – this time, the July 2016 Camp Nanowrimo, and the next 50,000 words of Dakota Frost #5, PHANTOM SILVER!

Phantom Silver v2 Small.png

This is the reason that I’ve been so far behind on posting on my blog – I simultaneously was working on four projects: edits on THE CLOCKWORK TIME MACHINE, writing PHANTOM SILVER, doing publishing work for Thinking Ink Press, and doing my part at work-work to help bring about the robot apocalypse (it’s busy work, let me tell you). So busy that I didn’t even blog successfully getting TCTM back to the editor. Add to that a much needed old-friends recharge trip to Tahoe kicking off the month, and I ended up more behind than I’ve ever been … at least, as far as I’ve been behind, and still won:

Camp Nano 2016 July 31b.png

What did I learn this time? Well, I can write over 9,000 words a day, though the text often contains more outline than story; I will frequently stop and do GMC (Goal Motivation Conflict) breakdowns of all the characters in the scene and just leave it in the document as paragraphs of italicized notes, because Nano – I can take it out later, its word count now now now! That’s how you get five times a normal word count in a day, or 500+ times the least productive day in which I actually wrote something.

Camp Nano 2016 July 31c.png

Also, I get really really really sloppy – normally I wordsmith what I write as I write, even in Nano – but that’s when I have the luxury of writing 1000-2000 words a day. When I have to write 9000, I write things like “I want someoent bo elive this whnen ai Mideone” and just keep going, knowing that I can correct the text later to “I want someone to believe this when I am done,” and, more importantly, can use the idea behind that text to craft a better scene on the next draft (in this case, Dakota’s cameraman Ron is filming a bizarre event in which someone’s life is at stake, and when challenged by a bystander he challenges back, saying that he doesn’t have any useful role to fill, but he can at least document what’s happening so they’ll all be believed later).

Camp Nano 2016 July 31d.png

The other thing is, what I am starting to call The Process actually seems to work. I put characters in situations. I think through how they would react, using Goal Motivation Conflict to pull out what they want, why they want it, and why they can’t get it (a method recommended by my editor Debra Dixon in her GMC book). But the critical part of my Process is, when I have to go write something that I don’t know, I look it up – in a lot of detail. Yes, Virginia, even when I was writing 9,000+ words a day, I still went on Wikipedia – and I don’t regret it. Why? Because when I’m spewing around trying to make characters react like they’re in a play, the characters are just emoting, and the beats, no matter how well motivated, could get replaced by something else.

2209942304_e9f94d213a_b.jpg

But when it strikes me that the place my characters area about visit looks like a basilica, I can do more than just write “basilica.” I can ask myself why I chose that word. I can look up the word “basilica” on Apple’s Dictionary app. I can drill through to famous basilicas like the Basilica of Saint Peter. I can think about how this place will be different from that, and start pulling out telling details. I can start to craft a space, to create staging, to create an environment that my characters can react to. Because emotions aren’t just inside us, or between us; they’re for something, for navigating this complex world with other humans at our side. If a group of people argues, no matter how charged, it’s just a soap opera. Put them in their own Germanic/Appalachian heritage family kitchen in the Dark Corner of South Carolina, on on the meditation path near an onsen run continuously by the same family for 42 generations, and the same argument can have a completely different ambiance – and completely different reactions.

The text I wrote using my characters reacting to the past plot, or even with GMC, may likely need a lot of tweaking: the point was to get them to a particular emotional, conceptual or plot space. The text I wrote with the characters reacting to things that were real, even if it needs tweaking, often crackles off the page, even in very rough form. It’s material I won’t want to lose – more importantly, material I wouldn’t have produced, if I hadn’t pushed myself to do National Novel Writing Month.

Up next, finishing a few notes and ideas – the book is very close to done – and then diving into contracts for Thinking Ink Press, and reinforcement learning policy gradients for the robot apocalypse, all while waiting for the shoe to drop on TCTM. Keep your fingers crossed that the book is indeed on its way out!

-the Centaur

To think, I could be in epic crowds right now!

Thursday, July 21st, 2016

20160721_122339.jpg

And instead, I’m eating veggie quesadillas with salmon, reading about neural networks and reinforcement learning, and waiting to find if my jury number is going to be called. In truth, I miss Comic-Con this year, but I only have myself to blame for not renewing my professional registration, and in truth I need the time to work on PHANTOM SILVER.

Camp Nano 2016 July 21.png

As you can see, I’m way behind, in part because of my Tahoe trip, in part because I’m also trying to finish THE CLOCKWORK TIME MACHINE, and in part because work is cuh-RAY-zee. But I’m making progress; I just cracked 20,000 added words..

Camp Nano 2016 July 21a.png

Back to work. Comic-Con, next year.

-the Centaur